Additional bibliography for study
Cox Jeffrey, In the shadows of romance: romantic tragic drama in Germany, England and France, Ohio Univ. Press, Athens 1987.
Chothia Jean, «‘The Triumph of the Supers’: Hauptmann’s ‘The Weavers’ as Theatrical Event», Nineteenth Century Theatre and Film, τμ. 34, τχ.1, σσ. 45-68.
Crighton James, Büchner and madness: schizophrenia in Georg Büchner’s ‘Lenz’ and ‘Woyzeck’, Mellen, Lewiston 1998.
Dannenberg Hilary, The changing heavens: major recurrent images in the poetic writings of Georg Büchner, Dannenberg, Rheinbach 1994.
Jones Robert, Frank Wedekind: a bibliographic handbook, Saur, München 1996.
Langworthy Douglas, «Sternheim’s comic masks (playwright Carl Sternheim’s satirical works)», American Theatre, τμ. 13, τχ. 2 (1996), σσ. 10-12.
Lewis Ward, The ironic dissident: Frank Wedekind in the view of critics, Camden House, Columbia 1997.
Mehring Franz (επιμ.), «On Hauptmann’s ‘The Weavers’», New Theatre Quarterly, τμ. 11, τχ. 42 (1995), σσ. 184-189.
Nagel Barbara-Natalie, «The spirit of matter in Büchner», Comparative Literature and Culture, τμ. 13, τχ. 3 (2011), σσ. 115-132.
Petterson Michael, The first German theatre: Schiller, Goethe, Kleist and Büchner in performance, Routledge, London 1990.
Steven R. Huff, Heinrich von Kleist’s poetics of passivity, Camden House, Rochester 2009.
Weineck Silke-Maria, «Sex and history, or is there an erotic utopia in ‘Danton’s Tod’», The German Quarterly, τμ.73, τχ. 4 (2000), σσ. 351-366.