SET AND COSTUME DESIGN IV
| Title | ΣΚΗΝΟΓΡΑΦΙΑ-ΕΝΔΥΜΑΤΟΛΟΓΙΑ IV / SET AND COSTUME DESIGN IV |
| Code | 5ΣΓ2 |
| Faculty | Fine Arts |
| School | Film |
| Cycle / Level | 1st / Undergraduate |
| Teaching Period | Winter |
| Coordinator | Antonios Dagklidis |
| Common | Yes |
| Status | Inactive |
| Course ID | 280011265 |
Programme of Study: UPS of School of Film Studies (2009-2013)
Registered students: 31
| Orientation | Attendance Type | Semester | Year | ECTS |
|---|---|---|---|---|
| Core | Elective Courses beloging to the selected specialization | 5 | 3 | 5 |
| Academic Year | 2017 – 2018 |
| Class Period | Winter |
| Faculty Instructors | |
| Weekly Hours | 3 |
| Class ID | 600109714
|
Class Schedule
| Building | Τμήμα Κινηματογράφου |
| Floor | Όροφος 2 |
| Hall | ΑΙΘΟΥΣΑ ΣΚΗΝΟΓΡΑΦΙΑΣ (306) |
| Calendar | Τετάρτη 18:30 έως 21:00 |
Course Type 2016-2020
- Scientific Area
- Skills Development
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
- Face to face
Digital Course Content
- e-Study Guide https://qa.auth.gr/en/class/1/600109714
- eLearning (Moodle):
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
- Greek (Instruction, Examination)
- French (Instruction, Examination)
Learning Outcomes
Upon succesful completion of the course, each student will have:
• An understanding of the basic functions of costume.
• Basic knowledge of the use of costume and its image in art direction.
• Approached the subject of «Space and costume as an expression of life through time».
General Competences
- Apply knowledge in practice
- Retrieve, analyse and synthesise data and information, with the use of necessary technologies
- Make decisions
- Work autonomously
- Work in teams
- Be critical and self-critical
- Advance free, creative and causative thinking
Course Content (Syllabus)
This workshop course, consists of exercises through which students:
1. Get in touch with the basic functions of costume and views and acquire basic knowledge of the use of costume and its image in art direction.
• Costume as a necessity to be dressed
• Costume and the body
• Costume and character
• Costume and time
• Costume as a symbol
2. Approach the subject of «Space and costume as an expression of life through time».
• 3. Become familiar with different ways of depicting and designing costumes. . Collecting, selecting and processing visual material (illustrations, photographs, drawings) in various ways.
4. Starting from a given text and the image of a given space, they proceed with exercises of creating costumes through sketches, collages, drawings so that their inspiration is guided towards the composition of a costumes’ proposal.
Educational Material Types
- Slide presentations
- Video lectures
- Book
Course Organization
| Activities | Workload | ECTS | Individual | Teamwork | Erasmus |
|---|---|---|---|---|---|
| Lectures | 39 | 1.3 | ✓ | ||
| Laboratory Work | 24 | 0.8 | ✓ | ✓ | |
| Fieldwork | 8 | 0.3 | ✓ | ✓ | |
| Reading Assigment | 10 | 0.3 | ✓ | ||
| Field trips and participation in conferences / seminars / activities | 6 | 0.2 | ✓ | ✓ | |
| Project | 60 | 2 | ✓ | ||
| Exams | 3 | 0.1 | ✓ | ||
| Total | 150 | 5 |
Student Assessment
Description
Evaluation is based on students’ artistic interpretation and expression and their comprehension of the conditions and limits that define the result of artistic expression.
Student Assessment methods
- Oral Exams (Summative)
- Report (Formative)
- Labortatory Assignment (Formative, Summative)
- Artistic Performance (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
1. R.Arnheim,Οπτική Σκέψη,University Studio Press,Θεσσαλονίκη,2007
2. Foster, Krauss, Bas, Η Τέχνη από το 1900, Εκδόσεις Επίκεντρο.
3. Payne, Winakov, Farrell, Beek, Ενδυματολογία. Ιστορία της Ενδυμασίας, Εκδόσεις Ίον.
Last Update
26-07-2017
