CINEMATOGRAPHY III
| Title | ΔΙΕΥΘΥΝΣΗ ΦΩΤΟΓΡΑΦΙΑΣ VI / CINEMATOGRAPHY III |
| Code | 7ΦΩ1 |
| Faculty | Fine Arts |
| School | Film |
| Cycle / Level | 1st / Undergraduate |
| Teaching Period | Winter |
| Coordinator | Dimitrios Theodoropoulos |
| Common | Yes |
| Status | Active |
| Course ID | 280005995 |
Programme of Study: UPS of School of Film Studies (2009-2013)
Registered students: 88
| Orientation | Attendance Type | Semester | Year | ECTS |
|---|---|---|---|---|
| Core | Elective Courses beloging to the selected specialization | 7 | 4 | 6 |
| Academic Year | 2018 – 2019 |
| Class Period | Winter |
| Faculty Instructors |
|
| Instructors from Other Categories |
|
| Weekly Hours | 4 |
| Total Hours | 52 |
| Class ID | 600128084
|
Class Schedule
| Building | Τμήμα Κινηματογράφου |
| Floor | Όροφος 1 |
| Hall | Εργαστήριο Φωτογραφίας (417) |
| Calendar | Dienstag 15:45 to 18:15 |
Course Type 2016-2020
- Scientific Area
- Skills Development
Course Type 2011-2015
Knowledge Deepening / Consolidation
Mode of Delivery
- Face to face
Digital Course Content
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
- Greek (Instruction, Examination)
Learning Outcomes
After completing the course the participating students will gain an important initial experience in cinematography matters, that hopefully will help them emphasising even more by following the three additional courses that form the 4th academic year's approach.
General Competences
- Apply knowledge in practice
- Retrieve, analyse and synthesise data and information, with the use of necessary technologies
- Adapt to new situations
- Make decisions
- Work autonomously
- Work in teams
- Work in an international context
- Generate new research ideas
- Design and manage projects
- Advance free, creative and causative thinking
Course Content (Syllabus)
use of different methods of digital acquisition as well as motion picture film. Emphasis on the possibilities offered by the creative use of equipment and how it applies during different shooting conditions. An introduction to lighting. Exercises include shooting a scene based on Mike Figgis', The loss of sexual innocence, 1998, with an emphasis on an original visual tactic in the cinematography
Educational Material Types
- Multimedia
- Book
Course Organization
| Activities | Workload | ECTS | Individual | Teamwork | Erasmus |
|---|---|---|---|---|---|
| Lectures | 30 | 1 | ✓ | ||
| Seminars | 15 | 0.5 | ✓ | ||
| Laboratory Work | 30 | 1 | ✓ | ||
| Fieldwork | |||||
| Internship | 15 | 0.5 | ✓ | ||
| Artistic Workshop | 15 | 0.5 | ✓ | ||
| Field trips and participation in conferences / seminars / activities | 15 | 0.5 | ✓ | ||
| Project | 15 | 0.5 | ✓ | ||
| Artistic creation | 15 | 0.5 | ✓ | ||
| Total | 150 | 5 |
Student Assessment
Description
Project 100%
Student Assessment methods
- Labortatory Assignment (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
• Θεοδωρόπουλος Δ., Το Φως στον Ελληνικό Κινηματογράφο,
Αιγόκερως, 2009.
• Pastoureau Michel, Μπλε, η ιστορία ενός χρώματος, Μελάνι,
2007.
• Lynch David, Κυνηγώντας το μεγάλο ψάρι, Πατάκης, 2009.
• Σολδάτος Γιάννης, Ιστορία του γυμνού στον κινηματογράφο,
Αιγόκερως, 2010.
• Liz Wells (επιμ.), Εισαγωγή στη Φωτογραφία, Πλέθρον, 2007.
• Κουλέσοφ Λεβ, Η Τέχνη του Κινηματογράφου, Αιγόκερως, 2004.
• Συλβέστερ Ντέϊβιντ, Η ωμότητα των πραγμάτων, Άγρα, 2009.
Last Update
13-03-2019
