Course Content (Syllabus)
As a place defined by holiness, the holy mountain Athos is distinguished for the creation of a rich hagiographic tradition that appears from the very beginning of its cenobitic history and is associated with the prominent figures of its prehistory and history (Peter the Athonite, Athanasios the Athonite, Gregory Palamas, Nicodemus the Hagiorite, etc.). From the research of the Athonite hagiographic texts, it can be seen that over the years this tradition has been greatly enriched and has become one of the main genres that distinguish the Athonite literature. The number of Athonite Saints is very large and chronological or thematic criteria distinguish them in particular categories.
In a direct connection, the cultivation of hymnography is also examined, which was also of particular concern to the Athonites, since it was related to the attribution of liturgical honour to feasts and holy persons who were part of the Church calendar. The circle of Athonite hymnographers is particularly large and their hymnographic production, both in the context of the formation of hymnographic collections and the composition of hymns, is very large and remains largely unexplored.
1. Introduction: Mount Athos as a Mountain of Saints - Monasticism and Holiness
2. The Cultivation of Hymnography on Mount Athos - General Overview
3. Attendance of the Scientific Workshop of Mount Athos Center
4. The Saints of the Pre-cenobitic period of Mount Athos and the Founder Saints of the great cenobitic Monasteries
5. The Athonite Saints of the Byzantine period and of the Byzantine Hesychasm
6. The Athonite Saints of the Ottoman period
7. The Athonite New-martyrs
8. The Athonite Saints of the modern period (Kollyvades - fathers of the Philokalic rennaisance)
9. The contemporary Athonite Saints
10. The most important Athonite hymnographers of the post-Byzantine period
11. Manuscript and printed hymnographic collections on Mount Athos
12. Modern and contemporary Athonite hymnographers
13. Presentation of student projects. Exams
Keywords
Mount Athos, Athonite Saints, Sanctity, Hymnography
Additional bibliography for study
1. Σ. ΠΑΣΧΑΛΙΔΗΣ, Tὸ ὑμναγιολογικὸ ἔργο τῶν Κολλυβάδων. Συμβολὴ στὴ μελέτη τῆς ἁγιολογικῆς γραμματείας κατὰ τὴν περίοδο τῆς Τουρκοκρατίας, Θεσσαλονίκη 2007, σ. 121-140.
2. Σ. ΠΑΣΧΑΛΙΔΗΣ, «Ὁ τρόπος ἐργασίας τοῦ ὁσίου Νικοδήμου κατὰ τὴ συγγραφὴ τοῦ Συναξαριστοῦ του καὶ οἱ πηγές του», στό: Πρακτικὰ Β´ Ἐπιστημονικοῦ Συμπο- σίου «Ἅγιος Νικόδημος ὁ Ἁγιορείτης – 200 χρόνια ἀπὸ τὴν κοίμησή του» (3-5 Σε- πτεμβρίου 2009), Θεσσαλονίκη 2011, σ. 255-289.
3. Σ. ΠΑΣΧΑΛΙΔΗΣ – Δ. ΚΑΚΛΑΜΑΝΟΣ, «Ὁ μοναχὸς Ἀγάπιος Λάνδος καὶ ἡ ἰδέα τῆς ἔκδοσης συλλογῶν ἀπὸ ἁγιορειτικὰ χειρόγραφα: Ἡ Καλοκαιρινὴ καὶ ὁ ἀνέκδοτος δεύτερος τόμος της», Πρακτικὰ Η´ Διεθνοῦς Ἐπιστημονικοῦ Συνεδρίου: ‘‘Ἅγιον Ὄ- ρος καὶ Λογιοσύνη’’, Ἁγιορειτικὴ Ἑστία 2014, σ. 123-138.
4. Δ. ΚΑΚΛΑΜΑΝΟΣ, «Νέα Πανηγυρικὰ στὸ Ἅγιον Ὄρος κατὰ τὸ 15ο αἰώνα. Τὰ Πα- νηγυρικὰ τῆς μονῆς Βατοπεδίου (κώδ. 631-637) καὶ ὁ συντάκτης τους», Πρακτικὰ ΣΤ´ Διεθνοῦς Ἐπιστημονικοῦ Συνεδρίου: ‘‘Τὸ Ἅγιον Ὄρος στὸν 15ο καὶ 16ο αἰώνα’’, Ἁγιορειτικὴ Ἑστία, Θεσσαλονίκη 2012, σ. 263-277.
5. Π. ΠΑΣΧΟΣ, «Ὑμνογραφία καὶ Ὑμνογράφοι στὸ Ἅγιον Ὄρος», στό: Ἅγιον Ὄρος. Φύση – Λατρεία – Τέχνη, τ. Α ́, Θεσσαλονίκη 2011, σ. 205-222.
6. Σ. ΠΑΣΧΑΛΙΔΗΣ (ἐπιστ. ἐπιμ.), Τῶν ἐν Ἄθω Ἁγίων ὁ Χορός. Ἁγιορειτικὸν Πανάγιον, Ἁγιορειτικὴ Ἑστία, Θεσσαλονίκη 2013, σ. 43-45, 49-51, 115-116, 149-151, 235- 236, 299-301, 417-418, 473-474.