ACTING IX

Course Information
TitleΥΠΟΚΡΙΤΙΚΗ IX / ACTING IX
CodeΥΑ0287
FacultyFine Arts
SchoolDrama
Cycle / Level1st / Undergraduate
Teaching PeriodWinter
CoordinatorChristina Chatzivasileiou
CommonNo
StatusActive
Course ID120000885

Programme of Study: PPS Tmīmatos THeátrou (2019-sīmera)

Registered students: 0
OrientationAttendance TypeSemesterYearECTS
Dramatología-ParastasiologíaElective Course belonging to the selected specialization (Elective Specialization Course)745
YpokritikīElective Courses belonging to the selected specialization745
Skīnografía-EndymatologíaElective Course belonging to the selected specialization (Elective Specialization Course)745
SkīnothesíaElective Course belonging to the selected specialization (Elective Specialization Course)745

Class Information
Academic Year2020 – 2021
Class PeriodWinter
Instructors from Other Categories
  • Christina Chatzivasileiou
Weekly Hours6
Class ID
600163311
Course Type 2016-2020
  • Scientific Area
  • Skills Development
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
  • Face to face
Digital Course Content
Language of Instruction
  • Greek (Instruction, Examination)
Prerequisites
Required Courses
  • ΥΣ0107 INTRODUCTION TO ACTING (PREREQUISITE)
  • ΥΑ0279 ACTING I
  • ΥΑ0280 ACTING II
  • ΥΑ0281 ACTING III
  • ΥΑ0282 ACTING IV
  • ΥΑ0283 ACTING V
  • ΥΑ0284 ACTING VI
  • ΥΑ0285 ACTING VII
  • ΥΑ0286 ACTING VIII
Learning Outcomes
Upon successful accomplishment of the course students will have: -feel closer to basic acting procedure principles and learn how to handle their exposure in front of an audience -understand how space, time and action acts on stage in a compact way -clarify stage action and its aim -focus on stage time present -conquer the procedure both of building a role and exploring how this role interacts with the other parts of the play -develop their acting tools
General Competences
  • Apply knowledge in practice
  • Adapt to new situations
  • Make decisions
  • Work autonomously
  • Work in teams
  • Design and manage projects
  • Appreciate diversity and multiculturality
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Course Content (Syllabus)
Psychophysical Acting Approach that aims to both body and mind awarness. The candidates actors are being trained in a particular psychophysical acting system that will minimize and at the same time extend their body expression tools through compact body and mine stage energy. Acting students will focus on applying basic training principles through particular exercises that cope with a)self-observation, b)focus on how breath operates, c)verbatim economy, d)detect feelings and coprehand them, e)control of stage impulse, f) interaction with the other stage parteners on the stage present time .
Educational Material Types
  • Interactive excersises
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Seminars180.7
Laboratory Work702.8
Fieldwork100.4
Reading Assigment60.2
Project60.2
Written assigments60.2
Artistic creation60.2
Total1224.9
Student Assessment
Description
-The expectations: the acting abilities, the discipline, the perception, the creativeness and imagination, the readiness and the reaction, the clarity of on- stage actions.
Student Assessment methods
  • Performance / Staging (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
Βιβλίο [21939]: Σκηνοθετώντας τον ηθοποιό, Weston Judith Λεπτομέρειες Βιβλίο [12961240]: Ελένη ή ο Κανένας, Ρέα Γαλανάκη Λεπτομέρειες Βιβλίο [42674]: NO ACTING PLEASE, MORRIS ERIC, HOTCHKIS JOAN Λεπτομέρει
Additional bibliography for study
-Mitchell Katie, The Director’s Craft, Routledge, Λονδίνο 2009. -Oida Yoshi και Lorna Marshall, The Invisible Actor, Methuen, Λονδίνο 1997. -Pavis Patrice (επιμ.), The Intercultural Performance Reader, Routledge, Λονδίνο 1992. -Ζarrilli, P., Fischer-Sorgenfrei, C., McConachie, B. και Williams, G. J. (επιμ.), Theatre Histories: An Introduction, Routledge, Λονδίνο 2010. -Zarrilli Phillip, Psychophysical Acting: an intercultural Approach after Stanislavski, Routledge, Λονδίνο 2008. -Zarrilli Phillip (επιμ.), Acting Reconsidered: Theories and Practices, Routledge Λονδίνο 2002. -Zarrilli Phillip (επιμ.), Asian Martial Arts in Actor Training, Center for South Asian Area Studies 1993.
Last Update
09-11-2020