MUSIC IN SOCIAL MOVEMENTS
| Titolo | ΜΟΥΣΙΚΗ ΚΑΙ ΚΟΙΝΩΝΙΚΑ ΚΙΝΗΜΑΤΑ / MUSIC IN SOCIAL MOVEMENTS |
| Codice | ΜΔΣ2-481 |
| Faculty | Filosofia |
| Ciclo / Livello di Studi | 1. Corso di Laurea, 2. Post Laurea |
| Semestre di Insegnamento | Winter/Spring |
| Common | No |
| Stato | Attivo |
| Course ID | 600007109 |
Programma di Studio: 2024-2025
Registered students: 0
| Indirizzo | Tipo di Frequenza | Semestre | Anno | ECTS |
|---|---|---|---|---|
| KORMOS | Facoltativo a scelta libera | Winter/Spring | - | 6 |
| Anno Accademico | 2016 – 2017 |
| Semestre | Spring |
| Faculty Instructors |
|
| Weekly Hours | 3 |
| Total Hours | 39 |
| Class ID | 600067874
|
Class Schedule
| Building | Φιλοσοφική (Νέα) |
| Floor | Όροφος 1 |
| Hall | ΑΜΦΙΘΕΑΤΡΟ 107 (126) |
| Calendario | Τετάρτη 18:30 έως 21:00 |
Course Type 2016-2020
- Introduttivo
- Conoscenze Generali
Organizzazione della Didattica
- In presenza
Materiali Online
- e-Study Guide https://qa.auth.gr/it/class/1/600067874
Language of Instruction
- Inglese (Insegnamento, Esame)
Abilita’ Generali
- Applicazione pratica delle conoscenze acquisite
- Adattamento a nuove situazioni
- Presa di decisione
- Lavoro autonomo
- Rispetto verso la diversita’ e la multiculturalita’
- Rispetto verso l’ambiente naturale
- Dimostrare responsabilità sociale, professionale e morale e sensibilità verso i problemi di genere
- Fare riflessioni critiche e autocritiche
- Promuovere il pensiero indipendente, creativo e intuitivo
Tipologia di Materiale Didattico
Organizzazione dell’Insegnamento
| Activities | Carico di Lavoro | ECTS | Individuale | Gruppo | Erasmus |
|---|---|---|---|---|---|
| Conferenze | 39 | ||||
| Total | 39 |
Student Assessment
Student Assessment methods
- Prova scritta con rispote aperte (Formativa)
- Prova scritta con soluzione di problemi (Formativa)
- Presentazione Pubblica (Formativa)
Bibliography
Course Bibliography (Eudoxus)
Bennett, Andy. Cultures of Popular Music. New York: Open UP, 2005.
Ennis, Philip. The Seventh Stream: The Emergence of Rock and Roll in American
Popular Music. Wesleyan UP, 1992.
Frith, Simon and Will Straw. The Cambridge Companion to Pop and Rock.
Cambridge: Cambridge UP, 2001.
Frith, Simon. Performing Rites: On the Value of Popular Music. Cambridge, Mass.:
Harvard UP, 1996.
Garofalo, Reebee. Rockin’ the Boat: Mass Music and Mass Movements. Boston:
South End P, 1992.
Grossberg, Lawrence. Dancing in Spite of Myself: Essays in Popular Culture.
Durham, NC: Duke UP, 1997.
Longhurst, Brian. Popular Music and Society. Cambridge: Polity P, 1995.
Middleton, Richard. Approaches to Textual Analysis in Popular Music. New York:
Oxford UP, 2003.
Negus, Keith. Popular Music in Theory: An Introduction. Hanover NH: UP of New
England, 1997.
Redhead, Steve. Subculture to Clubcultures: An Introduction to Popular Cultural
Studies. Oxford, UK: Blackwell, 1997.
Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America.
Hanover NH: UP of New England, 1994.
Starr, Larry and Christopher Alan. American Popular Music: From Minstrelsy to
MTV. New York: Oxford UP, 2003.
Stuessy, Joe and Scott David Lipscomb. Rock and Roll: Its History and Stylistic
Development. Upper Saddle River, NJ: Pearson Prentice Hall, 2006.
Szatmary, David. Rockin’ in Time: A Social History of Rock and Roll. Upper Saddle
River, NJ: Prentice Hall, 2004.
Whiteley, Sheila. Women and Popular Music: Sexuality, Identity, and Subjectivity.
London: Routledge, 2000.
Last Update
20-09-2013
