Course Information
FacultyFine Arts
Cycle / Level1st / Undergraduate
Teaching PeriodWinter
CoordinatorChristina Adamou
Course ID280007579

Programme of Study: UPS of School of Film Studies (2009-2013)

Registered students: 125
OrientationAttendance TypeSemesterYearECTS
CoreCompulsory Course324

Class Information
Academic Year2019 – 2020
Class PeriodWinter
Faculty Instructors
Weekly Hours4
Class ID
Course Type 2016-2020
  • Scientific Area
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
  • Face to face
Digital Course Content
Language of Instruction
  • Greek (Instruction, Examination)
Learning Outcomes
At the end of the semester students will be able to: 1. understand the material and be able to apply it in film analysis, 2. practice in participatory observation 3. assimilate new theoretical concepts.
General Competences
  • Apply knowledge in practice
  • Retrieve, analyse and synthesise data and information, with the use of necessary technologies
  • Work in an interdisciplinary team
  • Appreciate diversity and multiculturality
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Advance free, creative and causative thinking
Educational Material Types
  • Notes
  • Multimedia
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Communication with Students
Course Organization
Student Assessment
100% final exams (written)
Student Assessment methods
  • Written Exam with Short Answer Questions (Formative, Summative)
  • Written Exam with Extended Answer Questions (Formative, Summative)
  • Written Assignment (Formative, Summative)
Course Bibliography (Eudoxus)
Κρακάουερ, Σ. (1983), «Βασικές Έννοιες» στο Θεωρία του Κινηματογράφου (Αθήνα: Κάλβος). Αρνχάιμ, Ρούντολφ (2008), Το Φιλμ ως Τέχνη (Αθήνα: Καθρέφτης)
Additional bibliography for study
Μπαζέν, Α. (1988α), «Σχετικά με την εξέλιξη της κινηματογραφικής γλώσσας» στο Τι Είναι Κινηματογράφος 1 (Αθήνα: Αιγόκερως). Bordwell, D., J. Staiger, and K. Thompson (1985), The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 (New York: Routledge). Altman, R. (1999), ‘A Semantic/syntactic approach to film genre’, in B. K. Grant (ed.), Film Genre Reader II (Texas: University Texas Press): 26-40. Neale, S. (1995), ‘Questions of genre’, in B. K. Grant (ed.), Film Genre Reader II (Texas: University Texas Press): 157-183. Schrader, P. (1995), ‘Notes on film noir’, in B. K. Grant (ed.), Film Genre Reader II (Austin, TX: University Texas Press): 218-223. Elsaesser, T. (1991), ‘Tales of Sound and Fury: Observations on the Family Melodrama’ in Marcia Landy (ed.), Imitations of Life: a Reader on Film and TV Melodrama (Detroit: Wayne State University Press): 68-91.
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