Music, minds, computers: Analytical and creative perspectives
| Titolo | Μουσική, Νους, Υπολογιστές: Αναλυτικές και δημιουργικές προσεγγίσεις / Music, minds, computers: Analytical and creative perspectives |
| Codice | ΤΠ2006 |
| Ciclo / Livello di Studi | 1. Corso di Laurea |
| Semestre di Insegnamento | Spring |
| Common | No |
| Stato | Attivo |
| Course ID | 600013921 |
Programma di Studio: PPS Tmīmatos Mousikṓn Spoudṓn (2017-sīmera)
Registered students: 7
| Indirizzo | Tipo di Frequenza | Semestre | Anno | ECTS |
|---|---|---|---|---|
| MOUSIKOLOGIA/ MOUSIKOPAIDAGŌGIKĪ | Facoltativo a scelta libera | 8 | 4 | 8 |
| SYNTHESĪ | Facoltativo a scelta libera | 8 | 4 | 8 |
| Anno Accademico | 2018 – 2019 |
| Semestre | Spring |
| Faculty Instructors |
|
| Instructors from Other Categories |
|
| Weekly Hours | 3 |
| Class ID | 600124846
|
Class Schedule
| Building | Τμήμα Μουσικών Σπουδών (Θέρμη) |
| Floor | Υπόγειο 1 |
| Hall | Εργαστήριο Η/Υ (Ε.Τ.Η.Μ) (422) |
| Calendario | Δευτέρα 15:00 έως 18:00 |
Course Type 2016-2020
- Area Scientifica
Organizzazione della Didattica
- In presenza
Materiali Online
- e-Study Guide https://qa.auth.gr/it/class/1/600124846
- eLearning (Moodel/Moodle): https://elearning.auth.gr/course/view.php?id=5098
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
- Greco (Insegnamento, Esame)
- Inglese (Insegnamento, Esame)
Prerequisites
Required Courses
- ΤΠ1001 Introduction to music technology / informatics
- ΤΠ1002 Introduction to musical acoustics
Abilita’ Generali
- Applicazione pratica delle conoscenze acquisite
- Ricerca, analisi e raccolta dati e informazioni, con l’utilizzo di tecnologie adeguate
- Lavoro autonomo
- Lavoro in equipe interdisciplinari
- Produzione di nuove idee di ricerca
- Rispetto verso la diversita’ e la multiculturalita’
- Fare riflessioni critiche e autocritiche
Tipologia di Materiale Didattico
- Libro
- Appunti
- Audio
Use of Information and Communication Technologies
Use of ICT
- Uso delle TIC nell’ insegnamento
- Uso delle TIC nella didattica laboratoriale
Organizzazione dell’Insegnamento
| Activities | Carico di Lavoro | ECTS | Individuale | Gruppo | Erasmus |
|---|---|---|---|---|---|
| Conferenze | 78 | 2.6 | ✓ | ✓ | |
| Studio e analisi bibliografica | 17 | 0.6 | ✓ | ✓ | |
| Insegnamento interattivo in Piattaforma Digitale | 13 | 0.4 | ✓ | ✓ | |
| Progetto (project) | 39 | 1.3 | ✓ | ✓ | |
| Esame | 3 | 0.1 | ✓ | ✓ | |
| Total | 150 | 5 |
Student Assessment
Student Assessment methods
- Prova scritta con soluzione di problemi (Sommativa)
- Presentazione Pubblica (Formativa)
Bibliography
Course Bibliography (Eudoxus)
Δίνονται σημειώσεις και εξειδικευμένα άρθρα/βιβλία ανάλογα με την εργασία.
Additional bibliography for study
Καμπουρόπουλος, Α. (2013) Εισαγωγή στην Υπολογιστική Μουσικολογία. Στον συλλογικο τομο Εισαγωγη στη Μουσικολογια και στις Μουσικες Επιστημες. Ε. Νικα-Σαμψων (Επ.), University Studio Press, Thessaloniki.
Cambouropoulos, E. (1998) Towards a General Computational Theory of Musical Structure. PhD Thesis, Faculty of Music and Department of Artificial Intelligence, University of Edinburgh. Διατίθεται στην ιστοσελίδα: http://users.auth.gr/~emilios
Dixon, S. (2001). Automatic extraction of tempo and beat from expressive performances. Journal of New Music Research, 30 (1), 39–58.
Handel, S. (1989) Listening. An Introduction to the Perception of Auditory Events. The MIT Press, Cambridge (Ma).
Huron, D. (2001) Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles. Music Perception, 19(1):1-64.
Kωσταρίδου-Ευκλείδη, Α. (1992). Γνωστική Ψυχολογία. Θεσσαλονίκη: Art of Text.
Leman, M. (ed.) (1997) Music, Gestalt and Computing. Springer-Verlag, Berlin.
Lerdahl, F. and Jackendoff, R. (1983) A Generative Theory of Tonal Music. The MIT Press, Cambridge (Ma).
Temperley, D. (2001) The Cognition of Basic Musical Structures. The MIT Press, Cambridge (Ma).
Tzanetakis, G., Kapur, A., Schloss, W. A., & M. Wright, (2007) "Computational Ethnomusicology", Journal of Interdisciplinary Music Studies. 1(2), pp. 1-24, 2007.
Widmer, G. and Goebl, W. (2004). Computational Models of Expressive Music Performance: The State of the Art. Journal of New Music Research 33(3), 203-216.
Last Update
01-06-2021
