FILM HISTORY V

Informazioni sull’Insegnamento
TitoloΗ ΙΣΤΟΡΙΑ ΣΤΟΝ ΚΙΝΗΜΑΤΟΓΡΑΦΟ / FILM HISTORY V
Codice5ΙΚ1
Ciclo / Livello di Studi1. Corso di Laurea
Semestre di InsegnamentoWinter
CoordinatorEleftheria Thanouli
Common
StatoAttivo
Course ID280005954

Programma di Studio: PPS Tmīma Kinīmatográfou (2009-sīmera)

Registered students: 59
IndirizzoTipo di FrequenzaSemestreAnnoECTS
KORMOSEPILOGĪS YPOCΗREŌTIKO535

Informazioni sull’Insegnamento
Anno Accademico2018 – 2019
SemestreWinter
Faculty Instructors
Weekly Hours4
Total Hours52
Class ID
600128064
Course Type 2016-2020
  • Area Scientifica
  • Sviluppo di Competenze
Organizzazione della Didattica
  • In presenza
Materiali Online
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Greco (Insegnamento, Esame)
  • Inglese (Esame)
Abilita’ Generali
  • Ricerca, analisi e raccolta dati e informazioni, con l’utilizzo di tecnologie adeguate
  • Adattamento a nuove situazioni
  • Produzione di nuove idee di ricerca
  • Fare riflessioni critiche e autocritiche
  • Promuovere il pensiero indipendente, creativo e intuitivo
Tipologia di Materiale Didattico
  • Libro
  • Appunti
  • Audio
  • Esercizi interattivi
Use of Information and Communication Technologies
Use of ICT
  • Uso delle TIC   nell’ insegnamento
  • Uso delle TIC nella comunicazione con gli studenti
Organizzazione dell’Insegnamento
ActivitiesCarico di LavoroECTSIndividualeGruppoErasmus
Conferenze602
Seminari571.9
Progetto (project)301
Esame30.1
Total1505
Student Assessment
Student Assessment methods
  • Prova scritta con rispote aperte (Sommativa)
  • Prova scritta con soluzione di problemi (Sommativa)
Bibliography
Course Bibliography (Eudoxus)
Ferro, Marc (2001), Ιστορία και Κινηματογράφος, μτφρ. Μαρκέτου Π. (Αθήνα: Μεταίχμιο). Λαμπρινός, Φώτος (2005), Ισχύς μου η αγάπη του φακού. Τα κινηματογραφικά επίκαιρα ως τεκμήρια της ιστορίας (1895-1940), (Αθήνα: Καστανιώτης). Τομαή, Φωτεινή (επιμ.) (2006), Αναπαραστάσεις του πολέμου (Αθήνα: Παπαζήσης). ––––––––– (επιμ.) (2004), Η μετανάστευση στον κινηματογράφο: Η μαρτυρία της κινηματογραφικής εικόνας (Αθήνα: Παπαζήσης).
Additional bibliography for study
Briley, Ron (1996), ‘Sergei Eisenstein: The Artist in Service of the Revolution’, The History Teacher, 29: 525-536. Burgoyne, Robert (2008), The Hollywood Historical Film (Malden, Oxford, Victoria: Wiley-Blackwell). Chopra-Gant, Mike (2008) Cinema and History. The Telling of Stories (London, Wallflower Press). Cocks Geoffrey (2004), The wolf at the door: Stanley Kubrick, history & the Holocaust (New York: Peter Lang). Davis, Natalie Zemon (2002), Slaves on Screen: Film and Historical Vision (Cambridge, MA: Harvard University Press). Haggith, Toby and Joanna Newman (2005), Holocaust And The Moving Image (London: Wallflower press). Jenkins, Keith (1997), The Postmodern History Reader (London and New York: Routledge). Landy, Marcia (2001), Historical Film (London: Athlone Press). *Maland, Charles (1979), ‘Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus’, American Quarterly, 31, 5: 697-717. O’Connor, John E. (ed.) (1990), Image as Artifact: The Historical Analysis of Film and Television (Florida: Krieger). Rosenstone, Robert (2006), History on Film/ Film on History (Edinburgh Gate: Pearson). Sobchack, Vivian (1996), The Persistence of History: Cinema, Television and the Modern Event (New York: Routledge). *Sorlin, Pierre (1994), ‘War and Cinema: Interpreting the Relationship’, Historical Journal of Film, Radio and Television, 14: 357-66. Thanouli, Eleftheria (2005), ‘World War II revisited: narration and representations of War in Terrence Malick’s The Thin Red Line’, Kinema, 23: 45-60. *Toplin, Robert Brent (1988), ‘The Filmmaker as Historian’, The American Historical Review, 93: 1210-1227. *White, Hayden (1988), ‘Historiography and Historiophoty’, The American Historical Review, 93: 1193-1199. White, Hayden (1990), The Content of the Form: Narrative Discourse and Historical Representation (Baltimore: John Hopkins UP). Martin M. Winkler (ed.) (2007), Spartacus: Film and History (Malden, Oxford, Victoria: Blackwell Publishing)
Last Update
30-11-2018