Learning Outcomes
Upon successful completion of the course, students should have:
• adapt the basic knowledge of the various stages of the development of the notation of Western music
• been familiarised with the reading and the transcription of earlier notations into modern notation
• understand the interrelation between musical creation and musical notation
• develop critical skills in order to offer solutions when problems appear in primary musical sources
Course Content (Syllabus)
Examination of the basic types of early notation of Western from the 9th to the 16th century.
Syllabus topics:
• Intervallic – phonetic notation
• Neumatic notation
• Square notation
• Modal notation
• Franconian notation
• Petronian notation
• White mensural notation
• Lute and keyboard tablatures: Italian, Spanish, French, German
Additional bibliography for study
• Σημειώσεις του διδάσκοντος
• Willi Apel, The Notation of Polyphonic Music, 900–1600 (Cambridge, MA: The Mediæval Academy of America, 1942, αναθ. 5/1961· γερμ. μτφ., αναθ., 1970)
• Carl Parrish, The Notation of Medieval Music ( New York: Norton, 1957, 2/1959)
• Richard Rastall, The Notation of Western Music: an Introduction (New York: Dent, 1983, αναθ. 2/1998/R)