THE ART OF ADAPTATION: FROM PAGE TO SCREEN

Informazioni sull’Insegnamento
TitoloΜΕΤΑΦΟΡΑ ΑΠΟ ΤΟ ΚΕΙΜΕΝΟ ΣΤΗΝ ΟΘΟΝΗ / THE ART OF ADAPTATION: FROM PAGE TO SCREEN
CodiceΜΔΣ2-478
FacultyFilosofia
Ciclo / Livello di Studi1. Corso di Laurea, 2. Post Laurea
Semestre di InsegnamentoWinter/Spring
CommonNo
StatoAttivo
Course ID600008032

Programma di Studio: 2018-2019

Registered students: 0
IndirizzoTipo di FrequenzaSemestreAnnoECTS
KORMOSFacoltativo a scelta liberaWinter/Spring-6

Informazioni sull’Insegnamento
Anno Accademico2016 – 2017
SemestreSpring
Faculty Instructors
Weekly Hours3
Total Hours39
Class ID
600067873
Course Type 2016-2020
  • Area Scientifica
Organizzazione della Didattica
  • In presenza
Materiali Online
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Inglese (Insegnamento, Esame)
Abilita’ Generali
  • Applicazione pratica delle conoscenze acquisite
  • Ricerca, analisi e raccolta dati e informazioni, con l’utilizzo di tecnologie adeguate
  • Adattamento a nuove situazioni
  • Produzione di nuove idee di ricerca
  • Rispetto verso la diversita’ e la multiculturalita’
  • Dimostrare responsabilità sociale, professionale e morale e sensibilità verso i problemi di genere
  • Fare riflessioni critiche e autocritiche
  • Promuovere il pensiero indipendente, creativo e intuitivo
Tipologia di Materiale Didattico
  • Libro
  • Audio
  • Esercizi interattivi
Use of Information and Communication Technologies
Use of ICT
  • Uso delle TIC   nell’ insegnamento
  • Uso delle TIC nella comunicazione con gli studenti
  • Uso delle  TIC nella valutazione degli studenti
Organizzazione dell’Insegnamento
ActivitiesCarico di LavoroECTSIndividualeGruppoErasmus
Conferenze
Esercitazioni di Laboratorio
Studio e analisi bibliografica301.2
Altro
Total301.2
Student Assessment
Student Assessment methods
  • Prova scritta con rispote aperte (Sommativa)
Bibliography
Course Bibliography (Eudoxus)
Cartmell, Deborah &Imelda Wheleban, eds. (1999). Adaptations: From Text to Screen, Screen to Text. New York & London, Routledge.
Additional bibliography for study
Bluestone, George (1957). Novels into Film. Baltimore, The John Hopkins University Press. Boyum, Joy Gould (1985). Double Exposure: Fiction into Film. New York: Universe books. Cahir, Linda Constanzo (2006). Literature into Film: Theory and Practical Approaches. Jefferson, NC.; London, McFarland. Elliott, Kamilla (2003). Rethinking the Novel/Film Debate. Cambridge, New York: Cambridge University Press. Gerarghty, Christine (2008). Now a Major Motion Picture: Film Adaptations of Literature and Drama. Lanham, Boulder, Plymouth, New York: Rowman & Littlefield. Giddings, R., Shelby, K. And Wensley, C. (1990) «The Adaptation Debate» in Screening the Novel: The Theory and Practice of Literary Dramatization. Basingstoke: Macmillan. McFarlane, Brian. (1996) «Background, Issues and a New Agenda» in his Novel to Film: An Introduction to the Theory of Adaptation. Oxford: Clarendon P. McDougal, Stuart Y. (1985). Made Into Movies: From Literature to Film. Chicago, New York: Holt, Rinehart and Winston. Naremore, James, ed. (2000). Film Adaptation. New York: Routledge. Welsh, James M. and Peter Lev (2007). The Literature Film Reader: Issues of Adaptation. Maryland, Plymouth: Scarecrow Press. Wheleban, Imelda. (1999) «Adaptations: The Contemporary Dilemmas». In Adaptations: From Text to Screen, Screen to Text. Ed. By Deborah Cartmell and Imelda Wheleban. London and New York: Routledge, Barthes, Roland. (1977). «The Structural Analysis of Narrative» In his Image-Music-Text: Essays Selected and Translated by Stephen Heath. UK.: Fontana. 69-79. Stam, Robert. (2005) “Introduction: The Theory and Practice of Adaptation.” Eds. Robert Stam and Alessandra Raengo. Literature and Film: A Guide to the Theory and Practice of Film Adaptation. Oxford: Blackwell.1-52. Stam, Robert. (1992) «Film-Narratology». In New Vocabularies in Film Semiotics. Ed. By Robert Stam, Robert Burgoyne and Sandy Flitterman-Lewis. London and New York: Routledge. 69-118. Criticism Kokonis, Michael. (1994) «The Video in the Classroom: Agatha Christie’s Evil Under the Sun and the Teaching of Narratology through Film». In Verbo-Visual Literacy: Understading and Applying New Educational Communication Media Technologies. Ed. By Nikos Metallinos, Montreal, Canada: 3Dmt Research and Information Center. 148-159. McFarlane, Brian. (1996) “Great Expectations” (1946). In McFarlane, Novel to Film: An Introduction to the Theory of Adaptation. Oxford: Clarendon P, 105-136. Giddings, R., Shelby, K. And Wensley, C. (1990) “The Classic Novel: Great Expectations.” In Screening the Novel. 54-78. Giddings, R., Shelby, K. And Wensley, C. (1990) “The Screening of Great Expectations.” In Screening the Novel. 54-78. Wagner, Geoffrey. «Les Liaisons Dangereuses (1959)» in his The Novel and the Cinema. London: The Tantivy Press. 83-90. Holderness, Graham. «Dangerous Les’s Liaisons». In his Novel Images: Literature in Performance. Ed. by Peter Reynolds,. London and New York: Routledge. 17-34.
Last Update
06-07-2015