Learning Outcomes
1. The knowledge of the basic patterns (theme, character development e.t.c) and the continuity in the work of exceptional writers/directors.
2. Familiarization with individual issues in screenwriting (multiplot - multicharacter / post - modern narratives, Italian neorealism / nouveuel wague / existential cinema e.t.c)
Course Content (Syllabus)
Through studying the work of important screenwriters, we examine the basic motifs of these creators , the thematic cores of their work and the narrative trends of their era. Also, the methods they use during the creative procedure of writing a screenplay. The theory of the course is combined with creative writing exercises.
Course Bibliography (Eudoxus)
1.Kallas-Καλογεροπούλου, Χριστίνα. Σενάριο. Η Τέχνη της Επινόησης και της Αφήγησης στον Κινηματογράφο. Αθήνα, εκδ. Νεφέλη, 2006.
2.Η δύναμη του μύθου, Τζ. Κάμπελ , Αθήνα, εκδόσεις Ιάμβλιχος, 1998
3.Σενάριο, Στάθη Βαλούκου, Αθήνα, εκδ. Αιγόκερως, 2002
4.Περί Ποιητικής, Αριστοτέλης, Αθήνα, εκδόσεις Εστία, 2004
Additional bibliography for study
Lajos Egri, the art of dramatic writing, BNP.
Robert Mc Kee, Story, metheum.
Linda Seger, Making a good script great, Samuel French.
Christropher Vogler, The Writer’s Journey, Michel Wiese Productions.
John Truby, Great movies : why do they work, Silman – james Press.
David Howard, How to build a great screenplay, souvenir press
Linda Seger, The art of adaptation: turn fact and fiction to film,Samuel French.
Stephanie Harrison, Adaptations, Three Rivers Press