GENEALOGY OF THE BODY AS AN ARTWORK OBJECT IN THE PERFORMANCE.

Course Information
TitleΓΕΝΕΟΛΟΓΙΑ ΤΟΥ ΣΩΜΑΤΟΣ ΩΣ ΕΙΚΑΣΤΙΚΟΥ ΑΝΤΙΚΕΙΜΕΝΟΥ ΣΤΗΝ ΠΕΡΦΟΡΜΑΝΣ / GENEALOGY OF THE BODY AS AN ARTWORK OBJECT IN THE PERFORMANCE.
CodeΕΚΓΣΕΑΠ2
FacultyFine Arts
SchoolVisual and Applied Arts
Cycle / Level1st / Undergraduate
Teaching PeriodSpring
CoordinatorGeorgios Divaris
CommonYes
StatusActive
Course ID600019742

Programme of Study: New PPS of School of Visual and Applied Arts (2014-today)

Registered students: 42
OrientationAttendance TypeSemesterYearECTS
KORMOSArtistic Spesialization633

Class Information
Academic Year2021 – 2022
Class PeriodSpring
Instructors from Other Categories
Weekly Hours3
Class ID
600201727
Course Type 2011-2015
Knowledge Deepening / Consolidation
Mode of Delivery
  • Face to face
Digital Course Content
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Greek (Instruction, Examination)
  • English (Examination)
Learning Outcomes
To present the production process and presentation of artwork as a unity. How to develop knowledge and understanding of contemporary art through the act of the workshop to meet the demands of modern art, social and cultural context. How to develop professionalism in free artistic practice, technical skills and production organizational skills in order to respond adequately to the level of the different application fields of visual arts that arise. The students must have the capacity to implement and find solutions to their creative ideas, experimental methods and conceptual proposals. To have the ability to negotiate and argue individual/team level. To understand the recruitment relationships and host of artwork from different viewers Content of perceptual capacity in which each project can be developed Ability to act effectively in the conditions of working environment Developments of basic research methods that the recruitment information can be critically edited and collected with further other information. Ability to develop and understanding of the theory, conceptual approach and methodology corresponding to a field of knowledge that occurs through the visual search. The capacity to exercise appropriate criticism of a number of complex situations and contexts The ability to act in unfamiliar and unknown situations The ability to develop their public issue Development of imagination and creativity for the technical implementation in their work Formulation of key questions and critical discourse joint with projects of other artists Create, manage, arrangement and presentation of an artistic practice, professional Effective treatment of intentions, values and concepts generated in the social space Systematic understanding of the knowledge generated in the studio Focus and cultivate critical view of modern developments Presentation upon detection of data and specification of research on a high level Self-awareness in view of professional and academic development
General Competences
  • Apply knowledge in practice
  • Retrieve, analyse and synthesise data and information, with the use of necessary technologies
  • Adapt to new situations
  • Make decisions
  • Work autonomously
  • Work in teams
  • Work in an international context
  • Work in an interdisciplinary team
  • Generate new research ideas
  • Design and manage projects
  • Appreciate diversity and multiculturality
  • Respect natural environment
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Course Content (Syllabus)
The course deals with the dynamics of performance art, starting from its ritual origin and reaching to its contemporary form examined in relation to the artistic quest of the subject who acts on the axis of her/his physicality. The course integrates the genealogy of performance into a laboratory-theoretical logic of practice. In this context, an experiential application of theories is developed based on three basic and interconnected principles: body-space-time.
Keywords
performance art
Educational Material Types
  • Multimedia
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Communication with Students
  • Use of ICT in Student Assessment
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Lectures602
Internship
Artistic creation
Total602
Student Assessment
Student Assessment methods
  • Performance / Staging (Formative, Summative)
  • Artistic Performance (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
κωδ: 41957383 "Η Θεωρία της Επιτέλεσης", R. Schechner κωδ: 5938557 "Από την Τελετουργία στο Θεάτρου" V. Turner
Last Update
17-07-2020