Drawing II

Course Information
TitleΣΧΕΔΙΟ 2 / Drawing II
FacultyFine Arts
SchoolVisual and Applied Arts
Cycle / Level1st / Undergraduate
Teaching PeriodWinter/Spring
CoordinatorEvangelos Ploiaridis
Course ID280006696

Programme of Study: New PPS of School of Visual and Applied Arts (2014-today)

Registered students: 11
OrientationAttendance TypeSemesterYearECTS
ZŌGRAFIKĪSArtistic Spesialization215

Class Information
Academic Year2023 – 2024
Class PeriodSpring
Instructors from Other Categories
Weekly Hours3
Class ID
Course Type 2021
Specialization / Direction
Course Type 2016-2020
  • Background
  • Scientific Area
  • Skills Development
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
  • Face to face
Digital Course Content
The course is also offered to exchange programme students.
Language of Instruction
  • Greek (Instruction, Examination)
  • English (Instruction, Examination)
Learning Outcomes
Upon successful completion of the course, students will: -Have the ability to draw the visible subject, set up in the studio (human model, still life, etc.), with correct proportions, on life-size paper (180x130cm), with increased quality. -Be able to produce life-size drawings (180x130cm) with shading in which to successfully organize the basic elements of a drawing, such as plasticity, depth, perspective, mark making, atmosphere, density and dilution, abstraction and directional prioritization of these individual elements. -Be able to render in drawing the subjects from observation with ease, using charcoal, pencil, graphite, ink, pastels and other drawing materials. -Have the ability to use sketching in the studio as well as in nature as a preparatory tool for larger studies, as a final project, and as a tool for solving visual problems. -Ηave to some extent developed a personal drawing vocabulary.
General Competences
  • Apply knowledge in practice
  • Retrieve, analyse and synthesise data and information, with the use of necessary technologies
  • Adapt to new situations
  • Make decisions
  • Work autonomously
  • Work in teams
  • Work in an international context
  • Work in an interdisciplinary team
  • Generate new research ideas
  • Design and manage projects
  • Appreciate diversity and multiculturality
  • Respect natural environment
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Course Content (Syllabus)
Drawing exercises in the studio, with increased requirements, from a live model set up in the studio (human model, composition of objects), on life-size paper (180x130cm) with materials such as charcoal, ink, acrylics, pencil, pastels and more. Quick sketch exercises in smaller sizes, which extend to nature studies outdoors, with the aim of using sketching as a method of practicing drawing, as a preparatory tool for larger studies, as a final autonomous project, as well as a tool for solving artistic problems. Second cycle of seminars and studies on contemporary artists who have chosen the language of drawing as an artistic proposition. Student research on the course and evolution of drawing in the history of Art, and its place today. The research is done with bibliography in the library, on the internet and in visits to museums, galleries, Art Fairs, and Biennials of Contemporary Art. In the form of seminars, emphasis is placed on issues of professional practice (creating a portfolio, organizing exhibitions, etc.) in order to raise issues and develop students' potential within the artistic professional space.
Art Studio
Educational Material Types
  • Slide presentations
  • Multimedia
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Laboratory Teaching
Visual Presentations (projections) take place during the course, and image processing software is available. Online visits to galleries, museums and press articles are suggested and being used through the studio and library. Students use e-mail as a direct means of communication and have access to the studio's announcements posted on the Department's website.
Course Organization
Reading Assigment100.3
Artistic Workshop1003.3
Field trips and participation in conferences / seminars / activities100.3
Artistic creation200.7
Student Assessment
1. Progress within the studio (mid-term review, daily review). 2. Personal work outside the studio. 3. Oral presentations. 4. Studio and practical exercises. 5. Final examination of the students' artistic work at the end of the semester.
Student Assessment methods
  • Performance / Staging (Formative, Summative)
  • Εικαστικά Έργα Φοιτητών (Formative, Summative)
Course Bibliography (Eudoxus)
1. Σύγχρονη Τέχνη, Τσιγκόγλου Σταύρος 2. Art Book, ΣΥΛΛΟΓΙΚΟ
Additional bibliography for study
1. ΕΙΚΑΣΤΙΚΗ ΣΚΕΨΗ, ΠΑΟΥΛ ΚΛΕΕ 2. Frissiras Museum, Collection of Drawings, Βλάσης Φρυσίρας, Marc Le Bot
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