PRODUCTION III

Course Information
TitleΠΑΡΑΓΩΓΗ ΙΙΙ / PRODUCTION III
Code5ΠΑ1
FacultyFine Arts
SchoolFilm
Cycle / Level1st / Undergraduate, 3rd / Doctorate
Teaching PeriodWinter
CoordinatorKonstantinos Kefalas
CommonYes
StatusActive
Course ID280005957

Programme of Study: UPS of School of Film Studies (2009-2013)

Registered students: 127
OrientationAttendance TypeSemesterYearECTS
CoreElective Courses beloging to the selected specialization535

Class Information
Academic Year2016 – 2017
Class PeriodWinter
Faculty Instructors
Weekly Hours4
Total Hours52
Class ID
600061483
Type of the Course
  • Scientific Area
  • Skills Development
Course Category
Specific Foundation / Core
Mode of Delivery
  • Face to face
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Greek (Instruction, Examination)
  • English (Instruction, Examination)
Learning Outcomes
1. They will understand the method of compiling a feature film budget 2. They will be able to use all available tools for a feature film budget compilation 3. They will know the way to properly allocate financial means to different production needs 4. They will be familiar with Greece's labour environment 5. They will be able to adequately use at least one production compilation software
General Competences
  • Apply knowledge in practice
  • Retrieve, analyse and synthesise data and information, with the use of necessary technologies
  • Adapt to new situations
  • Make decisions
  • Work autonomously
  • Work in teams
  • Work in an international context
  • Work in an interdisciplinary team
  • Design and manage projects
  • Appreciate diversity and multiculturality
  • Respect natural environment
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Course Content (Syllabus)
Cinema tells stories. Sometimes film producers chose, develop, change or formulate these stories and the way they are narrated. The producer is also a good script reader and understands a script's components.Basic principles of script analysis are discussed. The components that form a story. The way these are organised and tell the story. During film development the producer sometimes participates and other times takes the lead in developing, improving, rewriting the story.
Educational Material Types
  • Notes
  • Video lectures
  • Audio
  • Multimedia
  • Interactive excersises
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Laboratory Teaching
  • Use of ICT in Communication with Students
Description
Use of equipment to reproduce and project audiovisual works Use of audiovisual production equipment Use of relevant websites to deepen the lectures's understanding Use of email for frequent and instantaneous communication with the class
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Lectures1003.3
Fieldwork150.5
Written assigments351.2
Total1505
Student Assessment
Student Assessment methods
  • Written Assignment (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
1. Sher Garfinkel, Screenplay Story Analysis, Allworth Press, 2007 2. Rona Edwards & Monica Skerbelis, I Liked it, Didn’t Love it, ESE, 2009
Last Update
26-07-2017