SCREENWRITING V

Course Information
TitleΣΕΝΑΡΙΟ V / SCREENWRITING V
Code5ΣΕ1
FacultyFine Arts
SchoolFilm Studies
Cycle / Level1st / Undergraduate
Teaching PeriodWinter
CoordinatorPanagiotis Iosifelis
CommonYes
StatusActive
Course ID280005960

Programme of Study: UPS of School of Film Studies (2009-2013)

Registered students: 112
OrientationAttendance TypeSemesterYearECTS
CoreElective Courses beloging to the selected specialization535

Class Information
Academic Year2016 – 2017
Class PeriodWinter
Faculty Instructors
Weekly Hours3
Total Hours39
Class ID
600061488
Type of the Course
  • Background
  • Scientific Area
Mode of Delivery
  • Face to face
Digital Course Content
Language of Instruction
  • Greek (Instruction, Examination)
Learning Outcomes
1. Comprehension and ability to practice alternative narrative forms. 2. Understanding of the emotional theme in the screenplay and ability to use it as a structure element. 3. Comprehension of the distinction between classical/alternative narrative forms.
General Competences
  • Apply knowledge in practice
  • Work autonomously
  • Work in teams
  • Generate new research ideas
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Course Content (Syllabus)
Introduction to the alternative forms of narration , linear or non linear narrative construction. The course examines the dramatical system and the development through the thematical core . Multiple characters , switch of the main character, different points of view, narration through different episodes , narration through different episodes with a passive character , narration with reversed time line , circular narration , narration based on the emotional theme. The theory of the course is combined with film analysis and writing exercises( step out line and characters)
Keywords
alternative narration, space, time, dissolution of narrative unity
Educational Material Types
  • Notes
  • Slide presentations
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Communication with Students
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Lectures571.9
Written assigments501.7
Artistic creation401.3
Exams30.1
Total1505
Student Assessment
Description
The final evaluation is according the below: 1. The written test at the end of the semester, 2. the active participation at the courses, 3. the written exercises during the semester.
Student Assessment methods
  • Written Exam with Extended Answer Questions (Summative)
  • Written Assignment (Formative)
  • Oral Exams (Summative)
  • Artistic Performance (Summative)
Bibliography
Course Bibliography (Eudoxus)
Χριστίνα Καλογεροπούλου, Σενάριο, η τέχνη της αφήγησης και της επινόησης στον κινηματογράφο, εκδόσεις Νεφέλη. Χριστίνα Καλογεροπούλου, Bio/Pic οι ζωές των λίγων, εκδόσεις Πατάκη. Βαλούκος Στάθης, Το σενάριο, εκδόσεις Αιγόκερως. Joseph Campbell, Ο ήρωας με τα χίλια πρόσωπα, εκδόσεις Ιάμβλιχος. Syd Field, Σενάριο, εκδόσεις Κάλβος. Α. Δοξιάδης, Η αφήγηση ως γνώση και η περίπτωση της βιογραφίαςΕλληνική Α. Κεχαγιάς, Το σενάριο : από την αρχική ιδέα στην εκτέλεση, εκδ. Έλλην. Roger Kahane, Τα πρακτικά από την εβδομάδα σεναρίου, Αθήνα 1993 Frensham, Teach Yourself Screenwriting Jack Brislee, Νο passive protagonist!, www. the story department Paul Gulino ,Screenwriting – the Sequence Approach  Blake Snyder, Save the Cat Christopher Vogler, The Writer’s Journey Tom Lazarus, Secrets of Film Writing Christopher Keane, How to Write a Selling Screenplay Robert Mc Kee, Story, metheum. Linda Seger, Making a good script great, Samuel French. Linda Seger, Creating unforgettable characters, Samuel French Linda Seger, The art of adaptation: turn fact and fiction Lajos Egri, The art of dramatic writing, BNP. Christropher Vogler, The Writer’s Journey, Michel Wiese Productions. John Truby, Great movies : why do they work, Silman – james Press. David Howard, How to build a great screenplay, souvenir press. Robert Mc Kee, Story, metheum. Κen Dancyger & Jeff Rush, Alternative screenwriting, Focal Press. Βerg Charles. A taxonomy of alternative plots in recent films: classifying the "Tarantino effect", article
Additional bibliography for study
Χριστίνα Καλογεροπούλου, Σενάριο, η τέχνη της αφήγησης και της επινόησης στον κινηματογράφο, εκδόσεις Νεφέλη. Χριστίνα Καλογεροπούλου, Bio/Pic οι ζωές των λίγων, εκδόσεις Πατάκη. Βαλούκος Στάθης, Το σενάριο, εκδόσεις Αιγόκερως. Joseph Campbell, Ο ήρωας με τα χίλια πρόσωπα, εκδόσεις Ιάμβλιχος. Syd Field, Σενάριο, εκδόσεις Κάλβος. Α. Δοξιάδης, Η αφήγηση ως γνώση και η περίπτωση της βιογραφίαςΕλληνική Α. Κεχαγιάς, Το σενάριο : από την αρχική ιδέα στην εκτέλεση, εκδ. Έλλην. Roger Kahane, Τα πρακτικά από την εβδομάδα σεναρίου, Αθήνα 1993. Αγγλική. Robert Mc Kee, Story, metheum. Linda Seger, Making a good script great, Samuel French. Linda Seger, Creating unforgettable characters, Samuel French Lajos Egri, The art of dramatic writing, BNP. Christropher Vogler, The Writer’s Journey, Michel Wiese Productions. John Truby, Great movies : why do they work, Silman – james Press. David Howard, How to build a great screenplay, souvenir press.
Last Update
11-04-2017