SPECIAL TOPICS OF WORLD THEATRE: GERMAN THEATRE

Course Information
TitleΕΙΔΙΚΑ ΖΗΤΗΜΑΤΑ ΠΑΓΚΟΣΜΙΟΥ ΘΕΑΤΡΟΥ: ΤΟ ΓΕΡΜΑΝΟΦΩΝΟ ΘΕΑΤΡΟ (19ος αιώνας) / SPECIAL TOPICS OF WORLD THEATRE: GERMAN THEATRE
CodeΣΤ0618
FacultyFine Arts
SchoolDrama
Cycle / Level1st / Undergraduate
Teaching PeriodWinter/Spring
CommonYes
StatusActive
Course ID120001069

Programme of Study: PPS Tmīmatos THeátrou (2019-sīmera)

Registered students: 0
OrientationAttendance TypeSemesterYearECTS

Programme of Study: PPS Tmīmatos THeátrou (2015-2018)

Registered students: 0
OrientationAttendance TypeSemesterYearECTS
KORMOSElective Courses belonging to the selected specialization744.5

Class Information
Academic Year2016 – 2017
Class PeriodWinter
Faculty Instructors
Weekly Hours3
Class ID
600061509
Type of the Course
  • Scientific Area
Course Category
Specific Foundation / Core
Mode of Delivery
  • Face to face
Digital Course Content
Language of Instruction
  • Greek (Instruction, Examination)
General Competences
  • Apply knowledge in practice
  • Retrieve, analyse and synthesise data and information, with the use of necessary technologies
  • Adapt to new situations
  • Make decisions
  • Work autonomously
  • Work in teams
  • Generate new research ideas
  • Appreciate diversity and multiculturality
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Educational Material Types
  • Slide presentations
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Lectures391.6
Reading Assigment401.6
Written assigments21.50.9
Exams210.8
Total121.54.9
Student Assessment
Student Assessment methods
  • Written Exam with Extended Answer Questions (Formative)
  • Performance / Staging (Formative)
Bibliography
Course Bibliography (Eudoxus)
Ρολάν Μπαρτ, Μυθολογίες / Μάθημα. Ελίας Κανέττι, Μαζα και εξουσία. Τόμας Μπέρνχαρντ, Τα βραβεία μου.
Additional bibliography for study
Cox Jeffrey, In the shadows of romance: romantic tragic drama in Germany, England and France, Ohio Univ. Press, Athens 1987. Chothia Jean, «‘The Triumph of the Supers’: Hauptmann’s ‘The Weavers’ as Theatrical Event», Nineteenth Century Theatre and Film, τμ. 34, τχ.1, σσ. 45-68. Crighton James, Büchner and madness: schizophrenia in Georg Büchner’s ‘Lenz’ and ‘Woyzeck’, Mellen, Lewiston 1998. Dannenberg Hilary, The changing heavens: major recurrent images in the poetic writings of Georg Büchner, Dannenberg, Rheinbach 1994. Jones Robert, Frank Wedekind: a bibliographic handbook, Saur, München 1996. Langworthy Douglas, «Sternheim’s comic masks (playwright Carl Sternheim’s satirical works)», American Theatre, τμ. 13, τχ. 2 (1996), σσ. 10-12. Lewis Ward, The ironic dissident: Frank Wedekind in the view of critics, Camden House, Columbia 1997. Mehring Franz (επιμ.), «On Hauptmann’s ‘The Weavers’», New Theatre Quarterly, τμ. 11, τχ. 42 (1995), σσ. 184-189. Nagel Barbara-Natalie, «The spirit of matter in Büchner», Comparative Literature and Culture, τμ. 13, τχ. 3 (2011), σσ. 115-132. Petterson Michael, The first German theatre: Schiller, Goethe, Kleist and Büchner in performance, Routledge, London 1990. Steven R. Huff, Heinrich von Kleist’s poetics of passivity, Camden House, Rochester 2009. Weineck Silke-Maria, «Sex and history, or is there an erotic utopia in ‘Danton’s Tod’», The German Quarterly, τμ.73, τχ. 4 (2000), σσ. 351-366.
Last Update
06-03-2017