FILM THEORY II

Informazioni sull’Insegnamento
TitoloΘΕΩΡΙΑ ΚΙΝΗΜΑΤΟΓΡΑΦΟΥ ΙΙ / FILM THEORY II
Codice2ΘΚ2
Ciclo / Livello di Studi1. Corso di Laurea
Semestre di InsegnamentoSpring
CoordinatorEleftheria Thanouli
Common
StatoAttivo
Course ID280007578

Programma di Studio: PPS Tmīma Kinīmatográfou (2009-sīmera)

Registered students: 173
IndirizzoTipo di FrequenzaSemestreAnnoECTS
KORMOSObbligatorio213

Informazioni sull’Insegnamento
Anno Accademico2017 – 2018
SemestreSpring
Faculty Instructors
Weekly Hours4
Class ID
600110396
Course Type 2016-2020
  • Area Scientifica
Organizzazione della Didattica
  • In presenza
Materiali Online
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Greco (Insegnamento, Esame)
Abilita’ Generali
  • Lavoro autonomo
  • Produzione di nuove idee di ricerca
  • Fare riflessioni critiche e autocritiche
  • Promuovere il pensiero indipendente, creativo e intuitivo
Tipologia di Materiale Didattico
  • Libro
  • Audio
  • Esercizi interattivi
Use of Information and Communication Technologies
Use of ICT
  • Uso delle TIC   nell’ insegnamento
  • Uso delle TIC nella comunicazione con gli studenti
Organizzazione dell’Insegnamento
ActivitiesCarico di LavoroECTSIndividualeGruppoErasmus
Conferenze571.9
Elaborazione tesina/tesine301
Esame30.1
Total903
Student Assessment
Student Assessment methods
  • Prova scritta con rispote aperte (Formativa)
  • Prova scritta con soluzione di problemi (Formativa)
Bibliography
Course Bibliography (Eudoxus)
Επιλογή Συγγραμμάτων Βιβλίο [2825]: Η Μορφή του Φιλμ, Σ.Μ. Αϊζενστάιν Επιλογή Συγγραμμάτων Βιβλίο [2229]: Τι Είναι ο Κινηματογράφος, Αντρέ Μπαζέν Επιλογή Συγγραμμάτων Βιβλίο [2232]: Τι Είναι ο Κινηματογράφος, Αντρέ Μπαζέν Επιλογή Συγγραμμάτων Βιβλίο [3032]: Θεωρίες του Κινηματογράφου, Ειρήνη Στάθη
Additional bibliography for study
Andrew, D. (1984), Concepts in Film Theory (Oxford: Oxford University Press). Bordwell, D. (1985), Narration in the Fiction Film (London: Routledge). ––––––––, J. Staiger, and K. Thompson (1985), The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 (New York: Routledge). Braudy, L. and M. Cohen ((1999) (eds), Film Theory and Criticism: Introductory Readings (New York: Oxford University Press). Carroll, N. (1996), Theorizing the Moving Image (New York: Cambridge University Press). Caughie, J. (1981) (ed), Theories ofAuthorship: A Reader (London: Routledge). Grant, B. K. (1995) (ed), Film Genre Reader II (Austin, TX: University Texas Press). Hill, J. and P. Church Gibson (1998) (eds), The Oxford Guide to Film Studies (Oxford: Oxford University Press). Neale, S., (2000), Genre and Hollywood (London and New York: Routledge). Schatz, T. (1981), Hollywood Genres: Formulas, Filmmaking and the Studio System (New York: McGraw-Hill).
Last Update
09-04-2017