PRODUCTION DRAMATURGY II

Course Information
TitleΔΡΑΜΑΤΟΥΡΓΙΑ ΠΑΡΑΣΤΑΣΗΣ ΙΙ / PRODUCTION DRAMATURGY II
CodeΘΘ0213
FacultyFine Arts
SchoolDrama
Cycle / Level1st / Undergraduate
Teaching PeriodWinter/Spring
CoordinatorPanagiota Konstantinakou
CommonNo
StatusActive
Course ID600013235

Programme of Study: PPS Tmīmatos THeátrou (2019-sīmera)

Registered students: 0
OrientationAttendance TypeSemesterYearECTS
Dramatología-ParastasiologíaElective Course belonging to the selected specialization (Elective Specialization Course)845
YpokritikīElective Course belonging to the selected specialization (Elective Specialization Course)845
Skīnografía-EndymatologíaElective Course belonging to the selected specialization (Elective Specialization Course)845
SkīnothesíaElective Course belonging to the selected specialization (Elective Specialization Course)845

Class Information
Academic Year2021 – 2022
Class PeriodSpring
Instructors from Other Categories
Weekly Hours3
Class ID
600192180
Course Type 2011-2015
Knowledge Deepening / Consolidation
Mode of Delivery
  • Face to face
Digital Course Content
Erasmus
The course is also offered to exchange programme students.
Learning Outcomes
Upon the completion of the course the students are expected to • familiarise themselves with process-led production dramaturgy • acquire skills in conducting research on a place/space • ba able to design on paper a full-length site-specific performance
General Competences
  • Apply knowledge in practice
  • Retrieve, analyse and synthesise data and information, with the use of necessary technologies
  • Adapt to new situations
  • Make decisions
  • Work autonomously
  • Work in teams
  • Work in an international context
  • Work in an interdisciplinary team
  • Generate new research ideas
  • Design and manage projects
  • Appreciate diversity and multiculturality
  • Respect natural environment
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Course Content (Syllabus)
The course is a continuation of the course SPECIAL TOPICS IN DRAMA: PRODUCTION DRAMATURGY. Rather than focusing on product-led dramaturgy, it focuses on process-led dramaturgy, where ‘the content, form and structure are determined as the process unfolds’. This semester, the project will be built upon a specific existing place. The students, in groups, are asked to conduct research on a place/space of their choice, discuss their findings and ultimately design on paper a full-length site-specific performance.
Keywords
dramaturgy, site-specific,
Educational Material Types
  • Notes
  • Slide presentations
  • Multimedia
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Communication with Students
  • Use of ICT in Student Assessment
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Lectures140.6
Reading Assigment271.1
Project301.2
Written assigments542.2
Total1255
Student Assessment
Student Assessment methods
  • Written Assignment (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
Βιβλίο [22769308]: Θέατρο και μεταμόρφωση: Προς μια νέα αισθητική του επιτελεστικού, Erika Fischer-Lichte, μτφ. Αναστασία Σιουζουλή Βιβλίο [86055690]: Κάψε το σπίτι, Barba Eugenio   Βιβλίο [15460]: ΜΝΗΜΗ ΚΑΙ ΕΜΠΕΙΡΙΑ ΤΟΥ ΧΩΡΟΥ, Σταυρίδης Σταύρος Βιβλίο [15455]: ΜΕΤΕΩΡΟΙ ΧΩΡΟΙ ΤΗΣ ΕΤΕΡΟΤΗΤΑΣ, Σταυρίδης Σταύρος Βιβλίο [86055690]: Κάψε το σπίτι, Εουτζένιο Μπάρμπα Λεπτομέρειες Βιβλίο [102073318]: Μοντέρνα και Σύγχρονη Σκηνογραφία-Ορόσημα και Εξελίξεις, Μαρία Κονομή
Additional bibliography for study
Βόβολης Θάνος (επιμ.), Νέες Χωρικότητες: Παραστατικές Τέχνες και υπαίθριος/ανοιχτός χώρος» / New Spatialities: Design for Outdoor/Open Performance Space. Κατάλογος ελληνικής συμμετοχής στη Διεθνή Έκθεση της Πράγας PQ 2015 Prague Quadrennial of Performance Design and Space, Ελληνικό Κέντρο του Διεθνούς Ινστιτούτου Θεάτρου / Hellenic Center of the International Theatre Institute, 2016. Γκόνης Θοδωρής & Ελένη Στρούλια, Εθνικός κήπος. Περίπατος μαθητείας. 20+1 στάσεις, Άγρα, 2019. Birch Anna & Joanne Tompkins, Performing Site-Specific Theatre; Politics, Place, Practice, Palgrave Macmillan, 2012. Harvie Jen, Staging the UK, Manchester University Press, 2005. Hill Leslie & Helen Paris, Performance and Place, Palgrave Macmillan, 2006. Hopkins D. J., Shelley Orr & Kim Solga, Performance and the City, Palgrave Macmillan, 2009. Houston Andrew, Environmental and Site-Specific Theatre: Critical Perspectives on Canadian Theatre in English, τόμ. 8, Playwrights Canada Press, 2007. McAuley Gay, "Site-specific performance: Place, memory and the creative agency of the spectator", Arts: The Journal of the Sydney University Arts Association, 25:27-51, 2005. Kaye Nick, Site-Specific Art: Performance, Place and Documentation, Routledge, 2002. Kwon Miwon, One Place After Another: Site-Specific Art and Locational Identity, MIT, 2002. Mock Roberta (επιμ.), Walking, Writing and Performance. Autobiographical Texts by Deirdre Heddon, Carl Lavery and Phil Smith, Intellect Books, 2009. Pearson Mike, «In Comes I»: Performance, Memory and Landscape, Exeter University Press, 2007. Pearson Mike, Site-Specific Performance, Palgrave Macmillan, 2010. Smith Phil, Making Site-Specific Theatre and Performance: A Handbook, Macmillan HE/ Red Globe Press, 2019. Bly Mark, The Production Notebooks: Theatre in Process, τόμ. 1 & 2. 1995, Theatre Communications Group, 2001. Barba Eugenio, On directing and dramaturgy: burning the house, μτφρ. Judy Barba, Routledge, 2010. Brown Lenora Inez, The Art of Active Dramaturgy: Transforming Critical Thought into Dramatic Action, Focus, 2011. Cardullo Bert, What is Dramaturgy?, P. Lang, 1995. Chemers Michael Mark, Ghost Light. An Introductory Handbook for Dramaturgy, Southern Illinois University Press, 2010. Hartley Andrew James, The Shakespearean Dramaturg: A Theoretical and Practical Guide, Palgrave MacMillan, 2005. Jonas Susan S., Geoffrey S. Proehl & Michael Lupu (επιμ.), Dramaturgy in American Theater: A Source Book, Harcourt Brace College Publishers, 1997. Irelan Scott R., Anne Fletcher & Julie Felise Dubiner, The Process of Dramaturgy: A Handbook, Focus Publishing, 2010. Luckhurst Mary, Dramaturgy: A Revolution in Theatre, Cambridge University Press, 2006. Proehl Geoff, Toward a Dramaturgical Sensibility: Landscape and Journey, Fairleigh Dickinson University Press, 2008. Romanska Magda, The Routledge Companion to Dramaturgy, Routledge, 2015. Rudakoff Judith & Lynn M. Thomson, Between the Lines: The Process of Dramaturgy, Playwrights Canada Inc., 2002. Trencsényi Katalin, Dramaturgy in the Making: A User's Guide for Theatre Practitioners, Bloomsbury, 2015. Trencsényi Katalin & Bernadette Cochrane (επιμ.), New Dramaturgy: International Perspectives on Theory and Practice, Bloomsbury, 2014. Turner Cathy & Behrndt Synne K., Dramaturgy and performance, Palgrave Macmillan, 2008.
Last Update
15-03-2022