Approaches to the 19th century opera genres. Historiography, music dramaturgy and source readings

Informations du Cours
TitreΕιδολογικές προσεγγίσεις της όπερας του 19ου αιώνα. Ιστοριογραφία, μουσική δραματουργία και μελέτη των πηγών (Σεμινάριο) / Approaches to the 19th century opera genres. Historiography, music dramaturgy and source readings
Cycle / Niveau1er cycle / Licence
Semestre de l’annéeWinter
Course ID600013867

Programme d' Études: PPS Tmīmatos Mousikṓn Spoudṓn (2017-sīmera)

Registered students: 0
OrientationAttendance TypeSemesterAnnéeECTS

Informations de la Classe
Année Académique2018 – 2019
Semestre de l’AnnéeWinter
Class ID
Course Type 2016-2020
  • Domaine Scientifique
Mode d’Enseignement
  • En présentiel
Accès en Ligne
Required Courses
  • ΙΠ1002 History of music (17th-19th century)
  • ΙΠ1004 Introduction to musicology / music sciences
Aptitudes Générales
  • Application des connaissances à la pratique
  • Travail en autonomie
  • Travail en environnement international
  • Travail en environnement pluridisciplinaire
  • Respect de l’altérité et du multiculturalisme
  • Promotion de la pensée libre, créatrice et inductive
Type de Matériels Éducatifs
  • Son
  • Matériel multimédia
  • Livre
Use of Information and Communication Technologies
Use of ICT
  • Emploi de TIC pour l’enseignement
  • Emploi de TIC pour communiquer avec les étudiants
Organisation du Cours
ActivitésCharge de travailECTSIndividuelEn groupeErasmus
Etude & analyse bibliographiques301
Mise a niveau 250.8
Visites educatives150.5
Redaction de travaux451.5
Student Assessment
Student Assessment methods
  • Examen écrit : résolution de problèmes (Formative, Sommative)
Course Bibliography (Eudoxus)
1. Εύη Νίκα-Σαμψών (επιμ.) Ειδολογικές προσεγγίσεις της όπερας του 19ου αιώνα, Συλλογικός τόμος, Θεσσαλονίκη 2016, ISBN:978-960-93-8556-5. 2.Howard Mayer Brown, et al. «Opera (i)», Grove Music Online. Oxford Music Online, 7 Feb. 2009 . 3.Εύη Νίκα-Σαμψών, κεφάλαιο «Όπερα» στο συλλογικό τόμο με τίτλο Μουσική, έκδ. Εκδοτική Αθηνών, Αθήνα 2007, σ. 107-153. 4. Σειρά Cambridge Opera Handbooks. Cambridge Opera Handbooks. This is a series of studies of individual operas, written for the serious opera-goer or record-collector as well as the student or scholar. Each volume presents a history of the work and a detailed musical analysis. Some conflict of interpretation is an inevitable part of this account, and the editors of the handbooks reflect this by citing classic statements, by commissioning new essays, and by taking up their own critical position. A final section gives a select bibliography, a discography and guides to other sources. 5. ΚΑΡΛ ΝΤΑΛΧΑΟΥΣ ΑΙΣΘΗΤΙΚΗ ΤΗΣ ΜΟΥΣΙΚΗΣ, Εκδοτικός Οίκος: ΣΤΑΧΥ, Έτος έκδοσης: 2000, ISBN: 9608032450
Additional bibliography for study
C. Dahlhaus: Die Musik des 19. Jahrhunderts (Wiesbaden, 1980, 2/1988; Eng. trans., 1989) R. Taruskin: Opera and Drama in Russia as Preached and Practiced in the 1860s (Ann Arbor, 1981) Music in Paris in the Eighteen-Thirties: Northampton, MA, 1982 H. Lindenberger: Opera: the Extravagant Art (Ithaca, NY, 1984) - J. Rosselli: The Opera Industry in Italy from Cimarosa to Verdi: the Role of the Impresario (Cambridge, 1984; It. trans., 1985, enlarged, as L'impresario d'opera: arte e affari nel teatro musicale italiano dell'Ottocento) - P. Robinson: Opera and Ideas: from Mozart to Strauss (New York, 1985) - L. Bianconi, ed.: La drammaturgia musicale (Bologna, 1986) - J. Samson, ed.: Man and Music: the Late Romantic Era (London, 1991) - L. Goehr: The Imaginary Museum of Musical Works: an Essay in the Philosophy of Music (Oxford, 1992) - Bent, ed.: Music Analysis in the Nineteenth Century (Cambridge, 1993) - R. Wagner: Oper und Drama (Leipzig, 1852) - Bowie: Schelling and Modern European Philosophy (London, 1993) - J. Daverio: Nineteenth-Century Music and the German Romantic Ideology (New York, 1993) - Bent, ed.: Music Theory in the Age of Romanticism (Cambridge, 1996)
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