THE ART OF ADAPTATION: FROM PAGE TO SCREEN

Informationen zur Lehrveranstaltung
TitelΜΕΤΑΦΟΡΑ ΑΠΟ ΤΟ ΚΕΙΜΕΝΟ ΣΤΗΝ ΟΘΟΝΗ / THE ART OF ADAPTATION: FROM PAGE TO SCREEN
CodeΜΔΣ2-478
FakultätPhilosophische
Cycle / Level1. Grund- und Hauptstudiengang, 2. Magisterstudiengang
SemesterWinter/Sommer
CommonNein
StatusAktiv
Course ID600008032

Studienplan: 2018-2019

Registered students: 0
FachrichtungForm des KursbesuchsSemesterJahrECTS
KORMOSWahlveranstaltungWinter/Spring-6

Informationen zur Veranstaltung
Akademisches Jahr2016 – 2017
KurslehrdauerSpring
Faculty Instructors
Weekly Hours3
Total Hours39
Class ID
600067873
Course Type 2016-2020
  • Wissenschaftlicher Fachbereich
Veranstaltungstyp
  • Persönliche Anwesenheit
Elektronischer Zugang zu Unterrichtsmaterialien
Erasmus
The course is also offered to exchange programme students.
Sprache
  • Englisch (Lehre, Prüfung)
Allgemeine Kompetenzen
  • Anwendung des Wissens in der Praxis
  • Recherche, Analyse und Verarbeitung von Daten und Informationen mittels der Verwendung technologischer Medien
  • Anpassung an neue Situationen
  • Produktion von neuen Forschungsideen
  • Respektieren von Vielfalt und Multikulturalität
  • Soziale, berufliche und ethische Verantwortung und Sensibilität gegenüber Geschlechterfragen
  • Kritik und Selbstkritik
  • Förderung des freien, kreativen und induktiven Denkens
Lehrmaterialien
  • Buch
  • Audio
  • Interaktive Übungen
Einsatz von Informations- und Kommunikationstechnologie
IKT-Nutzung
  • Einsatz von IKT in der Lehre
  • Einsatz von IKT in der Bewertung der Studierenden
Unterrichtsorganisation
ActivitiesArbeitsbelastungECTSEinzelarbeitGruppenarbeitErasmus
Vorlesungen
Laborübung
Rezeption/ Analyse von Texten301.2
Sonstiges / Sonstige
Total301.2
Bewertung der Studierenden
Beschreibung des Verfahrens
  • Schriftliche Prüf. mit ausführlichen Antworten auf Fragen (Endnote)
Empfohlene Bibliographie
zum Kurs (Eudoxos)
Cartmell, Deborah &Imelda Wheleban, eds. (1999). Adaptations: From Text to Screen, Screen to Text. New York & London, Routledge.
Weitere Bibliographie
Bluestone, George (1957). Novels into Film. Baltimore, The John Hopkins University Press. Boyum, Joy Gould (1985). Double Exposure: Fiction into Film. New York: Universe books. Cahir, Linda Constanzo (2006). Literature into Film: Theory and Practical Approaches. Jefferson, NC.; London, McFarland. Elliott, Kamilla (2003). Rethinking the Novel/Film Debate. Cambridge, New York: Cambridge University Press. Gerarghty, Christine (2008). Now a Major Motion Picture: Film Adaptations of Literature and Drama. Lanham, Boulder, Plymouth, New York: Rowman & Littlefield. Giddings, R., Shelby, K. And Wensley, C. (1990) «The Adaptation Debate» in Screening the Novel: The Theory and Practice of Literary Dramatization. Basingstoke: Macmillan. McFarlane, Brian. (1996) «Background, Issues and a New Agenda» in his Novel to Film: An Introduction to the Theory of Adaptation. Oxford: Clarendon P. McDougal, Stuart Y. (1985). Made Into Movies: From Literature to Film. Chicago, New York: Holt, Rinehart and Winston. Naremore, James, ed. (2000). Film Adaptation. New York: Routledge. Welsh, James M. and Peter Lev (2007). The Literature Film Reader: Issues of Adaptation. Maryland, Plymouth: Scarecrow Press. Wheleban, Imelda. (1999) «Adaptations: The Contemporary Dilemmas». In Adaptations: From Text to Screen, Screen to Text. Ed. By Deborah Cartmell and Imelda Wheleban. London and New York: Routledge, Barthes, Roland. (1977). «The Structural Analysis of Narrative» In his Image-Music-Text: Essays Selected and Translated by Stephen Heath. UK.: Fontana. 69-79. Stam, Robert. (2005) “Introduction: The Theory and Practice of Adaptation.” Eds. Robert Stam and Alessandra Raengo. Literature and Film: A Guide to the Theory and Practice of Film Adaptation. Oxford: Blackwell.1-52. Stam, Robert. (1992) «Film-Narratology». In New Vocabularies in Film Semiotics. Ed. By Robert Stam, Robert Burgoyne and Sandy Flitterman-Lewis. London and New York: Routledge. 69-118. Criticism Kokonis, Michael. (1994) «The Video in the Classroom: Agatha Christie’s Evil Under the Sun and the Teaching of Narratology through Film». In Verbo-Visual Literacy: Understading and Applying New Educational Communication Media Technologies. Ed. By Nikos Metallinos, Montreal, Canada: 3Dmt Research and Information Center. 148-159. McFarlane, Brian. (1996) “Great Expectations” (1946). In McFarlane, Novel to Film: An Introduction to the Theory of Adaptation. Oxford: Clarendon P, 105-136. Giddings, R., Shelby, K. And Wensley, C. (1990) “The Classic Novel: Great Expectations.” In Screening the Novel. 54-78. Giddings, R., Shelby, K. And Wensley, C. (1990) “The Screening of Great Expectations.” In Screening the Novel. 54-78. Wagner, Geoffrey. «Les Liaisons Dangereuses (1959)» in his The Novel and the Cinema. London: The Tantivy Press. 83-90. Holderness, Graham. «Dangerous Les’s Liaisons». In his Novel Images: Literature in Performance. Ed. by Peter Reynolds,. London and New York: Routledge. 17-34.
Last Update
06-07-2015