Learning Outcomes
By the end of the module students are expected to have read and thought about
•the epistemological question at the heart of Modernism (how texts represent the world)
•the ideological significance of its textual experimentations, especially modernist fiction’s relationship with the early twentieth-century discourses of imperialism, gender and race
•the limits of the modernist canon and the changing character of modernism’s own literary identity
Course Content (Syllabus)
This module introduces students to the narrative strategies with the help of which modernist novels undermine the ideas of writing and reading as established by classic Realism. Focusing on novels by Joseph Conrad, James Joyce, Virginia Woolf and Jean Rhys, the module raises questions, in particular, about the politics of modernist experimentation. To that end, it engages with critiques and defenses of modernism’s ideological positions by reading closely theoretical texts by Woolf, Georg Lukacs and Bertolt Brecht.
Keywords
modernism, modernity, textual experimentation, aesthetics, imperialism, women's writing
Additional bibliography for study
Modernism/Modernity
- Armstrong, Tim. Modernism: A Cultural History. Cambridge: Polity Press, 2005. (PS228.M63A76)
- Bradbury, Malcolm and James McFarlane, eds. Modernism: A Guide to European Literature 1890-1930. Harmondsworth: Penguin Books, 1991. (see especially chapters 1, 2 and 6) (PN56.M54M6)
- Brooker, Peter, ed. Modernism/Postmodernism. London and New York: Longman, 1992. (PN771.M6175)
- Butler, Christopher. Early Modernism: Literature, Music and Painting in Europe 1900-1916. Oxford: Clarendon Press, 1994. (focus on the relationship between modernist literature and art) (NX542.B88)
- DeKoven, Marianne. “The Politics of Modernist Form”. New Literary History 23.3 (summer 1992): 675-90. (a must) (*)
- Hayman, David. Re-forming the Narrative: Towards a Mechanics of Modernist Fiction. Ithaca: Cornell U P, 1987. (PN3383.N35H38)
- Kolocotroni, Vassiliki, Jane Goldman and Olga Taxidou, eds. Modernism: an Anthology of Sources and Documents. Edinburgh: Edinburgh U P, 1998. (an excellent reader, which makes available excerpts from seminal texts on the emergence of modernism, its aesthetics, its formulations and its manifestos)
- Levenson, Michael, ed. The Cambridge Companion to Modernism. New York: Cambridge U P, 1999. (see especially Michael Bell’s “The Metaphysics of Modernism”: accessible and useful / David Trotter’s “The Modernist Novel”: a useful and brief account of modernist novel writing) (PN56.M54C36)
- Nicholls, Peter. Modernisms: A Literary Guide. London: Macmillan, 1995. (PN56.M54N53)
- Stevenson, Randall. Modernist Fiction. New York: Prentice Hall, 1997. (PR888.M63S74)