HOLLYWOOD RENAISSANCE

Informazioni sull’Insegnamento
TitoloΗ ΑΝΑΓΕΝΝΗΣΗ ΤΟΥ ΧΟΛΥΓΟΥΝΤ / HOLLYWOOD RENAISSANCE
CodiceΜΔΣ2-468
FacultyFilosofia
Ciclo / Livello di Studi1. Corso di Laurea, 2. Post Laurea
Semestre di InsegnamentoWinter/Spring
CommonNo
StatoAttivo
Course ID600007258

Programma di Studio: 2024-2025

Registered students: 0
IndirizzoTipo di FrequenzaSemestreAnnoECTS
KORMOSFacoltativo a scelta liberaWinter/Spring-6

Informazioni sull’Insegnamento
Anno Accademico2015 – 2016
SemestreSpring
Faculty Instructors
Class ID
600045647
Course Type 2016-2020
  • Area Scientifica
Organizzazione della Didattica
  • In presenza
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Inglese (Insegnamento, Esame)
Abilita’ Generali
  • Ricerca, analisi e raccolta dati e informazioni, con l’utilizzo di tecnologie adeguate
  • Lavoro autonomo
  • Lavoro in equipe interdisciplinari
  • Produzione di nuove idee di ricerca
  • Rispetto verso la diversita’ e la multiculturalita’
  • Rispetto verso l’ambiente naturale
  • Dimostrare responsabilità sociale, professionale e morale e sensibilità verso i problemi di genere
  • Fare riflessioni critiche e autocritiche
  • Promuovere il pensiero indipendente, creativo e intuitivo
Tipologia di Materiale Didattico
  • Audio
  • Esercizi interattivi
Use of Information and Communication Technologies
Use of ICT
  • Uso delle TIC   nell’ insegnamento
  • Uso delle TIC nella comunicazione con gli studenti
Organizzazione dell’Insegnamento
ActivitiesCarico di LavoroECTSIndividualeGruppoErasmus
Conferenze39
Studio e analisi bibliografica30
Altro30
Total99
Student Assessment
Student Assessment methods
  • Prova scritta con rispote aperte (Formativa, Sommativa)
  • Prova scritta con soluzione di problemi (Formativa, Sommativa)
Bibliography
Course Bibliography (Eudoxus)
The New Hollywood: from Bonnie and Clyde to Star Wars, by Peter Krämer “Hollywood’s Major Crisis and The American Film ‘Renaissance.’” by Michalis Kokonis, an article uploaded in e-class.auth.gr
Additional bibliography for study
Allen, Michael (2002) Contemporary US Cinema. Pearson Education, London. Balio, Tino (1985) (ed) The American Film Industry. University of Wisconsin Press, Madison. Balio, Tino (1990) (ed) Hollywood in the Age of Television. Unwin Hyman, London, pp 3-40. Belton, John (1994) American Cinema/American Culture, McGraw-Hill, London. Bernardoni, James. (1991). The New Hollywood: What the Movies Did with the New Freedoms of the Seventies. North Carolina: McFarland Classics. Biskind, Peter (1998) Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock ‘n’ Roll Generation Saved Hollywood. Blumsbury, London. Biskind Peter (2005) Down ’n’ Dirty Pictures: Miramax, Sundance and the Rise of Independent Cinema. Simon and Schuster, New York. Bordwell, David, Janet Staiger and Kristin Thompson, eds. (1985) Classical Hollywood Cinema: Film Style and Mode of Production to 1960. Routledge, London. Buckland, Warren (1998) Teach Yourself Film Studies. Hodder and Stoughton, London. Collins, Jim, Hilary Radner and Ava Preacher Collins (1993) (eds.) Film Theory Goes to the Movies. Routledge, London. Corrigan, Timothy. (1991) A Cinema Without Walls: Movies and Culture After Vietnam. London: Routledge, Elsaesser, Thomas, Alexander Horwarth and Noel King, eds. (2004) The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Amsterdam: Amsterdam University Press. Gilbey, Ryan. (2003) It Don’t Worry Me: Nashville, Jaws, Star Wars and Beyond. London: Faber and Faber. Hillier, Jim (1993) The New Hollywood. Vista Vision, London. Hoberman, J. (2003) The Dream Life: Movies, Media, and the Mythology of the Sixties. New York: New Press. Hoskins, Colin, Stuart McFayden and Adam Finn (1997) Global Television and Film: An Introduction to the Economics of the Business. Oxford University Press, Oxford. Izod, John (1988) Hollywood and the Box Office. Macmillan, London. Lewis, Jon (1998) (ed.) The New American Cinema. Duke University Press, Durham. King, Geoff (2001) Spectacular Narratives: Hollywood in the Age of Blockbusters. I.B.Tauris, London. King, Geoff (2002) New Hollywood: An Introduction. Columbia University Press, New York. King, Geoff (2005) American Independent Cinema. I.B Tauris, London. Kolker, Robert (1988) A Cinema of Loneliness: Penn, Kubrick, Coppola, Scorsese, Altman. 2nd edit., Oxford University Press, Oxford. Krutnik, Frank (1992) In A Lonely Street: Film Noir, Genre, Masculinity. Routledge, London. Lev, Peter (2000) American Films of the 70s: Conflicting Visions. University of Texas Press, Austin. Maltby, Richard and Ian Craven (1995) Hollywood Cinema. Blackwell, Oxford. Matthews, Nicole (2001) Comic Politics: Gender in Hollywood Comedy after the New Right. Manchester University Press, Manchester. Monaco, James (1984) American Film Now: The People, The Power, The Money, The Movies. 2nd edit., Zoetrope, New York (originally published in 1979). Moran, Albert (1996) (ed) Film Policy: International, National and Regional Perspectives. Routledge, London. Neale, Steve (ed) (2002) Genre and Contemporary Hollywood. London, BFI. Neale, Steve (2000) Genre and Hollywood. Routledge, London. Neale, Steve and Murray Smith (eds.) (1998) Contemporary Hollywood Cinema. Routledge, London Ray, Robert (1985) A Certain Tendency of the Hollywood Cinema 1030-1980. Princeton, NJ: Princeton University Press. Rosenbaum, Jonathan (1997) Movies as Politics. University of California Press, Berkeley. Ryan, Michael and Douglas Kellner (1990) Camera Politica: The Politics and Ideology of Contemporary Hollywood Film. Indiana University Press, Bloomington and Indianapolis. Schatz, Thomas. (1993) “The New Hollywood.” Film Theory Goes to the Movies. (Eds.) Jim Collins, Hilary Radner and Ava Preacher Collins. New York: Routledge:. 8-36. Thompson, Kristin (1999) Storytelling in the New Hollywood: Understanding Classical Narrative Technique. Harvard University Press, London. Tzioumakis, Yannis (2006) American Independent Cinema: An Introduction. Edinburgh University Press, Edinburgh. Wasko, Janet (1994) Hollywood in the Information Age. Polity Press, Cambridge. Wasser, Frederick (2001) Vini, Vidi, Video: The Hollywood Empire and the VCR. University of Texas Press, Austin. Wood, Robin (1984) ‘The Incoherent Text: Narrative in the 70s’ in Hollywood from Vietnam to Reagan. Columbia University Press, New York. Justin Wyatt (1994) High Concept: Movies and Marketing in Hollywood. University of Texas Press, Austin.
Last Update
20-09-2013