Facolta’ | |
Dipartimento | |
Qualification Awarded | Πτυχίο Μουσικών Σπουδών (Ptychio Mousikon Spoudon) (Degree in Music Studies) |
Programma di Studio | PPS Tmīmatos Mousikṓn Spoudṓn (2017-sīmera) |
Ciclo / Livello di Studi | 1. Corso di Laurea |
Anno Accademico | 2017 - 2018 |
Stato | Attivo |
Website | http://www.mus.auth.gr |
Contact email | info@mus.auth.gr |
ECTS / Workload | One ECTS unit corresponds to 30 hours of workload. |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΕΒ1002 | Intoduction to Greek folk music | 4 | O |
ΘΑ1001 | Harmony I | 4 | O |
ΙΠ1001 | History of music (antiquity-16th century) | 4 | O |
ΙΠ1004 | Introduction to music studies | 4 | O |
ΜΠ1001 | Vocal and aural skills training I | 4 | O |
ΜΠ1005 | Choir I | 2 | O |
ΜΠ1009 | Piano (harmony, accompaniment) I | 4 | O |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΕΒ1002 | Intoduction to Greek folk music | 4 | O |
ΘΑ1001 | Harmony I | 4 | O |
ΙΠ1001 | History of music (antiquity-16th century) | 4 | O |
ΙΠ1004 | Introduction to music studies | 4 | O |
ΜΠ1001 | Vocal and aural skills training I | 4 | O |
ΜΠ1005 | Choir I | 2 | O |
ΜΠ1009 | Piano (harmony, accompaniment) I | 4 | O |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΕΒ1001 | Introduction to ethnomusicology | 4 | O |
ΘΑ1002 | Harmony II | 4 | O |
ΙΠ1002 | History of music (17th-19th century) | 4 | O |
ΙΠ1005 | Organology | 4 | O |
ΜΠ1002 | Vocal and aural skills training II | 4 | O |
ΜΠ1006 | Choir II | 2 | O |
ΜΠ1010 | Piano (harmony, accompaniment) IΙ | 4 | O |
ΣΝ1008 | Introduction to music composition | 4 | FsL |
ΤΠ1001 | Introduction to music technology / informatics | 4 | O |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΕΒ1001 | Introduction to ethnomusicology | 4 | O |
ΘΑ1002 | Harmony II | 4 | O |
ΙΠ1002 | History of music (17th-19th century) | 4 | O |
ΙΠ1005 | Organology | 4 | O |
ΜΠ1002 | Vocal and aural skills training II | 4 | O |
ΜΠ1006 | Choir II | 2 | O |
ΜΠ1010 | Piano (harmony, accompaniment) IΙ | 4 | O |
ΣΝ1008 | Introduction to music composition | 4 | YK |
ΤΠ1001 | Introduction to music technology / informatics | 4 | O |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΕΒ1003 | Theory and practice of the chanting art | 4 | O |
ΘΑ1003 | Elements of modal (Renaissance) counterpoint | 4 | O |
ΘΑ1004 | Music analysis I | 5 | O |
ΙΠ1003 | History of music (20th century -present day) | 4 | O |
ΜΠ1003 | Vocal and aural skills training IIΙ | 4 | O |
ΣΝ1001 | Composition I | 6 | FsL |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΕΒ1003 | Theory and practice of the chanting art | 4 | O |
ΘΑ1003 | Elements of modal (Renaissance) counterpoint | 4 | O |
ΘΑ1004 | Music analysis I | 5 | O |
ΙΠ1003 | History of music (20th century -present day) | 4 | O |
ΜΠ1003 | Vocal and aural skills training IIΙ | 4 | O |
ΣΝ1001 | Composition I | 6 | YK |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΕΒ1004 | Introduction to byzantine musicology | 4 | O |
ΘΑ1005 | Music analysis II | 5 | O |
ΙΠ1006 | Greek art music | 4 | O |
ΜΠ1004 | Vocal and aural skills training IV | 4 | O |
ΣΝ1002 | Composition II | 6 | FsL |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΕΒ1004 | Introduction to byzantine musicology | 4 | O |
ΘΑ1005 | Music analysis II | 5 | O |
ΙΠ1006 | Greek art music | 4 | O |
ΜΠ1004 | Vocal and aural skills training IV | 4 | O |
ΣΝ1002 | Composition II | 6 | YK |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΕΒ2001 | History and morphology of Byzantine and post-Byzantine music | 5 | FsL |
ΕΒ2008 | Musical practice and didactics of Greek folk music I | 5 | FsL |
ΕΘ1003 | Music education in childhood | 5 | O |
ΕΘ2003 | Interactions between music performance and music listening | 5 | FsL |
ΙΠ2007 | Theory and practice of early music I | 5 | FsL |
ΙΠ2009 | 17th-century instrumental music | 5 | FsL |
ΙΠ2010 | Aspects and phases of Greek musical avant-garde in the 20th century (Mitropoulos, Skalkotas, Dragatakis, Christou) | 5 | FsL |
ΙΠ2012 | Critical thinking and philosophy of music | 5 | FsL |
ΙΠ2016 | Vocal music: basic techniques of Lied and vocal interpretation issues | 4 | FsL |
ΜΠ1007 | Choral conducting | 4 | O |
ΣΝ1003 | Composition III | 6 | YK |
ΣΝ1009 | Orchestration I | 5 | YK |
ΣΝ1011 | Compositional techniques of 20th century music I | 5 | YK |
ΤΠ2002 | Audio/MIDI sequencing in education | 5 | FsL |
ΤΠ2003 | Electronic music-Creative uses of music technology | 5 | YK |
ΤΠ2007 | Musical acoustics applications and computational techniques | 5 | FsL |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΕΒ2002 | Aspects of didactics in Byzantine music | 4 | FsL |
ΕΒ2004 | The importance of the New method of chanting art (AD 1814) for the Hellenic musical tradition | 6 | FsL |
ΕΒ2010 | Ethnographic film | 6 | FsL |
ΕΘ1006 | Traineeship in music education | 4 | O |
ΕΘ2002 | Music creativity and contemporary interartistic experiences | 5 | FsL |
ΘΑ2002 | Music performance and music analysis (Seminar) | 6 | FsL |
ΙΠ2005 | Genres and forms of the 17th and 18th century opera. Historiography and source readings | 5 | FsL |
ΜΠ2001 | Orchestral conducting and score reading I | 5 | FsL |
ΣΝ1005 | Composition V | 6 | FsL |
ΤΠ2004 | Research methods in psychoacoustics and the cognitive psychology of music | 6 | FsL |
ΤΠ2010 | Special topics in musical acoustics (theory) | 5 | FsL |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΕΒ2002 | Aspects of didactics in Byzantine music | 4 | FsL |
ΕΒ2004 | The importance of the New method of chanting art (AD 1814) for the Hellenic musical tradition | 6 | FsL |
ΕΒ2010 | Ethnographic film | 6 | FsL |
ΕΘ1001 | Music education | 6 | O |
ΕΘ1006 | Traineeship in music education | 4 | O |
ΕΘ2002 | Music creativity and contemporary interartistic experiences | 5 | FsL |
ΘΑ2002 | Music performance and music analysis (Seminar) | 6 | FsL |
ΙΠ2005 | Genres and forms of the 17th and 18th century opera. Historiography and source readings | 5 | FsL |
ΜΠ2001 | Orchestral conducting and score reading I | 5 | FsL |
ΣΝ1005 | Composition V | 6 | YK |
ΤΠ2004 | Research methods in psychoacoustics and the cognitive psychology of music | 6 | FsL |
ΤΠ2010 | Special topics in musical acoustics (theory) | 5 | FsL |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΓΝ2001 | Traineeship/Placement | 4 | FsL |
ΕΒ2003 | Paleography of Byzantine music | 5 | FsL |
ΕΒ2006 | Handwriting and printed tradition of the chanting repertory | 5 | FsL |
ΕΘ1006 | Traineeship in music education (repeating) | 4 | O |
ΕΘ2001 | Time in music. Music in time | 5 | FsL |
ΘΑ1007 | Stylistic composition | 6 | FsL |
ΘΑ2003 | Historical and analytical approaches to 20th century Greek music: Y.A. Papaioannou | 5 | FsL |
ΘΑ2004 | Sound-Word-Image: Intermedia and experimental artistic research | 6 | FsL |
ΙΠ2011 | Critical editions of Greek composers' works | 6 | FsL |
ΜΠ2002 | Orchestral conducting and score reading IΙ | 5 | FsL |
ΣΝ1006 | Composition VI | 6 | FsL |
ΤΠ2008 | Αcoustics of musical instruments | 6 | FsL |
ΤΠ2011 | Music production lab | 6 | FsL |
ΤΠ2012 | Music production ΙΙΙ: Video techniques (audiovisual) | 5 | FsL |
ΤΠ2015 | Introduction to brain-computer musical interfaces | 6 | FsL |
ΤΠ2018 | Electronic music: Introduction to interactive music systems | 5 | FsL |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΓΝ2001 | Traineeship/Placement | 4 | FsL |
ΕΒ2003 | Paleography of Byzantine music | 5 | FsL |
ΕΒ2006 | Handwriting and printed tradition of the chanting repertory | 5 | FsL |
ΕΘ1001 | Music education (repeating) | 6 | O |
ΕΘ1006 | Traineeship in music education (repeating) | 4 | O |
ΕΘ2001 | Time in music. Music in time | 5 | FsL |
ΘΑ1007 | Stylistic composition | 6 | YK |
ΘΑ2003 | Historical and analytical approaches to 20th century Greek music: Y.A. Papaioannou | 5 | FsL |
ΘΑ2004 | Sound-Word-Image: Intermedia and experimental artistic research | 6 | FsL |
ΙΠ2011 | Critical editions of Greek composers' works | 6 | FsL |
ΜΠ2002 | Orchestral conducting and score reading IΙ | 5 | FsL |
ΣΝ1006 | Composition VI | 6 | YK |
ΤΠ2008 | Αcoustics of musical instruments | 6 | FsL |
ΤΠ2011 | Music production lab | 6 | FsL |
ΤΠ2012 | Music production ΙΙΙ: Video techniques (audiovisual) | 5 | FsL |
ΤΠ2015 | Introduction to brain-computer musical interfaces | 6 | FsL |
ΤΠ2018 | Electronic music: Introduction to interactive music systems | 5 | FsL |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΕΘ1001 | Music education (repeating) | 6 | O |
ΣΝ1007 | Composition VII | 6 | FsL |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΣΝ1007 | Composition VII | 6 | YK |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΕΘ1001 | Music education (repeating) | 6 | O |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΓΝ2002 | English I | 4 | FsL |
ΓΝ2004 | English III | 4 | FsL |
ΓΝ2006 | French I | 4 | FsL |
ΓΝ2008 | French IΙΙ | 4 | FsL |
ΓΝ2010 | German I | 4 | FsL |
ΓΝ2012 | German IΙΙ | 4 | FsL |
ΓΝ2014 | Italian I | 4 | FsL |
ΓΝ2016 | Italian III | 4 | FsL |
ΜΠ3001 | Music ensembles: Early music I | 2 | FsL |
ΜΠ3009 | Music ensembles: Champer music I | 2 | FsL |
ΜΠ3013 | Music ensembles: Experimental and improvised music I | 2 | FsL |
ΜΠ3017 | Musical ensemble: Hymns and melody of the Byzantines I | 2 | FsL |
ΜΠ3021 | Music ensembles: Orchestra I | 2 | FsL |
ΜΠ3025 | Music ensembles: Choral workshop I | 2 | FsL |
ΜΠ3027 | Music ensembles: Choral workshop IΙΙ | 2 | FsL |
ΥΒ.1.030 | CREATIVE MUSIC EDUCATION | 6 | EE |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΓΝ2002 | English I | 4 | FsL |
ΓΝ2004 | English III | 4 | FsL |
ΓΝ2006 | French I | 4 | FsL |
ΓΝ2008 | French IΙΙ | 4 | FsL |
ΓΝ2010 | German I | 4 | FsL |
ΓΝ2012 | German IΙΙ | 4 | FsL |
ΓΝ2014 | Italian I | 4 | FsL |
ΓΝ2016 | Italian III | 4 | FsL |
ΜΠ3001 | Music ensembles: Early music I | 2 | FsL |
ΜΠ3009 | Music ensembles: Champer music I | 2 | FsL |
ΜΠ3013 | Music ensembles: Experimental and improvised music I | 2 | FsL |
ΜΠ3017 | Musical ensemble: Hymns and melody of the Byzantines I | 2 | FsL |
ΜΠ3021 | Music ensembles: Orchestra I | 2 | FsL |
ΜΠ3025 | Music ensembles: Choral workshop I | 2 | FsL |
ΜΠ3027 | Music ensembles: Choral workshop IΙΙ | 2 | FsL |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΓΝ2003 | English II | 4 | FsL |
ΓΝ2005 | English IV | 4 | FsL |
ΓΝ2007 | French IΙ | 4 | FsL |
ΓΝ2009 | French IV | 4 | FsL |
ΓΝ2011 | German IΙ | 4 | FsL |
ΓΝ2013 | German IV | 4 | FsL |
ΓΝ2015 | Italian II | 4 | FsL |
ΓΝ2017 | Italian IV | 4 | FsL |
ΜΠ3002 | Music ensembles: Early music II | 2 | FsL |
ΜΠ3010 | Music ensembles: Champer music II | 2 | FsL |
ΜΠ3014 | Music ensembles: Experimental and improvised music II | 2 | FsL |
ΜΠ3018 | Musical ensemble: Hymns and melody of the Byzantines II | 2 | FsL |
ΜΠ3022 | Music ensembles: Orchestra II | 2 | FsL |
ΜΠ3026 | Music ensembles: Choral workshop IΙ | 2 | FsL |
ΜΠ3028 | Music ensembles: Choral workshop IV | 2 | FsL |
Codice | Titolo | ECTS | Tipo |
---|---|---|---|
ΓΝ2003 | English II | 4 | FsL |
ΓΝ2005 | English IV | 4 | FsL |
ΓΝ2007 | French IΙ | 4 | FsL |
ΓΝ2009 | French IV | 4 | FsL |
ΓΝ2011 | German IΙ | 4 | FsL |
ΓΝ2013 | German IV | 4 | FsL |
ΓΝ2015 | Italian II | 4 | FsL |
ΓΝ2017 | Italian IV | 4 | FsL |
ΜΠ3002 | Music ensembles: Early music II | 2 | FsL |
ΜΠ3010 | Music ensembles: Champer music II | 2 | FsL |
ΜΠ3014 | Music ensembles: Experimental and improvised music II | 2 | FsL |
ΜΠ3018 | Musical ensemble: Hymns and melody of the Byzantines II | 2 | FsL |
ΜΠ3022 | Music ensembles: Orchestra II | 2 | FsL |
ΜΠ3026 | Music ensembles: Choral workshop IΙ | 2 | FsL |
ΜΠ3028 | Music ensembles: Choral workshop IV | 2 | FsL |