SCREENWRITING V
| Title | ΣΕΝΑΡΙΟ V / SCREENWRITING V |
| Code | 5ΣΕ1 |
| Faculty | Fine Arts |
| School | Film |
| Cycle / Level | 1st / Undergraduate |
| Teaching Period | Winter |
| Coordinator | Panagiotis Iosifelis |
| Common | Yes |
| Status | Active |
| Course ID | 280005960 |
Programme of Study: UPS of School of Film Studies (2009-2013)
Registered students: 57
| Orientation | Attendance Type | Semester | Year | ECTS |
|---|---|---|---|---|
| Core | Elective Courses beloging to the selected specialization | 5 | 3 | 5 |
| Academic Year | 2019 – 2020 |
| Class Period | Winter |
| Faculty Instructors |
|
| Weekly Hours | 3 |
| Class ID | 600141858
|
Class Schedule
| Building | Τμήμα Κινηματογράφου |
| Floor | Όροφος 2 |
| Hall | ΑΙΘΟΥΣΑ ΠΡΟΒΟΛΩΝ (305) |
| Calendar | Δευτέρα 15:45 έως 18:15 |
Course Type 2016-2020
- Scientific Area
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
- Face to face
Digital Course Content
- e-Study Guide https://qa.auth.gr/en/class/1/600141858
Language of Instruction
- Greek (Instruction, Examination)
Learning Outcomes
At the end of the semester the students will be able to:
1. Comprehend and practice alternative narrative forms.
2. Understand the emotional theme in the screenplay and ability to use it as a structure element.
3. Comprehend the distinction between classical/alternative narrative forms.
General Competences
- Apply knowledge in practice
- Work autonomously
- Work in teams
- Generate new research ideas
- Be critical and self-critical
- Advance free, creative and causative thinking
Course Content (Syllabus)
Introduction to the alternative forms of narration , linear or non linear narrative construction. The course examines the dramatical system and the development through the thematical core . Multiple characters , switch of the main character, different points of view, narration through different episodes , narration through different episodes with a passive character , narration with reversed time line , circular narration , narration based on the emotional theme. The theory of the course is combined with film analysis and writing exercises( step out line and characters)
Keywords
alternative narration, space, time, dissolution of narrative unity
Educational Material Types
- Notes
- Slide presentations
- Book
Use of Information and Communication Technologies
Use of ICT
- Use of ICT in Course Teaching
- Use of ICT in Communication with Students
Course Organization
| Activities | Workload | ECTS | Individual | Teamwork | Erasmus |
|---|---|---|---|---|---|
| Lectures | 57 | 1.9 | ✓ | ||
| Written assigments | 50 | 1.7 | ✓ | ||
| Artistic creation | 40 | 1.3 | ✓ | ||
| Exams | 3 | 0.1 | |||
| Total | 150 | 5 |
Student Assessment
Description
The final evaluation is according the below:
1. The written test at the end of the semester 50%
2. the active participation at the courses 10%
3. the written assignments/exercise during the semester 40%
Student Assessment methods
- Written Exam with Extended Answer Questions (Summative)
- Written Assignment (Formative)
- Oral Exams (Summative)
- Artistic Performance (Summative)
Bibliography
Course Bibliography (Eudoxus)
Χριστίνα Καλογεροπούλου, Σενάριο, η τέχνη της αφήγησης και της επινόησης στον κινηματογράφο, εκδόσεις Νεφέλη.
Χριστίνα Καλογεροπούλου, Bio/Pic οι ζωές των λίγων, εκδόσεις Πατάκη.
Βαλούκος Στάθης, Το σενάριο, εκδόσεις Αιγόκερως.
Joseph Campbell, Ο ήρωας με τα χίλια πρόσωπα, εκδόσεις Ιάμβλιχος.
Syd Field, Σενάριο, εκδόσεις Κάλβος.
Α. Δοξιάδης, Η αφήγηση ως γνώση και η περίπτωση της βιογραφίαςΕλληνική
Α. Κεχαγιάς, Το σενάριο : από την αρχική ιδέα στην εκτέλεση, εκδ. Έλλην.
Roger Kahane, Τα πρακτικά από την εβδομάδα σεναρίου, Αθήνα 1993
Frensham, Teach Yourself Screenwriting
Jack Brislee, Νο passive protagonist!, www. the story department
Paul Gulino ,Screenwriting – the Sequence Approach
Blake Snyder, Save the Cat
Christopher Vogler, The Writer’s Journey
Tom Lazarus, Secrets of Film Writing
Christopher Keane, How to Write a Selling Screenplay
Robert Mc Kee, Story, metheum.
Linda Seger, Making a good script great, Samuel French.
Linda Seger, Creating unforgettable characters, Samuel French
Linda Seger, The art of adaptation: turn fact and fiction
Lajos Egri, The art of dramatic writing, BNP.
Christropher Vogler, The Writer’s Journey, Michel Wiese Productions.
John Truby, Great movies : why do they work, Silman – james Press.
David Howard, How to build a great screenplay, souvenir press. Robert
Mc Kee, Story, metheum.
Κen Dancyger & Jeff Rush, Alternative screenwriting, Focal Press.
Βerg Charles. A taxonomy of alternative plots in recent films: classifying the "Tarantino effect", article
Additional bibliography for study
Χριστίνα Καλογεροπούλου, Σενάριο, η τέχνη της αφήγησης και της επινόησης στον κινηματογράφο, εκδόσεις Νεφέλη.
Χριστίνα Καλογεροπούλου, Bio/Pic οι ζωές των λίγων, εκδόσεις Πατάκη.
Βαλούκος Στάθης, Το σενάριο, εκδόσεις Αιγόκερως.
Joseph Campbell, Ο ήρωας με τα χίλια πρόσωπα, εκδόσεις Ιάμβλιχος.
Syd Field, Σενάριο, εκδόσεις Κάλβος.
Α. Δοξιάδης, Η αφήγηση ως γνώση και η περίπτωση της βιογραφίαςΕλληνική
Α. Κεχαγιάς, Το σενάριο : από την αρχική ιδέα στην εκτέλεση, εκδ. Έλλην.
Roger Kahane, Τα πρακτικά από την εβδομάδα σεναρίου, Αθήνα 1993.
Αγγλική.
Robert Mc Kee, Story, metheum.
Linda Seger, Making a good script great, Samuel French.
Linda Seger, Creating unforgettable characters, Samuel French
Lajos Egri, The art of dramatic writing, BNP.
Christropher Vogler, The Writer’s Journey, Michel Wiese Productions.
John Truby, Great movies : why do they work, Silman – james Press.
David Howard, How to build a great screenplay, souvenir press.
Last Update
15-06-2020
