Learning Outcomes
Understanding of the content and epistemological interpretation of terms-parameters such as: world music, fusion, folklore, ethnic etc.
Forming of an initial understanding on the diversity of international musical traditions and the specific geographic - historical - cultural parameters.
Learning of the basic principles of Indian music as a special example.
Encouraging artistic creation based on the stimuli arising from the relevant audiovisual examples.
Course Content (Syllabus)
The "world music" notion under a two-pronged approach: A. The relative modern ethnomusicological thought. Theory and analysis in the light of an epistemological and ontological perspective. Exploration of key theoretical paradigms such as: globalization, periodicity, "authenticity", folklore and ethnic. Cases of applied ethnomusicological studies. B. Specific approach of selected musical cultures using extensive audio material. Detection of special issues in music theory, texture, instrumentation and transcription with emphasis in the Far East area. Special reference to the Indian rag. Structure, classification and empirical approach through listening to audio samples with simultaneous monitoring of relevant musical transcriptions.
Course Bibliography (Eudoxus)
Αναστάσιος Χαψούλας, "Ινδική κλασσική μουσική: Ιστορικές, εθνομουσικολογικές διαστάσεις", Καπόλα Παγώνα - εκδόσεις Νήσος, Αθήνα 2014
Τζων Μπλάκινγκ, "Η έκφραση της ανθρώπινης μουσικότητας", Νεφέλη, Αθήνα
Additional bibliography for study
Jeff Todd Titon, Worlds of Music (New York, 1992)
Helen Myers, Ethnomusicology an Introduction: The New Grove Handbook in Music (London, 1993)
John Blacking, `A commonsense view of all music’ (Cambridge1976)
John Blacking, How Musical is Man (1976)
Elizabeth May, ed. Music of Many Cultures (1989)
Bruno Nettl and Philip V. Bohlman, eds., Comparative Musicology and Anthropology of Music (Chicago, 1988)
Bruno Nettl, Theory and Method in Ethnomusicology (N.Y. Free Press, 1964)
Bruno Nettl, The Study of Ethnomusicology (University of Illinois, 1983)
Kay Kaufman Shelemay, Ethnomusicology, History, Definitions and Scope (N.Y. 1992)
Richard Leppert and Susan McClary, Music and Society: The Politics of Composition, Performance and Reception, (Cambridge, 1987)
Bruno Nettl -`Ethnomusicology: Discussion and definition of the field' Ethnomusicology vi, 107-14.