DIRECTOR'S INTERPRETATION, VISUALIZATION AND FILM STYLE
| Title | ΣΚΗΝΟΘΕΤΙΚΟ ΥΦΟΣ / DIRECTOR'S INTERPRETATION, VISUALIZATION AND FILM STYLE |
| Code | 7ΣΘ2 |
| Faculty | Fine Arts |
| School | Film |
| Cycle / Level | 1st / Undergraduate |
| Teaching Period | Winter |
| Coordinator | Dimitrios Koutsiampasakos |
| Common | Yes |
| Status | Active |
| Course ID | 600014941 |
Programme of Study: UPS of School of Film Studies (2009-2013)
Registered students: 99
| Orientation | Attendance Type | Semester | Year | ECTS |
|---|---|---|---|---|
| Core | Elective Courses beloging to the selected specialization | 7 | 4 | 6 |
| Academic Year | 2019 – 2020 |
| Class Period | Winter |
| Faculty Instructors | |
| Weekly Hours | 3 |
| Class ID | 600141870
|
Class Schedule
| Building | Τμήμα Κινηματογράφου |
| Floor | - |
| Hall | ΠΛΑΤΩ 1ου ΟΡΟΦΟΥ (581) |
| Calendar | Παρασκευή 18:30 έως 21:00 |
Course Type 2016-2020
- Scientific Area
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
- Face to face
Digital Course Content
- e-Study Guide https://qa.auth.gr/en/class/1/600141870
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
- Greek (Instruction, Examination)
- Ρωσικά
Learning Outcomes
Upon successful completion of the module, students will be able to determine the genre of their film, to locate its stylistic characteristics, to create the mood board, to scout locations, to stage and shoot a scene using the possibilities of the set and the available equipment.
General Competences
- Apply knowledge in practice
- Retrieve, analyse and synthesise data and information, with the use of necessary technologies
- Adapt to new situations
- Make decisions
- Work autonomously
- Work in teams
- Work in an international context
- Generate new research ideas
- Design and manage projects
- Appreciate diversity and multiculturality
- Demonstrate social, professional and ethical commitment and sensitivity to gender issues
- Be critical and self-critical
- Advance free, creative and causative thinking
Course Content (Syllabus)
From premise to script. The genre, the theme and the controlling idea. How the film style affects the coverage, acting, photograph, suits, stage design, sound design, editing and the music score. The creation of the Mood board. Complex coverage, and ways of moving camera. Shot patterns. The creative use of keyframes. The staging of a shot in shallow or deep spaces.
Keywords
Directing style, Coverage, Perspective, Mood board, Keyframes
Educational Material Types
- Notes
- Slide presentations
- Video lectures
- Podcast
- Audio
- Multimedia
- Interactive excersises
- Book
Use of Information and Communication Technologies
Use of ICT
- Use of ICT in Course Teaching
- Use of ICT in Laboratory Teaching
- Use of ICT in Communication with Students
- Use of ICT in Student Assessment
Description
Use fo powerpoint, projector, videocamera, Sound recording equipment
Assesment via computer
Use of simulations
Contact via online forum
Course Organization
| Activities | Workload | ECTS | Individual | Teamwork | Erasmus |
|---|---|---|---|---|---|
| Lectures | 39 | 1.3 | ✓ | ✓ | |
| Reading Assigment | 30 | 1 | ✓ | ||
| Artistic creation | 81 | 2.7 | ✓ | ✓ | ✓ |
| Total | 150 | 5 |
Student Assessment
Description
During the semester should be handled a personal assignment worth of 30% on final assessment. It should be presented as an oral exam (pitch with power point) and should be related with a future student’s project.
During exam session should be handled the final version of your assignment (the developed version of the personal assignment) and it should include:
1. Written essay (with director’s approach, Word form)
2. Moodboard (PDF form)
3. Mood reel (Digital archive MP4)
Each one of the three units, parts of the final work, is worth 23,3% on final grade
Student Assessment methods
- Written Assignment (Formative, Summative)
- Performance / Staging (Formative, Summative)
- Labortatory Assignment (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
Bordwell David- Thompson Kristin. Εισαγωγή στην Τέχνη του Κινηματογράφου, μτφρ. Κατερίνα Κοκκινίδη, εκδ. Μ.Ι.Ε.Τ. 2004
Η πολιτική των δημιουργών, Συλλογικό έργο, μτφ. Μαρία Μπαλάσκα, εκδ. Αλεξάνδρεια 1989.
Αιζενστάϊν, Σ. Μ, Έργα/1, Η Μορφή του φιλμ (Α), μτφρ. Νίκος Ε. Παναγιωτόπουλος, εκδ. Αιγόκερως
Αιζενστάϊν, Σ. Μ, Έργα/2, ΕΡΓΑ/2, Η Μορφή του φιλμ (Α), μτφρ. Κώστας Σφήκας, εκδ. Αιγόκερως
Tirard Laurent, Master class- Μαθήματα σκηνοθεσίας από τους σημαντικότερους σύγχρονους κινηματογραφιστές μτφρ. Τσέγκου Αλκυόνη- εκδ. Πατάκη 2013
Straus F.- Huet A. - Η κατασκευή μιας ταινίας - μτφρ. Μαρία Γαβαλά, εκδ. Πατάκη 2008
Siety Emmanuel, Το πλάνο, μτφρ. Σωτήρης Καρκανιάς, εκδ. Πατάκη 2003.
Landau Camile – White, Tiare, 161 Μυστικά για ένα νέο κινηματογραφιστή, μτφρ. Κατερίνα Κακλαμάνη, εκδ. Πατάκη 2008.
Additional bibliography for study
Ανάλογα με τις ταινίες που προβάλονται στην διάρκεια των εργαστηρίων, δίδεται πρόσθετη βιβλιογραφία.
Last Update
26-11-2019
