Politico-philosophical perspectives and hands on approaches on improvisation in music education ΙΙ

Informations du Cours
TitreΜουσικός αυτοσχεδιασμός και εκπαίδευση: πολιτικο-φιλοσοφική και βιωματική προσέγγιση ΙΙ / Politico-philosophical perspectives and hands on approaches on improvisation in music education ΙΙ
CodeΕΘ2016
Cycle / Niveau1er cycle / Licence
Semestre de l’annéeSpring
CoordinatorPanagiotis Kanellopoulos
CommonNon
StatutActif
Course ID600021510

Programme d' Études: PPS Tmīmatos Mousikṓn Spoudṓn (2017-sīmera)

Registered students: 26
OrientationAttendance TypeSemesterAnnéeECTS
MOUSIKOLOGIA/ MOUSIKOPAIDAGŌGIKĪEPILOGĪS845
SYNTHESĪEPILOGĪS845

Informations de la Classe
Année Académique2024 – 2025
Semestre de l’AnnéeSpring
Faculty Instructors
Weekly Hours3
Total Hours39
Class ID
600256907
Mode d’Enseignement
  • En présentiel
Accès en Ligne
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Grec (Enseignement, Examens)
  • Anglais (Enseignement, Examens)
Prerequisites
Required Courses
  • ΕΘ2015 Politico-philosophical perspectives and hands on approaches on improvisation in music education I
Aptitudes Générales
  • Application des connaissances à la pratique
  • Adaptation à des situations nouvelles
  • Prise de décision
  • Travail en autonomie
  • Travail d’équipe
  • Travail en environnement pluridisciplinaire
  • Respect de l’altérité et du multiculturalisme
  • Responsabilité sociale, professionnelle et morale, sensibilité à la question du genre
  • Critique et autocritique
  • Promotion de la pensée libre, créatrice et inductive
Type de Matériels Éducatifs
  • Son
  • Matériel multimédia
  • Exercices interactifs
  • Livre
Use of Information and Communication Technologies
Use of ICT
  • Emploi de TIC pour l’enseignement
  • Emploi de TIC pour les activités de laboratoire
  • Emploi de TIC pour communiquer avec les étudiants
Organisation du Cours
ActivitésCharge de travailECTSIndividuelEn groupeErasmus
Conferences200.7
Laboratoires190.6
Etude & analyse bibliographiques401.3
Visites educatives60.2
Creation artistique401.3
Examens250.8
Total1505
Student Assessment
Student Assessment methods
  • Examen écrit : réponses plus longues (Formative, Sommative)
Bibliography
Course Bibliography (Eudoxus)
Johnstone, Κ. (1981/2010). Impro, o Aυτοσχεδιασµός στο Θέατρο (µτφρ. Α. Γαρεφαλάκη). Αθήνα: Εκδόσεις Οκτώ. Πεχτελίδης, Γ. (2020). Για μια εκπαίδευση των κοινών εντός και πέραν των "τειχών". Αθήνα: Gutenberg.
Additional bibliography for study
Addison, R. (1988). A new look at musical improvisation in education. British Journal of Music Education, 5(3), 255-267. Agrell, J. (2008). Improvisation Games for Classical Musicians: 500+ Non-jazz Games for Performers, Educators, and Everyone Else. Chicago: GIA Publications. Brockmann, N. M. (2009). From Sight to Sound: Improvisation Games for Classical Musicians. Μπλούµινγτον: Indiana University Press. Campbell, P. S. (2009). Learning to improvise music, improvising to learn music. . In G. Solis & B. Nettl (Eds.), Musical Improvisation: Art, Education, and Society (pp. 119-142). Urbana: University of Illinois Press. Goldstaub, Paul. (1996). Opening the door to classroom improvisation. Music Educators Journal, 82(5), 45-51. Hickey, M. (2009). Can improvisation be taught? A call for free improvisation in our schools. International Journal of Music Education, 27(4), 285–299. Hobsbawm, E. (1988). Η Σκηνή της Τζαζ (µτφρ. Τ. Τσήρος). Αθήνα: Εξάντας Horsley, I., Collins, M., Badura-Scoda, E. & Libby, D. (1980). Improvisation in Western Art Music. In S. Sadie (Ed.), The New Grove Dictionary of Music and Musicians, Vol. 9 (pp. 31-52). London: Macmillan. Jensen. M. (2009). Making the Contours of the Eternal Moment: Indeterminate Scores 2002-2009. Kingston, NY: Deep Listening Institute. Kanellopoulos, P. A. (2007) Musical Improvisation as Action: An arendtian perspective, Action, Criticism, and Theory for Music Education, 6:3, pp. 97-127, available at: http://act.maydaygroup.org/articles/Kanellopoulos6_3.pdf Accessed 11/16/2007. Kanellopoulos, P. Α. (2007). Children’s early reflections on improvised music-making as the wellspring of musicophilosophical thinking. Philosophy of Music Education Review, 15(2), 119-141. Kanellopoulos, P. Α. (2011). Freedom and Responsibility in Musical Improvisation: A view from Bakhtin. Philosophy of Music Education Review, 19(2), 113-135. Kanellopoulos, P. Α. (2012). Envisioning Autonomy through Improvising and Composing: Castoriadis visiting creative music education practice. Educational Philosophy and Theory, 44(2), 151-182. Kanellopoulos, P. A. (2019). Improvisation And/Or music education: A child's upsetting clarity. In S. Young & B. Ilari, (Eds.), Music in early childhood: Multi-disciplinary perspectives and inter-disciplinary exchanges (pp. 253-274). New York: Springer. Kanellopoulos, P. A. (2021). Studious play as an Archê of creative music-making: Repositing “the scandal of democracy” in music education. Action, Criticism, and Theory for Music Education 20 (2): 79–109 [pdf] https://doi.org/10.22176/act20.2.79 Keyes, C. (2000). Teaching improvisation and 20th century idioms. Music Educators Journal, 86(6), 17-22. Kooistra, L. (2016) Informal Music Education: The nature of a young child’s engagement in an individual piano lesson setting. Research Studies in Music Education, 38(1), 115–129. Kratus, J. (1991). Growing with improvisation. Music Educators Journal, 78(4), 35-40. Kratus, J. (1995). A developmental approach to teaching music improvisation. International Journal of Music Education, 26(2), 27-38. Murray-Schafer, R. (1986). The Thinking Ear. Toronto: Arcana. Oliveros. P. (2005). Deep Listening: A Composer's Sound Practice. NY: iUniverse, Inc. Oliveros, P. (2004) Harmonic Anatomy: Women in improvisation, in: D. Fischlin & A. Heble (eds) The Other Side of Nowhere: Jazz, improvisation, and communities in dialogue (Middletown, Wesleyan University Press) pp. 50-70. Prévost, E. (1995). No Sound is Innocent: AMM and The Practice of Self-Invention. Meta-Musical Narratives. Essays. Essex: Copula. Reynolds, R. (1965). Indeterminacy: Some considerations. Perspectives of New Music, 4(1), 136-140. Sarath, E. (2010). Music Theory Through Improvisation: A New Approach to Musicianship Training. New York: Routledge. Sarath, E. W. (1993). Improvisation for global musicianship. Music Educators Journal, 80(2): 23-26. Siljamäki, E. & Kanellopoulos, P. A. (2020). Mapping visions of improvisation pedagogy in music education research. Research Studies in Music Education, 42(1), 113–139. Vella, R. (2003). Sounds in Space, Sounds in Time. London: Boosey & Hawkes. Κανελλόπουλος, Π. Α. (2010). Προσεγγίσεις στην έννοια και την παιδαγωγική σηµασία του µουσικού αυτοσχεδιασµού: σχεδίασµα µιας πρότασης. Μουσικός Λόγος, 9, 5-36. Κανελλόπουλος, Π. Α. (2013). Αναζητώντας τον ρόλο του Μουσικού Αυτοσχεδιασµού στη Μουσική Εκπαίδευση: Οι παιδαγωγικές δυνατότητες της καλλιέργειας της (µουσικής) ελευθερίας. Μουσικοπαιδαγωγικά, (Επιστηµονική Επιθεώρηση της Ελληνικής Ένωσης για τη Μουσική Εκπαίδευση), τ. 11, 5-43. Κανελλόπουλος, Π. (2010). Σχεδίασµα µιας παιδαγωγικής του ελεύθερου µουσικού αυτοσχεδιασµού. Στο Π. Α. Κανελλόπουλος & Ν. Τσαφταρίδης (Επιµ). Η Τέχνη στην Εκπαίδευση – η Εκπαίδευση στην Τέχνη (σσ.119-146). Αθήνα: Νήσος.
Last Update
15-03-2025