Additional bibliography for study
Addison, R. (1988). A new look at musical improvisation in education. British Journal of Music Education, 5(3), 255-267.
Agrell, J. (2008). Improvisation Games for Classical Musicians: 500+ Non-jazz Games for Performers, Educators, and Everyone Else. Chicago: GIA Publications.
Brockmann, N. M. (2009). From Sight to Sound: Improvisation Games for Classical Musicians. Μπλούµινγτον: Indiana University Press.
Campbell, P. S. (2009). Learning to improvise music, improvising to learn music. . In G. Solis & B. Nettl (Eds.), Musical Improvisation: Art, Education, and Society (pp. 119-142). Urbana: University of Illinois Press.
Goldstaub, Paul. (1996). Opening the door to classroom improvisation. Music Educators Journal, 82(5), 45-51.
Hickey, M. (2009). Can improvisation be taught? A call for free improvisation in our schools. International Journal of Music Education, 27(4), 285–299.
Hobsbawm, E. (1988). Η Σκηνή της Τζαζ (µτφρ. Τ. Τσήρος). Αθήνα: Εξάντας
Horsley, I., Collins, M., Badura-Scoda, E. & Libby, D. (1980). Improvisation in Western Art Music. In S. Sadie (Ed.), The New Grove Dictionary of Music and Musicians, Vol. 9 (pp. 31-52). London: Macmillan.
Jensen. M. (2009). Making the Contours of the Eternal Moment: Indeterminate Scores 2002-2009. Kingston, NY: Deep Listening Institute.
Kanellopoulos, P. A. (2007) Musical Improvisation as Action: An arendtian perspective, Action, Criticism, and Theory for Music
Education, 6:3, pp. 97-127, available at:
http://act.maydaygroup.org/articles/Kanellopoulos6_3.pdf Accessed 11/16/2007.
Kanellopoulos, P. Α. (2007). Children’s early reflections on improvised music-making as the wellspring of musicophilosophical thinking. Philosophy of Music Education Review, 15(2), 119-141.
Kanellopoulos, P. Α. (2011). Freedom and Responsibility in Musical Improvisation: A view from Bakhtin. Philosophy of Music Education Review, 19(2), 113-135.
Kanellopoulos, P. Α. (2012). Envisioning Autonomy through Improvising and Composing: Castoriadis visiting creative music education practice. Educational Philosophy and Theory, 44(2), 151-182.
Kanellopoulos, P. A. (2019). Improvisation And/Or music education: A child's upsetting clarity. In S. Young & B. Ilari, (Eds.), Music in early childhood: Multi-disciplinary perspectives and inter-disciplinary exchanges (pp. 253-274). New York: Springer.
Kanellopoulos, P. A. (2021). Studious play as an Archê of creative music-making: Repositing “the scandal of democracy” in music education. Action, Criticism, and Theory for Music Education 20 (2): 79–109 [pdf] https://doi.org/10.22176/act20.2.79
Keyes, C. (2000). Teaching improvisation and 20th century idioms. Music Educators Journal, 86(6), 17-22.
Kooistra, L. (2016) Informal Music Education: The nature of a young child’s engagement in an individual piano lesson setting. Research Studies in Music Education, 38(1), 115–129.
Kratus, J. (1991). Growing with improvisation. Music Educators Journal, 78(4), 35-40.
Kratus, J. (1995). A developmental approach to teaching music improvisation. International Journal of Music Education, 26(2), 27-38.
Murray-Schafer, R. (1986). The Thinking Ear. Toronto: Arcana.
Oliveros. P. (2005). Deep Listening: A Composer's Sound Practice. NY: iUniverse, Inc.
Oliveros, P. (2004) Harmonic Anatomy: Women in improvisation, in: D. Fischlin & A. Heble (eds) The Other Side of Nowhere: Jazz, improvisation, and communities in dialogue
(Middletown, Wesleyan University Press) pp. 50-70.
Prévost, E. (1995). No Sound is Innocent: AMM and The Practice of Self-Invention. Meta-Musical Narratives. Essays. Essex: Copula.
Reynolds, R. (1965). Indeterminacy: Some considerations. Perspectives of New Music, 4(1), 136-140.
Sarath, E. (2010). Music Theory Through Improvisation: A New Approach to Musicianship Training. New York: Routledge.
Sarath, E. W. (1993). Improvisation for global musicianship. Music Educators Journal, 80(2): 23-26.
Siljamäki, E. & Kanellopoulos, P. A. (2020). Mapping visions of improvisation pedagogy in music education research. Research Studies in Music Education, 42(1), 113–139.
Vella, R. (2003). Sounds in Space, Sounds in Time. London: Boosey & Hawkes.
Κανελλόπουλος, Π. Α. (2010). Προσεγγίσεις στην έννοια και την παιδαγωγική σηµασία του µουσικού αυτοσχεδιασµού: σχεδίασµα µιας πρότασης. Μουσικός Λόγος, 9, 5-36.
Κανελλόπουλος, Π. Α. (2013). Αναζητώντας τον ρόλο του Μουσικού Αυτοσχεδιασµού στη Μουσική Εκπαίδευση: Οι παιδαγωγικές δυνατότητες της καλλιέργειας της (µουσικής) ελευθερίας. Μουσικοπαιδαγωγικά, (Επιστηµονική Επιθεώρηση της Ελληνικής Ένωσης για τη Μουσική Εκπαίδευση), τ. 11, 5-43.
Κανελλόπουλος, Π. (2010). Σχεδίασµα µιας παιδαγωγικής του ελεύθερου µουσικού αυτοσχεδιασµού. Στο Π. Α. Κανελλόπουλος & Ν. Τσαφταρίδης (Επιµ). Η Τέχνη στην Εκπαίδευση – η Εκπαίδευση στην Τέχνη (σσ.119-146). Αθήνα: Νήσος.