DIRECTING TRENDS IN EUROPE II
| Title | ΣΚΗΝΟΘΕΤΙΚΑ ΡΕΥΜΑΤΑ ΣΤΗΝ ΕΥΡΩΠΗ ΙΙ / DIRECTING TRENDS IN EUROPE II |
| Code | ΠΡ0302 |
| Faculty | Fine Arts |
| School | Drama |
| Cycle / Level | 1st / Undergraduate |
| Teaching Period | Winter/Spring |
| Coordinator | Eleni Stamatopoulou |
| Common | No |
| Status | Active |
| Course ID | 120000493 |
Programme of Study: PPS Tmīmatos THeátrou (2019-sīmera)
Registered students: 14
| Orientation | Attendance Type | Semester | Year | ECTS |
|---|---|---|---|---|
| Dramatología-Parastasiología | Elective Course belonging to the selected specialization (Elective Specialization Course) | 8 | 4 | 5 |
| Ypokritikī | Elective Course belonging to the selected specialization (Elective Specialization Course) | 8 | 4 | 5 |
| Skīnografía-Endymatología | Elective Course belonging to the selected specialization (Elective Specialization Course) | 8 | 4 | 5 |
| Skīnothesía | Compulsory Course belonging to the selected specialization (Compulsory Specialization Course) | 8 | 4 | 5 |
| Academic Year | 2023 – 2024 |
| Class Period | Spring |
| Faculty Instructors | |
| Class ID | 600249101
|
EPIChallenges
- European Values
Course Type 2021
Specific Foundation
Course Type 2016-2020
- Background
- General Knowledge
Course Type 2011-2015
General Foundation
Mode of Delivery
- Face to face
Digital Course Content
- e-Study Guide https://qa.auth.gr/en/class/1/600249101
- eLearning: https://elearning.auth.gr/course/view.php?id=17021
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
- Greek (Instruction, Examination)
Prerequisites
Required Courses
- ΠΡ0301 DIRECTING TRENDS IN EUROPE I
Learning Outcomes
Upon successful completion of the course, students:
- will be able to recognize the main directing trends and the most important creators from the First World War until about the 80's.
- will have understood the historical development of the art of directing in relation to the wider socio-political developments
- will be able to recognize and demonstrate the influence of great creators on contemporary directing.
General Competences
- Make decisions
- Generate new research ideas
- Appreciate diversity and multiculturality
- Respect natural environment
- Demonstrate social, professional and ethical commitment and sensitivity to gender issues
- Be critical and self-critical
- Advance free, creative and causative thinking
Course Content (Syllabus)
This is the second part of the course SCENATURAL WAVES IN EUROPE which is offered in two semesters. The second part first of all offers the student the opportunity to acquire a concise diagram of the development of directing on the European and modern Greek stage, from the interwar period to the 1980s. nd, secondly, it aims to familiarize the student with the most important artistic trends in the field of directing and with the work of the leading directors of the above period.
Keywords
stage direction, stage directors, theatre history, artistic movements, modern Greek theatre,
Educational Material Types
- Notes
- Slide presentations
- Multimedia
- Book
Use of Information and Communication Technologies
Use of ICT
- Use of ICT in Course Teaching
Description
Slides, Documentary Films & Journals, Performance clips
Course Organization
| Activities | Workload | ECTS | Individual | Teamwork | Erasmus |
|---|---|---|---|---|---|
| Lectures | 35 | 1.4 | ✓ | ||
| Reading Assigment | 45 | 1.8 | ✓ | ||
| Exams | 45 | 1.8 | ✓ | ||
| Total | 125 | 5 |
Student Assessment
Description
1. expressive speech (10%)
2. understanding and formulating concepts (40%)
3. criticizing and analyzing (30%)
4. synthesis capacity (20%)
Student Assessment methods
- Written Exam with Short Answer Questions (Summative)
- Written Exam with Extended Answer Questions (Summative)
Bibliography
Course Bibliography (Eudoxus)
Παύλος Mάτεσης (επιμ.), Aρχιτέκτονες του σύγχρονου θεάτρου, μετ. Λίζα Mαντζοπούλου, Δωδώνη, Aθήνα, χ.χ.
Jean-Francois Dusigne (επιμ.), Από το θέατρο τέχνης στην τέχνη του θεάτρου ανθολογία θεμελιακών κειμένων του 20ού αιώνα, επιλογή και απόδοση Μάγια Λυμπεροπούλου, ΔΗ.ΠΕ.ΘΕ. Πάτρας, Πάτρα, 2002.
Denis Bablet, Ιστορία σύγχρονης σκηνοθεσίας. 1ος τόμος: 1887-1914, μετ. Δαμιανός Κωνσταντινίδης, University Studio Press, Θεσσαλονίκη, 2008.
Jacqueline Jomaron, Ιστορία σύγχρονης σκηνοθεσίας. 2ος τόμος: 1914-1940, μετ. Δαμιανός Κωνσταντινίδης, University Studio Press, Θεσσαλονίκη, 2009.
Αντώνης Γλυτζουρής, Η σκηνοθετική τέχνη στην Ελλάδα, Πανεπιστημιακές Εκδόσεις Κρήτης, Ηράκλειο, 2011 (πρώτη έκδοση: Ελληνικά Γράμματα 2001).
Additional bibliography for study
Επιλογή Γενικής Βιβλιογραφίας
1. Artioli Umberto, Il teatro di regia: genesi ed evoluzione, 1870-1950, Studi superiori ― Carocci, Roma 2004.
2. Bentley Eric, The Theory of the Modern Stage: An Introduction to Modern Theatre and Drama, Reprinted with revisions, Penguin, Harmondsworth 1976.
3. Braun Edward, The Director, and the Stage: From Naturalism to Grotowski, Methuen, London 1982.
4. Chinoy Helen Krich και Toby Cole, Directors on Directing: A Source Book of the Modern Theater, 2. rev., Bobb’s-Merrill, Indianapolis 1976.
5. Delgado Maria M. & Dan Rebellato, Contemporary European Theatre Directors, Routledge, London 2010.
6. Fiebach Joachim, Manifeste europäischen Theaters: Grotowski bis Schleef. Recherchen 13. Theater der Zeit, Berlin 2003.
7. Folco Alice, Ariane Martinez & Bénédicte Boisson, La mise en scène théâtrale : de 1800 à nos jours, Presses universitaires de France, Paris 2010.
8. Goetschel Pascale & Jean-Claude Yon, Directeurs de théâtre, XIXe-XXe siècles : histoire d’une profession. Histoire de la France aux XIXe et XXe siècles ; 66, Publications de la Sorbonne, Paris 2008.
9. Innes Christopher & Maria Shevtsova, The Cambridge Introduction to Theatre Directing, Cambridge University Press, Cambridge 2013.
10. Jomaron Jacqueline & Denis Bablet, La Mise en scène contemporaine, la Renaissance du livre, Bruxelles 1968.
11. Jones David Richard, Great Directors at Work: Stanislavsky, Brecht, Kazan, Brook, University of California Press, Berkeley 1986.
12. Leach Robert, Makers of Modern Theatre: An Introduction, Routledge, London 2004.
13. Leiter Samuel L., From Belasco to Brook: Representative Directors of the English-Speaking Stage, Greenwood Press, New York 1991.
14. ———, From Stanislavsky to Barrault: Representative Directors of the European Stage, Greenwood Press, New York 1991.
15. ———, The Great Stage Directors: 100 Distinguished Careers of the Theater, Facts on File, New York 1994.
16. Mitchell, Katie, The Director’s Craft; A Handbook for the Theatre, Routledge, London 2009.
17. Mitter Shomit & Maria Shevtsova, Fifty Key Theatre Directors, Routledge, London 2005.
18. Shevtsova Maria & C. D. Innes, Directors/Directing: Conversations on Theatre, Cambridge University Press, New York 2009.
19. Styan J. L., Modern Drama in Theory and Practice. 1: Realism and Naturalism. 2: Symbolism, Surrealism and the Absurd. 3: Expressionism and Epic Theatre, Cambridge University Press, Cambridge 1981.
20. Williams David & David Bradby, Directors’ Theatre. Modern dramatists, St. Martin ’s Press, New York, NY 1988.
21. Bablet Denis, Ιστορία σύγχρονης σκηνοθεσίας. 1ος τόμος: 1887-1914, μετ. Δ. Κωνσταντινίδης, University Studio Press, Θεσσαλονίκη 2008.
22. Jomaron Jacqueline, Ιστορία σύγχρονης σκηνοθεσίας. 2ος τόμος: 1914-1940, μετ. Δ. Κωνσταντινίδης, University Studio Press, Θεσσαλονίκη 2009.
23. Dusigne Jean-François, Από το Θέατρο Τέχνης, στην τέχνη του θεάτρου : ανθολογία θεμελιακών κειμένων του 20ού αιώνα, μετ. & επιμ. Μάγια Λυμπεροπούλου, εκδ. ΔΗΠΕΘΕ Πάτρας / Λόγος Θεατρικής Πράξης, Πάτρα 2002 [ = Du théâtre d‘art à l’art du théâtre : anthologie des textes fondateurs, Editions Théâtrales, Paris 1997].
24. Μάτεσης Παύλος (επιμ.), Αρχιτέκτονες του σύγχρονου θεάτρου, μετ. Λ. Μαντζοπούλου, Δωδώνη, Αθήναι χ.χ.
25. Γλυτζουρής Αντώνης, Η σκηνοθετική τέχνη στην Ελλάδα: η ανάδυση και η εδραίωση της τέχνης του σκηνοθέτη στο νεοελληνικό θέατρο, Πανεπιστημιακές Εκδόσεις Κρήτης, Ηράκλειο 2011.
Last Update
09-03-2025
