ACTING V

Course Information
TitleΥΠΟΚΡΙΤΙΚΗ V / ACTING V
CodeΥΑ0283
FacultyFine Arts
SchoolDrama
Cycle / Level1st / Undergraduate
Teaching PeriodWinter/Spring
CommonNo
StatusActive
Course ID120000881

Programme of Study: PPS Tmīmatos THeátrou (2019-sīmera)

Registered students: 13
OrientationAttendance TypeSemesterYearECTS
Dramatología-ParastasiologíaElective Course belonging to the selected specialization (Elective Specialization Course)535
YpokritikīCompulsory Course belonging to the selected specialization (Compulsory Specialization Course)535
Skīnografía-EndymatologíaElective Course belonging to the selected specialization (Elective Specialization Course)635
SkīnothesíaElective Course belonging to the selected specialization (Elective Specialization Course)635

Class Information
Academic Year2023 – 2024
Class PeriodWinter
Faculty Instructors
Class ID
600233183
Course Type 2021
Specialization / Direction
Course Type 2016-2020
  • Scientific Area
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
  • Face to face
Digital Course Content
Language of Instruction
  • Greek (Instruction, Examination)
Prerequisites
Required Courses
  • ΥΣ0101 INTRODUCTION TO ACTING
  • ΥΣ0107 INTRODUCTION TO ACTING (PREREQUISITE)
  • ΥΑ0279 ACTING I
  • ΥΑ0280 ACTING II
  • ΥΑ0281 ACTING III
  • ΥΑ0282 ACTING IV
Learning Outcomes
Upon successful course completion, students will have: - developed their performing skills through improvisation, speech and rhythm exercises - understood "story telling" techniques - get experience presenting their work publicly
General Competences
  • Apply knowledge in practice
  • Adapt to new situations
  • Make decisions
  • Work autonomously
  • Work in teams
  • Appreciate diversity and multiculturality
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
Course Content (Syllabus)
During this semester students are being trained in a specific system of reducing their expression skills and put less but compact energy in their acting. They will be asked to practice these new acting principles into the creation of a multi stage production where they will have to manage all taught training exercises such as: a. self-observation, b. focus on breathe function, c. economy of words, d. spot and control of emotions, e. stage alert, f. interaction with other participants in stage present.
Educational Material Types
  • Notes
  • Audio
  • Interactive excersises
  • Book
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Artistic Workshop602.4
Artistic creation331.3
Exams291.2
Total1224.9
Student Assessment
Description
Apart from the mandatory physical presence, primary consideration is the availability of the student and more specifically: his/her preparedness, practice on accuracy, exercise of imagination, evolution of the hypocritical skills. At the end of the semester there will be a public presentation.
Student Assessment methods
  • Performance / Staging (Summative)
  • Artistic Performance (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
Επιλογή Συγγραμμάτων: Βιβλίο [33156208]: Η δουλειά του ηθοποιού 1. Βίωμα, Konstantin Stanislavsky Λεπτομέρειες Βιβλίο [33156212]: Η δουλειά του ηθοποιού 2. Ενσάρκωση, Konstantin Stanislavsky Λεπτομέρειες Βιβλίο [33155800]: Ο ΑΟΡΑΤΟΣ ΗΘΟΠΟΙΟΣ, OIDA YOSHI Λεπτομέρειες Βιβλίο [41964888]: Η ΤΕΧΝΗ ΤΟΥ ΤΩΡΑ, Mnouchkine, Ariane Λεπτομέρειες Βιβλίο [1414]: Ενας σκηνοθέτης προετοιμάζεται, Αν Μπόγκαρτ Λεπτομέρειες Βιβλίο [16844]: Ο ηθοποιός ανάμεσα στη σκηνή και στην οθόνη, Nacache Jacqueline,Λεοντάρης Γιάννης,Amiel Vincent,Baron Cynthia,Μιχελάκης Παντελής,Μήνη Παναγιώτα,Bignell Jonathan,Τζιουμάκης Γιάννης,Schoenmakers Henri Λεπτομέρειες Βιβλίο [86194488]: Υποκριτική. Από τη Θεωρία στην Πράξη, Ευδόκιμος Τσολακίδης Λεπτομέρειες
Additional bibliography for study
-Ζarrilli, P., Fischer-Sorgenfrei, C., McConachie, B. και Williams, G. J. (επιμ.), Theatre Histories: An Introduction, Routledge, Λονδινο 2010. -Zarrilli Phillip, Psychophysical Acting: an intercultural Approach after Stanislavski, Routledge, Λονδίνο 2008. -Zarrilli Phillip (επιμ.), Acting Reconsidered: Theories and Practices, Routledge Λονδίνο 2002. -Zarrilli Phillip (επιμ.), Asian Martial Arts in Actor Training, Center for South Asian Area Studies 1993.
Last Update
08-11-2021