THE ART OF ADAPTATION: FROM PAGE TO SCREEN

Informations du Cours
TitreΜΕΤΑΦΟΡΑ ΑΠΟ ΤΟ ΚΕΙΜΕΝΟ ΣΤΗΝ ΟΘΟΝΗ / THE ART OF ADAPTATION: FROM PAGE TO SCREEN
CodeΜΔΣ2-478
FacultyLettres
Cycle / Niveau1er cycle / Licence , 2e cycle / Master
Semestre de l’annéeWinter/Spring
CommonNon
StatutActif
Course ID600008032

Programme d' Études: 2018-2019

Registered students: 0
OrientationAttendance TypeSemesterAnnéeECTS
KORMOSEPILOGĪSWinter/Spring-6

Informations de la Classe
Année Académique2016 – 2017
Semestre de l’AnnéeSpring
Faculty Instructors
Weekly Hours3
Total Hours39
Class ID
600067873
Course Type 2016-2020
  • Domaine Scientifique
Mode d’Enseignement
  • En présentiel
Accès en Ligne
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Anglais (Enseignement, Examens)
Aptitudes Générales
  • Application des connaissances à la pratique
  • Recherche, analyse et synthèse de données et d’informations, avec utilisation des technologies adéquates
  • Adaptation à des situations nouvelles
  • Production de nouvelles idées de recherche
  • Respect de l’altérité et du multiculturalisme
  • Responsabilité sociale, professionnelle et morale, sensibilité à la question du genre
  • Critique et autocritique
  • Promotion de la pensée libre, créatrice et inductive
Type de Matériels Éducatifs
  • Notes de cours
  • Matériel multimédia
  • Livre
Use of Information and Communication Technologies
Use of ICT
  • Emploi de TIC pour l’enseignement
  • Emploi de TIC pour communiquer avec les étudiants
  • Emploi de TIC pour l’évaluation des étudiants
Organisation du Cours
ActivitésCharge de travailECTSIndividuelEn groupeErasmus
Conferences
Laboratoires
Etude & analyse bibliographiques301.2
Autre
Total301.2
Student Assessment
Student Assessment methods
  • Examen écrit : réponses plus longues (Sommative)
Bibliography
Course Bibliography (Eudoxus)
Cartmell, Deborah &Imelda Wheleban, eds. (1999). Adaptations: From Text to Screen, Screen to Text. New York & London, Routledge.
Additional bibliography for study
Bluestone, George (1957). Novels into Film. Baltimore, The John Hopkins University Press. Boyum, Joy Gould (1985). Double Exposure: Fiction into Film. New York: Universe books. Cahir, Linda Constanzo (2006). Literature into Film: Theory and Practical Approaches. Jefferson, NC.; London, McFarland. Elliott, Kamilla (2003). Rethinking the Novel/Film Debate. Cambridge, New York: Cambridge University Press. Gerarghty, Christine (2008). Now a Major Motion Picture: Film Adaptations of Literature and Drama. Lanham, Boulder, Plymouth, New York: Rowman & Littlefield. Giddings, R., Shelby, K. And Wensley, C. (1990) «The Adaptation Debate» in Screening the Novel: The Theory and Practice of Literary Dramatization. Basingstoke: Macmillan. McFarlane, Brian. (1996) «Background, Issues and a New Agenda» in his Novel to Film: An Introduction to the Theory of Adaptation. Oxford: Clarendon P. McDougal, Stuart Y. (1985). Made Into Movies: From Literature to Film. Chicago, New York: Holt, Rinehart and Winston. Naremore, James, ed. (2000). Film Adaptation. New York: Routledge. Welsh, James M. and Peter Lev (2007). The Literature Film Reader: Issues of Adaptation. Maryland, Plymouth: Scarecrow Press. Wheleban, Imelda. (1999) «Adaptations: The Contemporary Dilemmas». In Adaptations: From Text to Screen, Screen to Text. Ed. By Deborah Cartmell and Imelda Wheleban. London and New York: Routledge, Barthes, Roland. (1977). «The Structural Analysis of Narrative» In his Image-Music-Text: Essays Selected and Translated by Stephen Heath. UK.: Fontana. 69-79. Stam, Robert. (2005) “Introduction: The Theory and Practice of Adaptation.” Eds. Robert Stam and Alessandra Raengo. Literature and Film: A Guide to the Theory and Practice of Film Adaptation. Oxford: Blackwell.1-52. Stam, Robert. (1992) «Film-Narratology». In New Vocabularies in Film Semiotics. Ed. By Robert Stam, Robert Burgoyne and Sandy Flitterman-Lewis. London and New York: Routledge. 69-118. Criticism Kokonis, Michael. (1994) «The Video in the Classroom: Agatha Christie’s Evil Under the Sun and the Teaching of Narratology through Film». In Verbo-Visual Literacy: Understading and Applying New Educational Communication Media Technologies. Ed. By Nikos Metallinos, Montreal, Canada: 3Dmt Research and Information Center. 148-159. McFarlane, Brian. (1996) “Great Expectations” (1946). In McFarlane, Novel to Film: An Introduction to the Theory of Adaptation. Oxford: Clarendon P, 105-136. Giddings, R., Shelby, K. And Wensley, C. (1990) “The Classic Novel: Great Expectations.” In Screening the Novel. 54-78. Giddings, R., Shelby, K. And Wensley, C. (1990) “The Screening of Great Expectations.” In Screening the Novel. 54-78. Wagner, Geoffrey. «Les Liaisons Dangereuses (1959)» in his The Novel and the Cinema. London: The Tantivy Press. 83-90. Holderness, Graham. «Dangerous Les’s Liaisons». In his Novel Images: Literature in Performance. Ed. by Peter Reynolds,. London and New York: Routledge. 17-34.
Last Update
06-07-2015