HOLLYWOOD RENAISSANCE

Informazioni sull’Insegnamento
TitoloΗ ΑΝΑΓΕΝΝΗΣΗ ΤΟΥ ΧΟΛΥΓΟΥΝΤ / HOLLYWOOD RENAISSANCE
CodiceΜΔΣ2-468
FacultyFilosofia
Ciclo / Livello di Studi1. Corso di Laurea, 2. Post Laurea
Semestre di InsegnamentoWinter/Spring
CommonNo
StatoAttivo
Course ID600007258

Programma di Studio: 2024-2025

Registered students: 0
IndirizzoTipo di FrequenzaSemestreAnnoECTS
KORMOSFacoltativo a scelta liberaWinter/Spring-6

Informazioni sull’Insegnamento
Anno Accademico2021 – 2022
SemestreWinter
Instructors from Other Categories
Weekly Hours3
Total Hours39
Class ID
600186921
Course Type 2016-2020
  • Area Scientifica
Organizzazione della Didattica
  • In presenza
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Inglese (Insegnamento, Esame)
Abilita’ Generali
  • Ricerca, analisi e raccolta dati e informazioni, con l’utilizzo di tecnologie adeguate
  • Lavoro autonomo
  • Lavoro in equipe interdisciplinari
  • Rispetto verso la diversita’ e la multiculturalita’
  • Fare riflessioni critiche e autocritiche
  • Promuovere il pensiero indipendente, creativo e intuitivo
Tipologia di Materiale Didattico
  • Appunti
  • Audio
Use of Information and Communication Technologies
Use of ICT
  • Uso delle TIC   nell’ insegnamento
  • Uso delle TIC nella comunicazione con gli studenti
Organizzazione dell’Insegnamento
ActivitiesCarico di LavoroECTSIndividualeGruppoErasmus
Conferenze100
Studio e analisi bibliografica20
Esame3
Altro27
Total150
Student Assessment
Student Assessment methods
  • Prova scritta con rispote aperte (Sommativa)
  • Prova scritta con soluzione di problemi (Sommativa)
Bibliography
Additional bibliography for study
Belton, John. “Glorious Technicolor, Breathtaking Cinemascope and Stereophonic Sound.” The Classical Hollywood Reader, edited by Steve Neale, Routledge, 2012, pp. 355–69. Cook, David A. A History of Narrative Film: Fifth Edition. 5th ed., W. W. Norton & Company, 2016. Cowie, Elizabeth, and Steve Neale. “Film Culture: ‘New Hollywood Cinema.’” Screen, vol. 17, no. 2, Oxford Academic, Summer 1976, pp. 117–22. academic.oup.com, doi:10.1093/screen/17.2.117. Elsaesser, Thomas. “American Auteur Cinema: The Last – or First – Picture Show?” The Last Great American Picture Show: New Hollywood Cinema in the 1970s, edited by Thomas Elsaesser et al., Amsterdam Univ. Press, 2004, pp. 37–69. JSTOR, https://www.jstor.org/stable/j.ctt46mxhc. Gomery, Douglas. “Hollywood as Industry.” The Oxford Guide to Film Studies, edited by John Hill and Pamela Church Gibson, Oxford University Press, 1998, pp. 245–54. Grant, Barry Keith. “Introduction: Movies and the 1960s.” American Cinema of the 1960s: Themes and Variations, edited by Barry Keith Grant, Rutgers University Press, 2008, pp. 1–21. Hall, Sheldon. “Tall Revenue Features: The Genealogy of the Modern Blockbuster.” Genre and Contemporary Hollywood, edited by Steve Neale, British Film Institute, 2002, pp. 11–26. King, Geoff. New Hollywood Cinema: An Introduction. I.B. Tauris, 2002. Kokonis, Michalis. “Hollywood’s Major Crisis and the American Film ‘Renaissance.’” Gramma: Journal of Theory and Criticism, vol. 16, 2008, pp. 169–206. Kramer, Peter. “Post-Classical Hollywood.” The Oxford Guide to Film Studies, edited by John Hill and Pamela Church Gibson, Oxford University Press, 1998, pp. 289–309. Metz, Walter. “Hollywood Cinema.” The Cambridge Companion to Modern American Culture, edited by Christopher Bigsby, Cambridge University Press, 2006, pp. 374–91. Monaco, Paul. The Sixties: 1960-1969. Charles Scribner’s Sons, 2001. Neve, Brian. “Hollywood and Politics in the 1940s and 1950s.” The Classical Hollywood Reader, edited by Steve Neale, Routledge, 2012, pp. 389–98. Ray, Robert B. A Certain Tendency of the Hollywood Cinema, 1930-1980. Princeton University Press, 1985. Schatz, Thomas. “The New Hollywood.” Film Theory Goes to the Movies, edited by Jim Collins et al., Routledge, 1993, pp. 8–36.
Last Update
09-12-2021