Course Information
FacultyFine Arts
Cycle / Level1st / Undergraduate
Teaching PeriodWinter/Spring
CoordinatorStyliani Michailidou
Course ID120000417

Programme of Study: PPS Tmīmatos THeátrou (2019-sīmera)

Registered students: 0
OrientationAttendance TypeSemesterYearECTS
Dramatología-ParastasiologíaElective Course belonging to the selected specialization (Elective Specialization Course)845
YpokritikīElective Courses belonging to the selected specialization845
Skīnografía-EndymatologíaElective Course belonging to the selected specialization (Elective Specialization Course)845
SkīnothesíaElective Course belonging to the selected specialization (Elective Specialization Course)845

Class Information
Academic Year2017 – 2018
Class PeriodSpring
Instructors from Other Categories
Weekly Hours3
Class ID
Course Type 2016-2020
  • Skills Development
Course Type 2011-2015
Knowledge Deepening / Consolidation
Mode of Delivery
  • Face to face
Digital Course Content
Language of Instruction
  • Greek (Instruction, Examination)
General Prerequisites
Movement - Dance I, II, III
Learning Outcomes
Students will improve the quality of movement and expression by awakening their physical presence (active body), working in harmony with breath, sound and emotion. Students will achieve the ability to communicate within a group and respond to stimuli. Students will gain control over their physicality and awareness of any tension and possible blockages. They will also learn to employ the least necessary amount of muscle force to achieve a desired action.
General Competences
  • Apply knowledge in practice
  • Adapt to new situations
  • Work autonomously
  • Work in teams
  • Work in an international context
  • Appreciate diversity and multiculturality
  • Respect natural environment
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Course Content (Syllabus)
Ιn Movement - Dance IV, students start working mainly on movement and sound & speech improvisations, implementing their knowledge while drawing on their experience from previous Movement - Dance Courses. They continue to explore, broaden their scope and improve their relation to space, shape, rhythm, tempo, continuity, repetition, action, coordination, gravity, tension and release, through the medium of physical theatre, as well as dance and acrobatic techniques. Students progress to the realization that their patterns of habitual body movement are the result of cliches and blocking, which restricts the expressiveness of their movement. They focus on the movement - breath - emotion relationship and cultivate their ability to be "present" during any action and react to any stimulus by accessing more alternative forms of expression . Students work on the implementation of consecutive topics studied in theatre plays and poems. This semester a performance will be organized based on a play by Euripides «Bacchae», students will create choreography and scene work in collaboration with other courses such a Stage and Costume Design a Stage Lighting. All Movement - Dance classes (I-VI) incorporate excercises to improve the level of physical skill (strength, flexibility, stamina), games to build trust, spontaneity, rhythm, exrpession, and perception to spark the imagination.
Educational Material Types
  • Video lectures
  • Audio
  • Interactive excersises
  • Book
Use of Information and Communication Technologies
Video projection
Course Organization
Reading Assigment200.8
Artistic Workshop301.2
Artistic creation301.2
Student Assessment
Students are continuously being evaluated on participation, creative response and progress. The ability to collaborate with group members and the demonstration or performance at the end of the semester are all taken into consideration for the final assessment.
Student Assessment methods
  • Performance / Staging (Formative, Summative)
  • Artistic Performance (Formative, Summative)
Course Bibliography (Eudoxus)
1.Το σώμα ικεσία και απειλή, Πέπη Ρηγοπούλου 2.Για τον ηθοποιό, Chekhov Michael
Additional bibliography for study
Cynthia I. Novack «Sharing the dance» Anne Bogart - «Tina Landou The Viewpoints Book », Theater Communications Group New York, 2005. 3. Alison Hodge «Twentieth Century Actor Training», Routledge ,1999 4. Nicole Potter, «Movement for Actors » , Allworth Press, 2002 5 Roth Zaporah «The improvisation of presence», North Atlantic Books, 1995 6. Antonin Artaud «Τhe theater and its Double » Calder and Boyars Ltd, 1970 7. Eugenio Barba «THEATRE: Solitude, Craft» 8.Allain Paul «Gardzienice: Polish Theater in Transition » Harwood 1997
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