History of Art II

Course Information
TitleΙΣΤΟΡΙΑ ΤΗΣ ΝΕΟΤΕΡΗΣ ΚΑΙ ΣΥΓΧΡΟΝΗΣ ΤΕΧΝΗΣ 2 / History of Art II
CodeΥΘΝΣΤ2
FacultyFine Arts
SchoolVisual and Applied Arts
Cycle / Level1st / Undergraduate
Teaching PeriodSpring
CoordinatorLouiza Avgita
CommonYes
StatusActive
Course ID600001183

Programme of Study: New PPS of School of Visual and Applied Arts (2014-today)

Registered students: 161
OrientationAttendance TypeSemesterYearECTS
KORMOSTheory423

Class Information
Academic Year2018 – 2019
Class PeriodSpring
Faculty Instructors
Instructors from Other Categories
Weekly Hours3
Total Hours39
Class ID
600138051
SectionInstructors
1. ΠαπαδοπούλουSofia-Sania Papadopoulou-Papa
2. ΑυγήταLouiza Avgita
3. ΠαπαγεωργίουNikolaos Papageorgiou
Type of the Course
  • Background
Course Category
General Foundation
Mode of Delivery
  • Face to face
Digital Course Content
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Greek (Instruction, Examination)
  • English (Examination)
Prerequisites
Required Courses
  • ΥΘΝΣΤ1 History of Art I
General Prerequisites
Successful completion of the module History of Modern and Contemporary Art I is required.
Learning Outcomes
Upon successful completion of the module the students are expected to: * identify the artworks of the art movements of the period from mid 18th to late 19th century, based on their special stylistic elements * understand the concept of modernism in art * look into art’s connection to society and life * understand the ways that the artworks relate to the economic and political structures, as well as to the forms and institutions of power during these periods * develop their critical capacity concerning the ways art has been formulated in relation to the dominant ideological concerns and clashes of the time * understand the need for an interdisciplinary approach of art
General Competences
  • Apply knowledge in practice
  • Retrieve, analyse and synthesise data and information, with the use of necessary technologies
  • Adapt to new situations
  • Make decisions
  • Work autonomously
  • Work in teams
  • Work in an interdisciplinary team
  • Appreciate diversity and multiculturality
  • Respect natural environment
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Course Content (Syllabus)
This module is concerned with the analysis of the visual art movements in Europe during the period from mid 18th to the end of the 19th centuries (Neoclassicism, Romanticism, Realism, Impressionism, Symbolism, Art Nouveau, post-impressionist movements). The module aims to address these distinctive artistic expressions by indicating their specific characteristics in conjunction to the particular social, economic and political circumstances. The issues addressed include: * the ways art relates to the bourgeois and proletarian revolutions of that period, as well as to the formulation of the bourgeois national states * the shaping of the subject of the artist on the basis of the dominant ideas of emancipation, independence and autonomy of the individual * modernism as the expression of the new social conditions * from the institution of the academies to the constitution of art in its clash with the established artistic structures
Keywords
Art 18th-19th c., Neoclassicism, Romanticism, Realism, Impressionism, Symbolism, Art Nouveau, post-impressionist movements
Educational Material Types
  • Notes
  • Slide presentations
  • Video lectures
  • Audio
  • Multimedia
  • Interactive excersises
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Communication with Students
  • Use of ICT in Student Assessment
Description
Teaching involves use of computers and systems of projection and sound for power point presentations, video projections and sound reproductions, internet, and the e-learning platform for uploading all relevant educational material (presentations, bibliography, etc.). Communication with the students takes place via email and the e-learning platform which is also used for assessment.
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Lectures301
Reading Assigment301
Field trips and participation in conferences / seminars / activities100.3
Written assigments100.3
Exams100.3
Total903
Student Assessment
Description
The evaluation of the students involves: * presence and participation in the lectures (20%) * presence and participation in the relevant scheduled educational activities (visits to museums, conferences, events, etc.) (15%) * assignments, presentations, exercises, etc. (15%) * written or oral exams (50%)
Student Assessment methods
  • Written Exam with Multiple Choice Questions (Formative)
  • Written Exam with Short Answer Questions (Formative)
  • Written Exam with Extended Answer Questions (Summative)
  • Written Assignment (Formative, Summative)
  • Oral Exams (Summative)
  • Performance / Staging (Formative)
Bibliography
Course Bibliography (Eudoxus)
Argan, G. C., Bonito Oliva, A., Η μοντέρνα τέχνη 1770-1970 & Η τέχνη στην καμπή του 21ου αιώνα, πρόλ. Ν. Κεσσανλής, μτφρ. Λ. Παπαδημήτρη, Μ. Σπυριδοπούλου, Ηράκλειο, Πανεπιστημιακές Εκδόσεις Κρήτης (σειρά: Ιστορία της Τέχνης), 2014 Δασκαλοθανάσης, Νίκος, Ο καλλιτέχνης ως ιστορικό υποκείμενο από τον 19ο στον 21ο αιώνα, Αθήνα: Άγρα, 2004 Rubin, James H., Ιμπρεσιονισμός, μτφρ. Γιώτα Ποταμιάνου, Αθήνα: Εκδόσεις Καστανιώτη, 1999
Additional bibliography for study
Έργουιν Ντέηβιντ, Νεοκλασικισμός, μτφρ. Χίλντα Παπαδημητρίου, Αθήνα: Εκδόσεις Καστανιώτη, 2000 Έσκριτ Στέφεν, Αρ Νουβώ, μτφρ. Ιωάννα Βετσοπούλου, Αθήνα: Εκδόσεις Καστανιώτη, 2000 Κολιόπουλος Ι.Σ., Νεώτερη Ευρωπαϊκή Ιστορία 1789-1945, Θεσσαλονίκη: Εκδόσεις Βάνιας, 1991 Μερλώ-Ποντύ Μωρίς, Η Αμφιβολία του Σεζάν. Το μάτι και το πνεύμα, μτφρ. Αλέκα Μουρίκη, Αθήνα: Νεφέλη, 1991 Μπλέινυ Μπράουν Ντέιβιντ, Ρομαντισμός, μτφρ. Ιωάννα Βετσοπούλου, Αθήνα: Εκδόσεις Καστανιώτη, 2004 Πεγέ Ζωρζ, Η Ζωγραφική στον 19ο, μτφρ. Άλκης Χαραλαμπίδης, επιμ σειράς Δημήτρης Δελιγιάννης, Αθήνα: Νεφέλη, 1984 Σάιμονς Σάρα, Γκόγια, μτφρ. Πηνελόπη Σταφυλά, Αθήνα: Εκδόσεις Καστανιώτη, 2001 Σαντ Τζούντι, Βαν Γκογκ, μτφρ. Ιωάννα Βετσοπούλου, Αθήνα: Εκδόσεις Καστανιώτη, 2005 Antal Frederick, Μελέτες ιστορίας της τέχνης, πρόλογος Νίκος Χατζηνικολάου, μτφρ. Ανδρέας Παππάς, Ηράκλειο: Πανεπιστημιακές Εκδόσεις Κρήτης, 2009 Baudelaire Charles, Αισθητικά Δοκίμια, μτφρ. Μαρία Ρέγκου, Αθήνα: Εκδόσεις Printa, 1995 Bayly, C. A., Η γέννηση του νεωτερικού κόσμου 1780-1914, μτφρ. Κώστας Αντύπας, επιμ. Κατερίνα Πάπαρη, Γιάννης Βογιατζής, Αθήνα: Εκδόσεις Αλεξάνδρεια, 2013 Berman Marshall, All that is Solid Melts into Air: the Experience of Modernity, Λονδίνο και Νέα Υόρκη: Pengu in Books, 1988 Clark, T. J., The Painting of Modern Life: Paris in the Art of Manet and His Followers, Princeton: Princeton University Press, 1999 Eitner Lorenz, Neoclassicism and romanticism, 1750-1850: sources and documents, Λονδίνο: Prentice-Hall International, 1971 Facos Michelle, An Introduction to Nineteenth-Century Art, Λονδίνο και Νέα Υόρκη: Routledge, 2011 Frascina Francis, Nigel Blake, Briony Fer, Tamar Garb, Charles Harrison, Modernity and Modernism: French Painting in the Nineteenth Century, New Haven και Λονδίνο: Yale University Press in association with the Open University, 1993 Lucie-Smith Edward, Symbolist Art, Λονδίνο: Thames and Hudson, 1972 Nochlin Linda, Realism, Λονδίνο και Νέα Υόρκη: Penguin Books, 1971 Nochlin Linda, Courbet, Λονδίνο: Thames and Hudson, 2007 Nochlin Linda, The Politics of Vision: Essays on Nineteenth-Century Art and Society, Κολοράντο και Οξφόρδη: Westview Press, 1989 Paulson Ronald, Representations of revolution, 1789-1820, New Haven: Yale University Press, c1983 Rosen Charles, Romanticism and realism: the mythology of nineteenth-century art, London: Faber and Faber, 1984 Vaughan William, Romanticism and Art, Λονδίνο: Thames and Hudson, 1994
Last Update
31-08-2019