Learning Outcomes
Students in the course:
* Evaluate the structure, content and production methods of different audiovisual works.
* They will compare the various audiovisual species, through their history and evolution, discovering correlations or differentiations.
* Understand the role of new technologies in audiovisual works.
* They will use specialized techniques of capturing and processing the Moving Image through compositing processes (synthesis of multiple video streams to create a new image-reality).
* Will experiment with specialized techniques of capturing and processing the Moving Image creating a complete audiovisual product promoting artistic and scientific research.
* They will expand their expressive capabilities and at the same time their visual visual.
* They will unleash their creative imagination.
* They will lay the foundation for their future career as specialized professionals on the digital image in the domestic and international market.
Course Content (Syllabus)
Students in the course:
* Evaluate the structure, content and production methods of different audiovisual works.
* They will compare the various audiovisual species, through their history and evolution, discovering correlations or differentiations.
* Understand the role of new technologies in audiovisual works.
The theoretical part includes two educational modules: the presentation-through screenings and lectures - of artistic forms of expression such as video-art works and new digital art forms (new media art), artistic and experimental cinema and documentary oriented towards a dialogue between them, at the level of form, structure, content, production processes and cultural tradition.
The laboratory part includes learning, through exercises, selected software, professional specifications, for advanced compositing techniques such as Matchmoving (synthesis of real video images with graphic images), through which images from different sources, synthesizing into a single seemingly complete and unbroken whole, as well as technical shots necessary for the production of the appropriate material.
Keywords
post-production, composition, re-composition, direction, narration, audiovisual, projection, film, video art
Description
1. Progress within the laboratory (mid-term examination, daily examination).
2. Homework.
3. Oral presentations of work.
4. Examination of the artistic work of students.
In a large percentage, the student's presence in the laboratory, his participation in the activities of the laboratory, the presentations of work, etc.are positively evaluated.
This is followed by research, the development of the topic and the quality of the results.
Additional bibliography for study
Master Class
Έκδοση: 1η έκδ./2009
ISBN: 978-960-16-2517-1
Συγγραφείς: Tirard Laurent,Boorman John,Pollack Sydney,Sautet Claude,Allen Woody,Bertolucci Bernardo,Scorsese Martin,Wenders Wim,Almodovar Pedro,Burton Tim
Διαθέτης (Εκδότης): Σ. ΠΑΤΑΚΗΣ
Η αφήγηση στον κινηματογράφο
Έκδοση: 1η έκδ./2007
ISBN: 978-960-16-1902-6
Συγγραφείς: Guerin Marie Anne
Διαθέτης (Εκδότης): Σ. ΠΑΤΑΚΗΣ
Το σενάριο. Ουσία, δομή, ύφος και βασικές αρχές
Έκδοση: 1Η ΕΚΔΟΣΗ/2017
ISBN: 9789601646275
Συγγραφείς: Robert ΜcΚee
Διαθέτης (Εκδότης): Σ. ΠΑΤΑΚΗΣ
Σκηνοθετώντας τον ηθοποιό
Έκδοση: 1η έκδ./2007
ISBN: 978-960-16-2515-7
Συγγραφείς: Weston Judith
Διαθέτης (Εκδότης): Σ. ΠΑΤΑΚΗΣ
Κείμενα και Συνεντεύξεις
Έκδοση: 3η/1988
ISBN: 978-960-322-311-5,
Συγγραφείς: Ζαν Λυκ Γκοντάρ
Διαθέτης (Εκδότης): ΙΩΑΝΝΗΣ ΣΟΛΔΑΤΟΣ