Informations du Cours
Cycle / Niveau1er cycle / Licence
Semestre de l’annéeWinter/Spring
Course ID600018967

Programme d' Études: 2018-2019

Registered students: 1
OrientationAttendance TypeSemesterAnnéeECTS

Informations de la Classe
Année Académique2019 – 2020
Semestre de l’AnnéeSpring
Faculty Instructors
Weekly Hours3
Total Hours39
Class ID
Mode d’Enseignement
  • En présentiel
The course is also offered to exchange programme students.
Language of Instruction
  • Anglais (Enseignement, Examens)
Aptitudes Générales
  • Application des connaissances à la pratique
  • Recherche, analyse et synthèse de données et d’informations, avec utilisation des technologies adéquates
  • Adaptation à des situations nouvelles
  • Prise de décision
  • Travail en autonomie
  • Travail d’équipe
  • Travail en environnement international
  • Travail en environnement pluridisciplinaire
  • Production de nouvelles idées de recherche
  • Respect de l’altérité et du multiculturalisme
  • Respect de l’environnement naturel
  • Responsabilité sociale, professionnelle et morale, sensibilité à la question du genre
  • Critique et autocritique
  • Promotion de la pensée libre, créatrice et inductive
Type de Matériels Éducatifs
  • Notes de cours
  • Vidéoconférences
  • Matériel multimédia
Use of Information and Communication Technologies
Use of ICT
  • Emploi de TIC pour l’enseignement
  • Emploi de TIC pour les activités de laboratoire
  • Emploi de TIC pour communiquer avec les étudiants
  • Emploi de TIC pour l’évaluation des étudiants
Organisation du Cours
ActivitésCharge de travailECTSIndividuelEn groupeErasmus
Etude & analyse bibliographiques100.4
Presentation d’une etude (projet)150.6
Redaction de travaux150.6
Creation artistique
Student Assessment
Student Assessment methods
  • Examen écrit : réponses plus longues (Formative, Sommative)
  • Examen écrit : résolution de problèmes (Formative, Sommative)
Additional bibliography for study
Adelman, Janet. ‘Escaping the Matrix: The Construction of Masculinity in Macbeth and Coriolanus’. In Suffocating Mothers: Fantasies of Maternal in Shakespeare’s Plays, Hamlet to Tempest. NY: Routledge, 1992. Barton, John. Playing Shakespeare. London; New York: Methuen in association with Channel Four Television, 1984. PR3091.B37 Bate, Jonathan and Russell Jackson, eds. The Oxford Illustrated History of Shakespeare on Stage. Oxford, 1996. PR3106.S48 1996 Belsey, Catherine. ‘Shakespeare on Film: A Question of Perspective’. Literature/Film Quarterly XI:3 (1983): 152-58. Berger, Harry Jr. Imaginary Audition: Shakespeare on Stage and Page. London, 1989. Boose, Lynda E. Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. Routledge, 1997. PR3093.S545 Bulman, James C. Shakespeare, Theory, and Performance. Routledge, 1996. PR3091.S38 Burnett, Mark Thornton. Filming Shakespeare in the Global Marketplace. Palgrave Macmillan, 2007. PR3093.B87 Burt, Richard and Lynda E Boose, eds. Shakespeare, the Movie II: Popularizing the Plays on Film, TV, and Video. Routledge, 2003. PR3039.S546 Buzzacott, Martin. The Death of the Actor: Shakespeare on Page and Stage. London, 1991. PR3091.B8 1991 (ΘΕΑΤΡΟΥ) Callaghan, Dympna. Shakespeare without Women: Representing Gender and Race on the Renaissance Stage. Routledge, 2000. PR2991.C337 Callaghan, Dympna. A Feminist Companion to Shakespeare. Blackwell Publishers, 2001. PR2991.F45 Cartmell, Deborah. Interpreting Shakespeare on Screen. St. Martin's Press, 2000. PR3093.C37. De Grazia, Margreta, Wells, Stanley W., eds. The Cambridge Companion to Shakespeare. Cambridge University Press, 2001. PR2894.C33 Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660-1769. PR2968.D6 1992 Dobson, Michael and Stanley W. Wells, eds. The Oxford Companion to Shakespeare. Blackwell Publishing, 2003. PR2892.O94 Drain, Richard. Twentieth-Century Theatre: A Sourcebook. London, 1995. Elsom, John. Is Shakespeare Still our Contemporary? London; New York: Routledge, 1989. PR2970.I8 1989 ΘΕΑΤΡΟΥ Fischlin, Daniel and Mark Fortier, eds. Adaptations of Shakespeare: A Critical Anthology of Plays from the Seventeenth Century to the Present. London: Routledge, 2000. Henderson, Diana E. A Concise Companion to Shakespeare on Screen. Blackwell Publishing, 2006. PR3093.C65 Jackson, Russell. The Cambridge Companion to Shakespeare on Film. Cambridge University Press, 2000. PR3093.C36 Jardine, Lisa. Still Harping on Daughters: Women and Drama in the Age of Shakespeare. Harvester Press; Barnes & Noble, 1983. PR658.W6J37 Jardine, Lisa. Reading Shakespeare Historically. Kidnie, M. J. Shakespeare and the Problem of Adaptation. 2009 PR2880.A1K45 Kott, Jan. Shakespeare, Our Contemporary. London: Methuen, 1964. PR2979.P58K63 Lanier, Douglass. Shakespeare and Modern Popular Culture. Oxford UP, 2006. PR2880.A1L36 Lehmann, Courtney, and Lisa S. Starks. Spectacular Shakespeare: Critical Theory and Popular Cinema. Fairleigh Dickinson University Press; Associated University Presses, 2002. PR3093.S64 Leitch, Thomas M. The Oxford Handbook of Adaptation Studies. Oxford UP, 2017. ONLINE Maguire, Laurie, ed. How to Do Things with Shakespeare. 2007. McDonald, Russ. The Bedford Companion to Shakespeare: An Introduction with Documents. Bedford Books, 1996. PR2894.M385 Morretti, Franco. “‘A Huge Eclipse’: Tragic Form as Deconsecration of Sovereignty.” In Shakespearean Tragedy. [Includes a section on Macbeth.] Ed. John Drakakis. New York: Longman, 1992. O'Connor, Marion F., Howard, Jean E. Shakespeare Reproduced: The Text in History and Ideology. Routledge, 1990. PR3017.S57 Rackin, Phyllis. Shakespeare and Women. Oxford University Press, 2005 PR2991.R33 Rothwell, Kenneth S. A History of Shakespeare on Screen: A Century of Film and Television. Cambridge University Press, 2001. PR3093.R67 Sanders, Julie. Adaptation and Appropriation. The New Critical Idiom. London: Routledge, 2006. Shaughnessy, Robert. The Cambridge Companion to Shakespeare and Popular Culture. Cambridge University Press, 2007. PR2894.C334 Sinfield, Alan. Macbeth: William Shakespeare. Macmillan, 1992. PR2823.M237 Skura, Meredith Anne. Shakespeare the Actor and the Purposes of Playing. University of Chicago Press, 1993. PR3034.S58 Smith, Emma. The Cambridge Introduction to Shakespeare. Cambridge University Press, 2007. Traub, Valerie. The Oxford Handbook of Shakespeare and Embodiment: Gender, Sexuality, and Race. Oxford UP, 2016. Taylor, Gary. Reinventing Shakespeare: A cultural History from the Restoration to the Present. London, 1990. Wells, Stanley W. Shakespeare, Sex, & Love. Oxford University Press, 2010. PR3069.S45W46 Wells, Stanley and Sarah Stanton, eds. The Cambridge Companion to Shakespeare on Stage. Cambridge, 2002. PR2894.C33 2001
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