PRODUCTION DRAMATURGY II
| Title | ΔΡΑΜΑΤΟΥΡΓΙΑ ΠΑΡΑΣΤΑΣΗΣ ΙΙ / PRODUCTION DRAMATURGY II |
| Code | ΘΘ0213 |
| Faculty | Fine Arts |
| School | Drama |
| Cycle / Level | 1st / Undergraduate |
| Teaching Period | Winter/Spring |
| Coordinator | Panagiota Konstantinakou |
| Common | No |
| Status | Active |
| Course ID | 600013235 |
Programme of Study: PPS Tmīmatos THeátrou (2019-sīmera)
Registered students: 8
| Orientation | Attendance Type | Semester | Year | ECTS |
|---|---|---|---|---|
| Dramatología-Parastasiología | Elective Course belonging to the selected specialization (Elective Specialization Course) | 8 | 4 | 5 |
| Ypokritikī | Elective Course belonging to the selected specialization (Elective Specialization Course) | 8 | 4 | 5 |
| Skīnografía-Endymatología | Elective Course belonging to the selected specialization (Elective Specialization Course) | 8 | 4 | 5 |
| Skīnothesía | Elective Course belonging to the selected specialization (Elective Specialization Course) | 8 | 4 | 5 |
| Academic Year | 2023 – 2024 |
| Class Period | Spring |
| Instructors from Other Categories | |
| Class ID | 600249102
|
Course Type 2021
Specialization / Direction
Course Type 2011-2015
Knowledge Deepening / Consolidation
Mode of Delivery
- Face to face
Digital Course Content
- e-Study Guide https://qa.auth.gr/en/class/1/600249102
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
- Greek (Instruction, Examination)
- English (Instruction, Examination)
Learning Outcomes
Upon the completion of the course the students are expected to
• familiarise themselves with process-led production dramaturgy
• acquire skills in conducting research on a place/space
• be able to design either on paper or in situ a full-length site-specific performance
General Competences
- Apply knowledge in practice
- Retrieve, analyse and synthesise data and information, with the use of necessary technologies
- Adapt to new situations
- Make decisions
- Work autonomously
- Work in teams
- Work in an international context
- Work in an interdisciplinary team
- Generate new research ideas
- Design and manage projects
- Appreciate diversity and multiculturality
- Respect natural environment
- Demonstrate social, professional and ethical commitment and sensitivity to gender issues
- Be critical and self-critical
- Advance free, creative and causative thinking
Course Content (Syllabus)
The course is a continuation of the course SPECIAL TOPICS IN DRAMA: PRODUCTION DRAMATURGY. Rather than focusing on product-led dramaturgy, it focuses on process-led dramaturgy, where ‘the content, form and structure are determined as the process unfolds’.
This semester, the project will be built upon a specific existing site. The students, in groups, are asked to conduct research on a designated place/space, discuss their findings and ultimately design either on paper or in situ a full-length site-specific performance.
Keywords
dramaturgy, site-specific,
Educational Material Types
- Notes
- Slide presentations
- Multimedia
- Book
Use of Information and Communication Technologies
Use of ICT
- Use of ICT in Course Teaching
- Use of ICT in Communication with Students
- Use of ICT in Student Assessment
Course Organization
| Activities | Workload | ECTS | Individual | Teamwork | Erasmus |
|---|---|---|---|---|---|
| Lectures | 14 | 0.6 | |||
| Reading Assigment | 27 | 1.1 | |||
| Project | 30 | 1.2 | |||
| Written assigments | 24 | 1.0 | |||
| Artistic creation | 30 | 1.2 | |||
| Total | 125 | 5 |
Student Assessment
Student Assessment methods
- Written Assignment (Formative, Summative)
- Performance / Staging (Formative)
- Artistic Performance (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
Βιβλίο [22769308]: Θέατρο και μεταμόρφωση: Προς μια νέα αισθητική του επιτελεστικού, Erika Fischer-Lichte, μτφ. Αναστασία Σιουζουλή
Βιβλίο [86055690]: Κάψε το σπίτι, Barba Eugenio
Βιβλίο [15460]: ΜΝΗΜΗ ΚΑΙ ΕΜΠΕΙΡΙΑ ΤΟΥ ΧΩΡΟΥ, Σταυρίδης Σταύρος
Βιβλίο [15455]: ΜΕΤΕΩΡΟΙ ΧΩΡΟΙ ΤΗΣ ΕΤΕΡΟΤΗΤΑΣ, Σταυρίδης Σταύρος
Βιβλίο [102076752]: Μεταδραματικό θέατρο και μορφή, BRANDON WOOLF, MICHAEL SHANE BOYLE, MATT CORNISH
Βιβλίο [122075375}: Το σύγχρονο θέατρο του πραγματικού. Από τις αληθινές ιστορίες στο θέατρο-ντοκουμέντο και στις ερευνητικές δραματουργίες του 21ου αιώνα, Ζωή Βερβεροπούλου
Additional bibliography for study
Βόβολης Θάνος (επιμ.), Νέες Χωρικότητες: Παραστατικές Τέχνες και υπαίθριος/ανοιχτός χώρος» / New Spatialities: Design for Outdoor/Open Performance Space. Κατάλογος ελληνικής συμμετοχής στη Διεθνή Έκθεση της Πράγας PQ 2015 Prague Quadrennial of Performance Design and Space, Ελληνικό Κέντρο του Διεθνούς Ινστιτούτου Θεάτρου / Hellenic Center of the International Theatre Institute, 2016.
Γκόνης Θοδωρής & Ελένη Στρούλια, Εθνικός κήπος. Περίπατος μαθητείας. 20+1 στάσεις, Άγρα, 2019.
Κονομή Μαρία, Μοντέρνα και Σύγχρονη Σκηνογραφία. Ορόσημα και εξελίξεις. Μια σύντομη επισκόπηση, Κάπα εκδοτική, 2021.
Birch Anna & Joanne Tompkins, Performing Site-Specific Theatre; Politics, Place, Practice, Palgrave Macmillan, 2012.
Harvie Jen, Staging the UK, Manchester University Press, 2005.
Hill Leslie & Helen Paris, Performance and Place, Palgrave Macmillan, 2006.
Hopkins D. J., Shelley Orr & Kim Solga, Performance and the City, Palgrave Macmillan, 2009.
Hopkins, D. J. & Kim Solga, Performance and the Global City, Basingstoke: Palgrave Macmillan, 2015.
Houston Andrew, Environmental and Site-Specific Theatre: Critical Perspectives on Canadian Theatre in English, τόμ. 8, Playwrights Canada Press, 2007.
McAuley Gay, "Site-specific performance: Place, memory and the creative agency of the spectator", Arts: The Journal of the Sydney University Arts Association, 25:27-51, 2005.
Kaye Nick, Site-Specific Art: Performance, Place and Documentation, Routledge, 2002.
Kwon Miwon, One Place After Another: Site-Specific Art and Locational Identity, MIT, 2002.
Mock Roberta (επιμ.), Walking, Writing and Performance. Autobiographical Texts by Deirdre Heddon, Carl Lavery and Phil Smith, Intellect Books, 2009.
Pearson Mike, «In Comes I»: Performance, Memory and Landscape, Exeter University Press, 2007.
Pearson Mike, Site-Specific Performance, Palgrave Macmillan, 2010.
Pearson, Mike & Michael Shanks, Theatre/Archaeology, Routledge, 2001.
Smith Phil, Making Site-Specific Theatre and Performance: A Handbook, Macmillan HE/ Red Globe Press, 2019.
Bly Mark, The Production Notebooks: Theatre in Process, τόμ. 1 & 2. 1995, Theatre Communications Group, 2001.
Barba Eugenio, On directing and dramaturgy: burning the house, μτφρ. Judy Barba, Routledge, 2010.
Brown Lenora Inez, The Art of Active Dramaturgy: Transforming Critical Thought into Dramatic Action, Focus, 2011.
Cardullo Bert, What is Dramaturgy?, P. Lang, 1995.
Chemers Michael Mark, Ghost Light. An Introductory Handbook for Dramaturgy, Southern Illinois University Press, 2010.
Hartley Andrew James, The Shakespearean Dramaturg: A Theoretical and Practical Guide, Palgrave MacMillan, 2005.
Jonas Susan S., Geoffrey S. Proehl & Michael Lupu (επιμ.), Dramaturgy in American Theater: A Source Book, Harcourt Brace College Publishers, 1997.
Irelan Scott R., Anne Fletcher & Julie Felise Dubiner, The Process of Dramaturgy: A Handbook, Focus Publishing, 2010.
Luckhurst Mary, Dramaturgy: A Revolution in Theatre, Cambridge University Press, 2006.
Proehl Geoff, Toward a Dramaturgical Sensibility: Landscape and Journey, Fairleigh Dickinson University Press, 2008.
Romanska Magda, The Routledge Companion to Dramaturgy, Routledge, 2015.
Rudakoff Judith & Lynn M. Thomson, Between the Lines: The Process of Dramaturgy, Playwrights Canada Inc., 2002.
Trencsényi Katalin, Dramaturgy in the Making: A User's Guide for Theatre Practitioners, Bloomsbury, 2015.
Trencsényi Katalin & Bernadette Cochrane (επιμ.), New Dramaturgy: International Perspectives on Theory and Practice, Bloomsbury, 2014.
Turner Cathy & Behrndt Synne K., Dramaturgy and performance, Palgrave Macmillan, 2008.
Last Update
13-03-2024
