HOLLYWOOD RENAISSANCE

Informations du Cours
TitreΗ ΑΝΑΓΕΝΝΗΣΗ ΤΟΥ ΧΟΛΥΓΟΥΝΤ / HOLLYWOOD RENAISSANCE
CodeΜΔΣ2-468
FacultyLettres
Cycle / Niveau1er cycle / Licence
Semestre de l’annéeWinter/Spring
CommonNon
StatutActif
Course ID600007258

Programme d' Études: 2018-2019

Registered students: 17
OrientationAttendance TypeSemesterAnnéeECTS
KORMOSEPILOGĪSWinter/Spring-6

Informations de la Classe
Année Académique2020 – 2021
Semestre de l’AnnéeWinter
Instructors from Other Categories
Weekly Hours3
Total Hours39
Class ID
600179701
Course Type 2016-2020
  • Domaine Scientifique
Mode d’Enseignement
  • En présentiel
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Anglais (Enseignement, Examens)
Aptitudes Générales
  • Recherche, analyse et synthèse de données et d’informations, avec utilisation des technologies adéquates
  • Travail en autonomie
  • Travail en environnement pluridisciplinaire
  • Production de nouvelles idées de recherche
  • Respect de l’altérité et du multiculturalisme
  • Critique et autocritique
  • Promotion de la pensée libre, créatrice et inductive
Type de Matériels Éducatifs
  • Vidéoconférences
  • Matériel multimédia
Use of Information and Communication Technologies
Use of ICT
  • Emploi de TIC pour l’enseignement
  • Emploi de TIC pour communiquer avec les étudiants
Organisation du Cours
ActivitésCharge de travailECTSIndividuelEn groupeErasmus
Conferences391.6
Etude & analyse bibliographiques813.2
Examens30.1
Autre271.1
Total1506
Student Assessment
Student Assessment methods
  • Examen écrit : réponses plus longues (Sommative)
  • Examen écrit : résolution de problèmes (Formative, Sommative)
Bibliography
Additional bibliography for study
Belton, John. “Glorious Technicolor, Breathtaking Cinemascope and Stereophonic Sound.” The Classical Hollywood Reader, edited by Steve Neale, Routledge, 2012, pp. 355–69. Cook, David A. A History of Narrative Film: Fifth Edition. 5th ed., W. W. Norton & Company, 2016. Cowie, Elizabeth, and Steve Neale. “Film Culture: ‘New Hollywood Cinema.’” Screen, vol. 17, no. 2, Oxford Academic, Summer 1976, pp. 117–22. academic.oup.com, doi:10.1093/screen/17.2.117. Elsaesser, Thomas. “American Auteur Cinema: The Last – or First – Picture Show?” The Last Great American Picture Show: New Hollywood Cinema in the 1970s, edited by Thomas Elsaesser et al., Amsterdam Univ. Press, 2004, pp. 37–69. JSTOR, https://www.jstor.org/stable/j.ctt46mxhc. Gomery, Douglas. “Hollywood as Industry.” The Oxford Guide to Film Studies, edited by John Hill and Pamela Church Gibson, Oxford University Press, 1998, pp. 245–54. Grant, Barry Keith. “Introduction: Movies and the 1960s.” American Cinema of the 1960s: Themes and Variations, edited by Barry Keith Grant, Rutgers University Press, 2008, pp. 1–21. Hall, Sheldon. “Tall Revenue Features: The Genealogy of the Modern Blockbuster.” Genre and Contemporary Hollywood, edited by Steve Neale, British Film Institute, 2002, pp. 11–26. King, Geoff. New Hollywood Cinema: An Introduction. I.B. Tauris, 2002. Kokonis, Michalis. “Hollywood’s Major Crisis and the American Film ‘Renaissance.’” Gramma: Journal of Theory and Criticism, vol. 16, 2008, pp. 169–206. Kramer, Peter. “Post-Classical Hollywood.” The Oxford Guide to Film Studies, edited by John Hill and Pamela Church Gibson, Oxford University Press, 1998, pp. 289–309. Metz, Walter. “Hollywood Cinema.” The Cambridge Companion to Modern American Culture, edited by Christopher Bigsby, Cambridge University Press, 2006, pp. 374–91. Monaco, Paul. The Sixties: 1960-1969. Charles Scribner’s Sons, 2001. Neve, Brian. “Hollywood and Politics in the 1940s and 1950s.” The Classical Hollywood Reader, edited by Steve Neale, Routledge, 2012, pp. 389–98. Ray, Robert B. A Certain Tendency of the Hollywood Cinema, 1930-1980. Princeton University Press, 1985. Schatz, Thomas. “The New Hollywood.” Film Theory Goes to the Movies, edited by Jim Collins et al., Routledge, 1993, pp. 8–36.
Last Update
01-12-2020