FILM THEORY III

Course Information
TitleΘΕΩΡΙΑ ΚΙΝΗΜΑΤΟΓΡΑΦΟΥ ΙΙΙ / FILM THEORY III
Code3ΘΚ2
FacultyFine Arts
SchoolFilm
Cycle / Level1st / Undergraduate
Teaching PeriodWinter
CoordinatorChristina Adamou
CommonYes
StatusActive
Course ID280007579

Programme of Study: UPS of School of Film Studies (2009-2013)

Registered students: 165
OrientationAttendance TypeSemesterYearECTS
CoreCompulsory Course323

Class Information
Academic Year2016 – 2017
Class PeriodWinter
Faculty Instructors
Weekly Hours4
Total Hours52
Class ID
600061467
Type of the Course
  • Scientific Area
Course Category
Specific Foundation / Core
Mode of Delivery
  • Face to face
Digital Course Content
Language of Instruction
  • Greek (Instruction, Examination)
Learning Outcomes
They will learn the material and be able to apply it in film analysis, will practice in participatory observation and will assimilate new theoretical concepts.
General Competences
  • Apply knowledge in practice
  • Retrieve, analyse and synthesise data and information, with the use of necessary technologies
  • Work in an interdisciplinary team
  • Appreciate diversity and multiculturality
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Advance free, creative and causative thinking
Educational Material Types
  • Notes
  • Multimedia
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Communication with Students
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Lectures872.9
Exams30.1
Total903
Student Assessment
Student Assessment methods
  • Written Exam with Short Answer Questions (Formative, Summative)
  • Written Exam with Extended Answer Questions (Formative, Summative)
  • Written Assignment (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
Κρακάουερ, Σ. (1983), «Βασικές Έννοιες» στο Θεωρία του Κινηματογράφου (Αθήνα: Κάλβος). Αρνχάιμ, Ρούντολφ (2008), Το Φιλμ ως Τέχνη (Αθήνα: Καθρέφτης)
Additional bibliography for study
Μπαζέν, Α. (1988α), «Σχετικά με την εξέλιξη της κινηματογραφικής γλώσσας» στο Τι Είναι Κινηματογράφος 1 (Αθήνα: Αιγόκερως). Bordwell, D., J. Staiger, and K. Thompson (1985), The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 (New York: Routledge). Altman, R. (1999), ‘A Semantic/syntactic approach to film genre’, in B. K. Grant (ed.), Film Genre Reader II (Texas: University Texas Press): 26-40. Neale, S. (1995), ‘Questions of genre’, in B. K. Grant (ed.), Film Genre Reader II (Texas: University Texas Press): 157-183. Schrader, P. (1995), ‘Notes on film noir’, in B. K. Grant (ed.), Film Genre Reader II (Austin, TX: University Texas Press): 218-223. Elsaesser, T. (1991), ‘Tales of Sound and Fury: Observations on the Family Melodrama’ in Marcia Landy (ed.), Imitations of Life: a Reader on Film and TV Melodrama (Detroit: Wayne State University Press): 68-91.
Last Update
09-04-2017