DOCUMENTARY THEATRE: THEORY AND PRACTICE

Course Information
TitleΘέατρο Ντοκουμέντο: θεωρία και πράξη / DOCUMENTARY THEATRE: THEORY AND PRACTICE
CodeΔΕ0124
FacultyFine Arts
SchoolDrama
Cycle / Level1st / Undergraduate
Teaching PeriodWinter/Spring
CoordinatorMartha Bouziouri
CommonNo
StatusActive
Course ID600025223

Programme of Study: PPS Tmīmatos THeátrou (2019-sīmera)

Registered students: 25
OrientationAttendance TypeSemesterYearECTS
Dramatología-ParastasiologíaElective Courses belonging to the selected specialization955

Class Information
Academic Year2024 – 2025
Class PeriodWinter
Instructors from Other Categories
Weekly Hours3
Total Hours39
Class ID
600266042
Course Type 2021
Specialization / Direction
Mode of Delivery
  • Face to face
Digital Course Content
Erasmus
The course is also offered to exchange programme students.
General Competences
  • Apply knowledge in practice
  • Work autonomously
  • Work in teams
  • Work in an international context
  • Work in an interdisciplinary team
  • Design and manage projects
  • Appreciate diversity and multiculturality
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Advance free, creative and causative thinking
Keywords
documentary, theatre, dramaturgies of the real, research, ethics, aesthetic
Educational Material Types
  • Notes
  • Multimedia
  • Interactive excersises
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Laboratory Teaching
  • Use of ICT in Communication with Students
Bibliography
Course Bibliography (Eudoxus)
"Το σύγχρονο θεατρο του Πραγματικού: Από τις αληθινές ιστορίες στο θέατρο-ντοκουμέντο και στις ερευνητικές δραματουργίες του 21ου αιώνα" Κωδικός Βιβλίου στον Εύδοξο: 122075375 Συγγραφείς: Βερβεροπούλου Ζ. Εκδοσεις Παπαζήση
Additional bibliography for study
ΞΕΝΟΓΛΩΣΣΗ Carol, M. (2012). Dramaturgy of the Real on the World Stage. Palgrave Macmillan: New York. Heathfield, A. (2010). Dramaturgy without a Dramaturge. In Rethinking Dramaturgy: Errancy and Transformation. Centro Parraga & CENDEAC: Murcia. Heddon, D. (2007). Autobiography and Performance. Basingstoke: Palgrave Macmillan. Lehmann, H.T. (2006). Postdramatic theatre. London ; New York :Routledge. Little, S. (2010). Re-Presenting the Traumatic Real: Douglas Wright’s Black Milk. In A. Kolb (Εd.). Dance and Politics. Bern: Peter Lang, 233–254. Lynn, Kirk & Sides, Shawn. (2003). Collective Dramaturgy: a Co-consideration of the Dramaturgical Role in Collaborative Creation. Theatre Topics, 13: 111–115. Pelias, R. J. (1999). Writing performance: Poeticizing the researcher’s body. Carbondale: Southern Illinois University Press. Reinelt, J. (2009). The Promise of Documentary. In A. Forsyth & C. Megson (Eds.). Get Real: Documentary Theatre Past and Present. Basingstoke: Palgrave Macmillan. Saldaña, J. (2016). Ethnotheatre : Research from Page to Stage. London: Routledge. ΕΛΛΗΝΟΓΛΩΣΣΗ Foster, H. (2013). Ο καλλιτέχνης ως εθνογράφος. Μτφρ: Καρρά, Ε. Στο: Ρίκου, Ε. (επιμ.) Ανθρωπολογία και Σύγχρονη Τέχνη. Αλεξάνδρεια: Αθήνα. Φράγκου, Μ. (2021). Οι ζωές των «Άλλων»: Το θέατρο της επισφάλειας. Σκηνή, (12): 40-52. Χάγερ, Φ. (2020). Θέατρο, επιτέλεση και ιστορία: τόποι μιας φλεγόμενης χρονικότητας, Σκηνή, (12): 5–22.
Last Update
10-03-2025