| Fakultät | |
| Abteilung | |
| Qualification Awarded | Πτυχίο Τμήματος Θεάτρου (Ptychio Tmimatos Theatrou) |
| Studienplan | PPS Tmīmatos THeátrou (2019-sīmera) |
| Cycle / Level / NQF | 1. Grund- und Hauptstudiengang / 7 |
| Akademisches Jahr | 2015 - 2016 |
| Status | Aktiv |
| Website | http://www.thea.auth.gr |
| Contact email | info@thea.auth.gr |
| ECTS / Workload | One ECTS unit corresponds to 25 hours of workload. |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΔΠ0100 | INTRODUCTION TO THEATRE ARTS | 5 | Y |
| ΔΠ0301 | DRAMA ANALYSIS I | 5 | Y |
| ΞΓ0101 | ENGLISH I | 5 | XG |
| ΞΓ0201 | FRENCH I | 5 | XG |
| ΞΓ0301 | GERMAN I | 5 | XG |
| ΞΓ0401 | ITALIAN I | 5 | XG |
| ΣΤ0101 | HISTORY OF THE THEATRE I | 5 | Y |
| ΣΤ0105 | HISTORY OF THE THEATRE V | 5 | Y |
| ΥΣ0404 | QUESTIONS OF AESTHETICS IN DRAMA : DADAISM AND THEATRE | 5 | Y |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΠ0100 | INTRODUCTION TO THE HISTORY OF ART | 5 | Y |
| ΔΠ0302 | DRAMA ANALYSIS II | 5 | Y |
| ΞΓ0102 | ENGLISH II | 5 | XG |
| ΞΓ0202 | FRENCH II | 5 | XG |
| ΞΓ0302 | GERMAN II | 5 | XG |
| ΞΓ0402 | ITALIAN II | 5 | XG |
| ΣΓ0403 | INTRODUCTION TO SCENOGRAPHY AND COSTUME DESIGN (PRE-REQUISITE) | 5 | EK |
| ΣΤ0102 | HISTORY OF THEATRE II | 5 | Y |
| ΥΣ0107 | INTRODUCTION TO ACTING (PREREQUISITE) | 5 | YK |
| ΥΣ0404 | QUESTIONS OF AESTHETICS IN DRAMA : DADAISM AND THEATRE (repeating) | 5 | Y |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΣΓ0403 | INTRODUCTION TO SCENOGRAPHY AND COSTUME DESIGN (PRE-REQUISITE) | 5 | EK |
| ΥΣ0107 | INTRODUCTION TO ACTING (PREREQUISITE) | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΣΓ0403 | INTRODUCTION TO SCENOGRAPHY AND COSTUME DESIGN (PRE-REQUISITE) | 5 | EK |
| ΥΣ0107 | INTRODUCTION TO ACTING (PREREQUISITE) | 5 | YK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΣΓ0403 | INTRODUCTION TO SCENOGRAPHY AND COSTUME DESIGN (PRE-REQUISITE) | 5 | YK |
| ΥΣ0107 | INTRODUCTION TO ACTING (PREREQUISITE) | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΣΓ0403 | INTRODUCTION TO SCENOGRAPHY AND COSTUME DESIGN (PRE-REQUISITE) | 5 | EK |
| ΥΣ0107 | INTRODUCTION TO ACTING (PREREQUISITE) | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΔΡ0113 | TEXTUAL ANALYSIS-MODERN PLAYWRIGHTS:CHEKHOV | 5 | EK |
| ΔΡ0116 | FROM TEXT TO STAGE | 5 | EK |
| ΘΘ0209 | SPECIAL TOPICS IN DRAMA: PIRANTELLO'S THEATRE | 5 | EK |
| ΞΓ0103 | ENGLISH III | 5 | XG |
| ΞΓ0203 | FRENCH III | 5 | XG |
| ΞΓ0303 | GERMAN III | 5 | XG |
| ΞΓ0403 | ITALIAN III | 5 | XG |
| ΡΧ0102 | THEATRE OF ANTIQUITY II | 5 | Y |
| ΣΤ0103 | HISTORY OF THE THEATRE III | 5 | Y |
| ΣΤ0201 | HISTORY OF MODERN GREEK THEATRE I | 5 | Y |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0101 | SKETCHING I | 5 | EK |
| ΓΛ0400 | FINE OF ARTS AND FINE ARTS MEDIA | 5 | EK |
| ΓΠ0400 | CONTEMPORARY THEORIES OF TEXT AND PERFORMANCE: AN INTRODUCTION | 5 | YK |
| ΔΡ0113 | TEXTUAL ANALYSIS-MODERN PLAYWRIGHTS:CHEKHOV | 5 | EK |
| ΔΡ0116 | FROM TEXT TO STAGE | 5 | EK |
| ΔΡ0122 | DRAMATURGIC ANALYSES-RECENT TEXTS: IBSEN' S DRAMATURGY | 5 | EK |
| ΔΡ0208 | COMPARATIVE DRAMA: IMAGES OF JEWS IN THEATRE: FROM MARLOW TO CLEMENTI | 5 | EK |
| ΔΣ0402 | SPECIAL TOPICS ON LITERATURE: VIENNA MODERNISM IN LITERATURE AND THEATRE | 5 | EK |
| ΘΘ0209 | SPECIAL TOPICS IN DRAMA: PIRANTELLO'S THEATRE | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0101 | SKETCHING I | 5 | EK |
| ΓΛ0400 | FINE OF ARTS AND FINE ARTS MEDIA | 5 | EK |
| ΓΠ0400 | CONTEMPORARY THEORIES OF TEXT AND PERFORMANCE: AN INTRODUCTION | 5 | EK |
| ΔΡ0113 | TEXTUAL ANALYSIS-MODERN PLAYWRIGHTS:CHEKHOV | 5 | EK |
| ΔΡ0116 | FROM TEXT TO STAGE | 5 | EK |
| ΔΡ0122 | DRAMATURGIC ANALYSES-RECENT TEXTS: IBSEN' S DRAMATURGY | 5 | EK |
| ΔΡ0208 | COMPARATIVE DRAMA: IMAGES OF JEWS IN THEATRE: FROM MARLOW TO CLEMENTI | 5 | EK |
| ΔΣ0402 | SPECIAL TOPICS ON LITERATURE: VIENNA MODERNISM IN LITERATURE AND THEATRE | 5 | EK |
| ΘΘ0209 | SPECIAL TOPICS IN DRAMA: PIRANTELLO'S THEATRE | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0101 | SKETCHING I | 5 | YK |
| ΓΛ0400 | FINE OF ARTS AND FINE ARTS MEDIA | 5 | YE |
| ΓΠ0400 | CONTEMPORARY THEORIES OF TEXT AND PERFORMANCE: AN INTRODUCTION | 5 | EK |
| ΔΡ0113 | TEXTUAL ANALYSIS-MODERN PLAYWRIGHTS:CHEKHOV | 5 | EK |
| ΔΡ0116 | FROM TEXT TO STAGE | 5 | EK |
| ΔΡ0122 | DRAMATURGIC ANALYSES-RECENT TEXTS: IBSEN' S DRAMATURGY | 5 | EK |
| ΔΡ0208 | COMPARATIVE DRAMA: IMAGES OF JEWS IN THEATRE: FROM MARLOW TO CLEMENTI | 5 | EK |
| ΔΣ0402 | SPECIAL TOPICS ON LITERATURE: VIENNA MODERNISM IN LITERATURE AND THEATRE | 5 | EK |
| ΘΘ0209 | SPECIAL TOPICS IN DRAMA: PIRANTELLO'S THEATRE | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0101 | SKETCHING I | 5 | YE |
| ΓΛ0400 | FINE OF ARTS AND FINE ARTS MEDIA | 5 | EK |
| ΓΠ0400 | CONTEMPORARY THEORIES OF TEXT AND PERFORMANCE: AN INTRODUCTION | 5 | YE |
| ΔΡ0113 | TEXTUAL ANALYSIS-MODERN PLAYWRIGHTS:CHEKHOV | 5 | EK |
| ΔΡ0116 | FROM TEXT TO STAGE | 5 | EK |
| ΔΡ0122 | DRAMATURGIC ANALYSES-RECENT TEXTS: IBSEN' S DRAMATURGY | 5 | EK |
| ΔΡ0208 | COMPARATIVE DRAMA: IMAGES OF JEWS IN THEATRE: FROM MARLOW TO CLEMENTI | 5 | EK |
| ΔΣ0402 | SPECIAL TOPICS ON LITERATURE: VIENNA MODERNISM IN LITERATURE AND THEATRE | 5 | EK |
| ΘΘ0209 | SPECIAL TOPICS IN DRAMA: PIRANTELLO'S THEATRE | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΘΘ0606 | AN INTRODUCTION TO OPERA | 5 | EK |
| ΞΓ0104 | ENGLISH IV | 5 | XG |
| ΞΓ0204 | FRENCH IV | 5 | XG |
| ΞΓ0304 | GERMAN IV | 5 | XG |
| ΞΓ0404 | ITALIAN IV | 5 | XG |
| ΣΕ0200 | FORMS OF THEATRICAL SPACES | 5 | Y |
| ΣΤ0201 | HISTORY OF MODERN GREEK THEATRE I (repeating) | 5 | Y |
| ΣΤ0202 | HISTORY OF MODERN GREEK THEATRE II | 5 | Y |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΑΔ0301 | SPECIAL TOPICS IN ANCIENT GREEK THEATRE I | 5 | YK |
| ΓΛ0203 | SKETCHING II-COLOR | 5 | EK |
| ΓΛ0401 | FINE ARTS AND COLOR II | 5 | EK |
| ΓΛ0500 | MODEL MAKING | 5 | EK |
| ΔΡ0122 | DRAMATURGIC ANALYSES-RECENT TEXTS: IBSEN' S DRAMATURGY (repeating) | 5 | EK |
| ΔΣ0402 | SPECIAL TOPICS ON LITERATURE: VIENNA MODERNISM IN LITERATURE AND THEATRE (repeating) | 5 | EK |
| ΘΘ0606 | AN INTRODUCTION TO OPERA | 5 | EK |
| ΘΡ0700 | PSYCHOLOGY OF PERCEPTION IN ART | 5 | EK |
| ΣΤ0604 | SPECIAL TOPICS IN THEATRE HISTORY: THE IRISH THEATRE | 5 | EK |
| ΥΑ0280 | ACTING II | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΑΔ0301 | SPECIAL TOPICS IN ANCIENT GREEK THEATRE I | 5 | EK |
| ΓΛ0203 | SKETCHING II-COLOR | 5 | EK |
| ΓΛ0401 | FINE ARTS AND COLOR II | 5 | EK |
| ΓΛ0500 | MODEL MAKING | 5 | EK |
| ΔΡ0122 | DRAMATURGIC ANALYSES-RECENT TEXTS: IBSEN' S DRAMATURGY (repeating) | 5 | EK |
| ΔΣ0402 | SPECIAL TOPICS ON LITERATURE: VIENNA MODERNISM IN LITERATURE AND THEATRE (repeating) | 5 | EK |
| ΘΘ0606 | AN INTRODUCTION TO OPERA | 5 | EK |
| ΘΡ0700 | PSYCHOLOGY OF PERCEPTION IN ART | 5 | EK |
| ΣΤ0604 | SPECIAL TOPICS IN THEATRE HISTORY: THE IRISH THEATRE | 5 | EK |
| ΥΑ0280 | ACTING II | 5 | YK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΑΔ0301 | SPECIAL TOPICS IN ANCIENT GREEK THEATRE I | 5 | EK |
| ΓΛ0203 | SKETCHING II-COLOR | 5 | YK |
| ΓΛ0401 | FINE ARTS AND COLOR II | 5 | YE |
| ΓΛ0500 | MODEL MAKING | 5 | YK |
| ΔΡ0122 | DRAMATURGIC ANALYSES-RECENT TEXTS: IBSEN' S DRAMATURGY (repeating) | 5 | EK |
| ΔΣ0402 | SPECIAL TOPICS ON LITERATURE: VIENNA MODERNISM IN LITERATURE AND THEATRE (repeating) | 5 | EK |
| ΘΘ0606 | AN INTRODUCTION TO OPERA | 5 | EK |
| ΘΡ0700 | PSYCHOLOGY OF PERCEPTION IN ART | 5 | YE |
| ΣΤ0604 | SPECIAL TOPICS IN THEATRE HISTORY: THE IRISH THEATRE | 5 | EK |
| ΥΑ0280 | ACTING II | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΑΔ0301 | SPECIAL TOPICS IN ANCIENT GREEK THEATRE I | 5 | YK |
| ΓΛ0203 | SKETCHING II-COLOR | 5 | YE |
| ΓΛ0401 | FINE ARTS AND COLOR II | 5 | EK |
| ΓΛ0500 | MODEL MAKING | 5 | YE |
| ΔΡ0122 | DRAMATURGIC ANALYSES-RECENT TEXTS: IBSEN' S DRAMATURGY (repeating) | 5 | EK |
| ΔΣ0402 | SPECIAL TOPICS ON LITERATURE: VIENNA MODERNISM IN LITERATURE AND THEATRE (repeating) | 5 | EK |
| ΘΘ0606 | AN INTRODUCTION TO OPERA | 5 | EK |
| ΘΡ0700 | PSYCHOLOGY OF PERCEPTION IN ART | 5 | EK |
| ΣΤ0604 | SPECIAL TOPICS IN THEATRE HISTORY: THE IRISH THEATRE | 5 | EK |
| ΥΑ0280 | ACTING II | 5 | YE |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0204 | SET-ARCHITECTURAL DESIGN (SPECIALIZATION FOR THEATRE) | 5 | EK |
| ΕΣ0109 | SWORDFIGHT | 5 | EK |
| ΣΓ0405 | INTRODUCTION TO THEATRE COSTUME | 5 | EK |
| ΥΑ0282 | ACTING IV | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0204 | SET-ARCHITECTURAL DESIGN (SPECIALIZATION FOR THEATRE) | 5 | EK |
| ΕΣ0109 | SWORDFIGHT | 5 | YK |
| ΣΓ0405 | INTRODUCTION TO THEATRE COSTUME | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0204 | SET-ARCHITECTURAL DESIGN (SPECIALIZATION FOR THEATRE) | 5 | YK |
| ΕΣ0109 | SWORDFIGHT | 5 | EK |
| ΣΓ0405 | INTRODUCTION TO THEATRE COSTUME | 5 | YK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0204 | SET-ARCHITECTURAL DESIGN (SPECIALIZATION FOR THEATRE) | 5 | EK |
| ΕΣ0109 | SWORDFIGHT | 5 | EK |
| ΣΓ0405 | INTRODUCTION TO THEATRE COSTUME | 5 | YE |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΔΠ0403 | RE-WRITTINGS: FROM LITERATURE TO THEATRE, FROM DRAMA TO STAGE AND SCREEN | 5 | EK |
| ΕΣ0103 | DANCE-MOVEMENT III | 5 | EK |
| ΕΣ0110 | SWORDFIGHT II | 5 | EK |
| ΝΔ0101 | COSTUME I: ANALYSIS | 5 | EK |
| ΣΕ0500 | PROPS | 5 | EK |
| ΣΚ0102 | STUDIO OF SET DESIGN II:SYNTHESIS | 5 | EK |
| ΥΑ0284 | ACTING VI | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΕΣ0110 | SWORDFIGHT II | 5 | YE |
| ΝΔ0101 | COSTUME I: ANALYSIS | 5 | EK |
| ΣΕ0500 | PROPS | 5 | EK |
| ΣΚ0102 | STUDIO OF SET DESIGN II:SYNTHESIS | 5 | EK |
| ΥΑ0284 | ACTING VI | 5 | YK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΕΣ0103 | DANCE-MOVEMENT III | 5 | EK |
| ΕΣ0110 | SWORDFIGHT II | 5 | EK |
| ΘΡ0110 | INTRODUCTION TO THEATRE LIGHTING I | 5 | YK |
| ΝΔ0101 | COSTUME I: ANALYSIS | 5 | YK |
| ΣΕ0500 | PROPS | 5 | YE |
| ΣΚ0102 | STUDIO OF SET DESIGN II:SYNTHESIS | 5 | YK |
| ΥΑ0283 | ACTING V | 5 | EK |
| ΥΑ0284 | ACTING VI | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΔΠ0403 | RE-WRITTINGS: FROM LITERATURE TO THEATRE, FROM DRAMA TO STAGE AND SCREEN | 5 | EK |
| ΕΣ0103 | DANCE-MOVEMENT III | 5 | EK |
| ΕΣ0110 | SWORDFIGHT II | 5 | EK |
| ΘΡ0110 | INTRODUCTION TO THEATRE LIGHTING I | 5 | YK |
| ΝΔ0101 | COSTUME I: ANALYSIS | 5 | EK |
| ΣΕ0500 | PROPS | 5 | EK |
| ΣΚ0102 | STUDIO OF SET DESIGN II:SYNTHESIS | 5 | EK |
| ΥΑ0283 | ACTING V | 5 | EK |
| ΥΑ0284 | ACTING VI | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΣΓ0200 | INTRODUCTION TO GROUP PSYCHOLOGY | 5 | Y |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0301 | STAGE LIGHTING I | 5 | EK |
| ΔΡ0301 | SEMINAR IN CREATIVE WRITING | 5 | EK |
| ΝΔ0102 | COSTUME II-SYNTHESIS | 5 | EK |
| ΣΚ0101 | SET DESIGN: ANALYSIS | 5 | EK |
| ΣΤ0619 | SPECIAL TOPICS OF WORLD THEATRE: CONTEMPORARY GERMAN THEATRE | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0301 | STAGE LIGHTING I | 5 | EK |
| ΔΡ0301 | SEMINAR IN CREATIVE WRITING | 5 | EK |
| ΝΔ0102 | COSTUME II-SYNTHESIS | 5 | EK |
| ΣΚ0101 | SET DESIGN: ANALYSIS | 5 | EK |
| ΣΤ0619 | SPECIAL TOPICS OF WORLD THEATRE: CONTEMPORARY GERMAN THEATRE | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0301 | STAGE LIGHTING I | 5 | YK |
| ΔΡ0301 | SEMINAR IN CREATIVE WRITING | 5 | EK |
| ΝΔ0102 | COSTUME II-SYNTHESIS | 5 | YK |
| ΣΚ0101 | SET DESIGN: ANALYSIS | 5 | YK |
| ΣΤ0619 | SPECIAL TOPICS OF WORLD THEATRE: CONTEMPORARY GERMAN THEATRE | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0301 | STAGE LIGHTING I | 5 | YK |
| ΔΡ0301 | SEMINAR IN CREATIVE WRITING | 5 | YE |
| ΝΔ0102 | COSTUME II-SYNTHESIS | 5 | EK |
| ΣΚ0101 | SET DESIGN: ANALYSIS | 5 | EK |
| ΣΤ0619 | SPECIAL TOPICS OF WORLD THEATRE: CONTEMPORARY GERMAN THEATRE | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΣΓ0200 | INTRODUCTION TO GROUP PSYCHOLOGY (repeating) | 5 | Y |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΔΠ0402 | PRACTICAL TRAINING | 5 | EK |
| ΔΡ0301 | SEMINAR IN CREATIVE WRITING (repeating) | 5 | EK |
| ΜΘ0110 | PRACTICING MUSICAL THEATER | 5 | EK |
| ΝΔ0204 | APPLIED COSTUME DESIGN | 5 | EK |
| ΠΡ0302 | DIRECTING TRENDS IN EUROPE II | 5 | EK |
| ΣΚ0300 | PAINTING SETS FOR THEATRE | 5 | EK |
| ΣΤ0619 | SPECIAL TOPICS OF WORLD THEATRE: CONTEMPORARY GERMAN THEATRE (repeating) | 5 | EK |
| ΥΑ0289 | ACTING XI | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΔΠ0402 | PRACTICAL TRAINING | 5 | EK |
| ΔΡ0301 | SEMINAR IN CREATIVE WRITING (repeating) | 5 | EK |
| ΜΘ0110 | PRACTICING MUSICAL THEATER | 5 | YE |
| ΝΔ0204 | APPLIED COSTUME DESIGN | 5 | EK |
| ΠΡ0302 | DIRECTING TRENDS IN EUROPE II | 5 | EK |
| ΣΚ0300 | PAINTING SETS FOR THEATRE | 5 | EK |
| ΣΤ0619 | SPECIAL TOPICS OF WORLD THEATRE: CONTEMPORARY GERMAN THEATRE (repeating) | 5 | EK |
| ΥΑ0289 | ACTING XI | 5 | YE |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0302 | THEATRE LIGHTING II | 5 | YE |
| ΔΠ0402 | PRACTICAL TRAINING | 5 | EK |
| ΔΡ0301 | SEMINAR IN CREATIVE WRITING (repeating) | 5 | EK |
| ΜΘ0110 | PRACTICING MUSICAL THEATER | 5 | EK |
| ΝΔ0204 | APPLIED COSTUME DESIGN | 5 | YE |
| ΠΡ0302 | DIRECTING TRENDS IN EUROPE II | 5 | EK |
| ΣΚ0300 | PAINTING SETS FOR THEATRE | 5 | YE |
| ΣΤ0619 | SPECIAL TOPICS OF WORLD THEATRE: CONTEMPORARY GERMAN THEATRE (repeating) | 5 | EK |
| ΥΑ0286 | ACTING VIII | 5 | EK |
| ΥΑ0287 | ACTING IX | 5 | EK |
| ΥΑ0289 | ACTING XI | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0302 | THEATRE LIGHTING II | 5 | EK |
| ΔΠ0402 | PRACTICAL TRAINING | 5 | EK |
| ΔΡ0301 | SEMINAR IN CREATIVE WRITING (repeating) | 5 | YE |
| ΜΘ0110 | PRACTICING MUSICAL THEATER | 5 | EK |
| ΝΔ0204 | APPLIED COSTUME DESIGN | 5 | EK |
| ΠΡ0302 | DIRECTING TRENDS IN EUROPE II | 5 | YK |
| ΣΚ0300 | PAINTING SETS FOR THEATRE | 5 | EK |
| ΣΤ0619 | SPECIAL TOPICS OF WORLD THEATRE: CONTEMPORARY GERMAN THEATRE (repeating) | 5 | EK |
| ΥΑ0286 | ACTING VIII | 5 | EK |
| ΥΑ0287 | ACTING IX | 5 | EK |
| ΥΑ0289 | ACTING XI | 5 | EK |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΥΑ0288 | ACTING X | 5 | Y |
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΠΡ0403 | DIRECTING IV | 5 | EK |