CONTEMPORARY AMERICAN DRAMA/THEATRE

Informazioni sull’Insegnamento
TitoloΣΥΓΧΡΟΝΟ ΑΜΕΡΙΚΑΝΙΚΟ ΘΕΑΤΡΟ / CONTEMPORARY AMERICAN DRAMA/THEATRE
CodiceΛογ7-329
FacultyFilosofia
Ciclo / Livello di Studi1. Corso di Laurea, 2. Post Laurea
Semestre di InsegnamentoWinter/Spring
CommonNo
StatoAttivo
Course ID600007104

Programma di Studio: 2018-2019

Registered students: 4
IndirizzoTipo di FrequenzaSemestreAnnoECTS
KORMOSFacoltativo a scelta liberaWinter/Spring-6

Informazioni sull’Insegnamento
Anno Accademico2018 – 2019
SemestreSpring
Faculty Instructors
Weekly Hours3
Total Hours39
Class ID
600138514
Course Type 2016-2020
  • Area Scientifica
Organizzazione della Didattica
  • In presenza
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Inglese (Insegnamento, Esame)
Abilita’ Generali
  • Applicazione pratica delle conoscenze acquisite
  • Ricerca, analisi e raccolta dati e informazioni, con l’utilizzo di tecnologie adeguate
  • Adattamento a nuove situazioni
  • Presa di decisione
  • Lavoro autonomo
  • Lavoro in gruppo
  • Lavoro in contesto internazionale
  • Lavoro in equipe interdisciplinari
  • Produzione di nuove idee di ricerca
  • Progettazione e gestione di progetti
  • Rispetto verso la diversita’ e la multiculturalita’
  • Rispetto verso l’ambiente naturale
  • Dimostrare responsabilità sociale, professionale e morale e sensibilità verso i problemi di genere
  • Fare riflessioni critiche e autocritiche
  • Promuovere il pensiero indipendente, creativo e intuitivo
Tipologia di Materiale Didattico
  • Libro
  • Appunti
  • Esercizi interattivi
Use of Information and Communication Technologies
Use of ICT
  • Uso delle TIC   nell’ insegnamento
  • Uso delle TIC nella comunicazione con gli studenti
  • Uso delle  TIC nella valutazione degli studenti
Organizzazione dell’Insegnamento
ActivitiesCarico di LavoroECTSIndividualeGruppoErasmus
Conferenze983.9
Studio e analisi bibliografica241.0
Esame281.1
Total1506
Student Assessment
Student Assessment methods
  • Prova scritta strutturata a scelta multipla (Formativa, Sommativa)
  • Prova scritta con rispote aperte (Formativa, Sommativa)
Bibliography
Course Bibliography (Eudoxus)
Θέατρο,Κοινωνία, Έθνος: απο την Αμερική στις Ηνωμένες Πολιτείες
Additional bibliography for study
Alba, Richard D. Ethnic Identities (E 184. A1A45) Antonin, Artaud. The Theatre and Its Double Ashcroft, Bill et al (eds). The Postcolonial Studies Reader. Aston, Elaine. Theatre as Sign System (PN 2041. S45A85) Austin, Gayle, Feminist Theories for Dramatic Criticism (PN 1633. F45A9) Barker, Francis. Postmodernism and the Re-Reading of Modernity (PN 88. P67P69). Bennett, Susan. Theatre Audiences (PN 1590. A9B48) Benston, Kimberly. Baraka: The Renegade and the Mask, 1976. Berney, K. A. Contemporary American Dramatists (PS 352. C65) Bernstein, Samuel. The Strands Entwined: A New Direction in American Drama, 1980. Bertens, Hans. The Idea of the Postmodern Birringer, Johannes. Theatre, History, Postmodernism (PN 2039. B57) Blau, Herbert. The Eye of Prey: Subversions of the Postmodern Blonsky, Marshall. American Mythologies Bourdieu, Pierre. The Field of Cultural Production (NY 180. S6B68) Calhoun, Craig. Social History and the Politics of Identity (HM 131. S63) Calinescu, Matei. Five Faces of Modernity ____. Exploring Postmodernism (PN 98. P67E97). Callinicos, Alex. Against Postmodernism (B 831. 2. C34) Case, Sue-Ellen. The Performance of Power Cohn, Ruby. American Dramatists 1960-1980. Collins, Jim. Uncommon Cultures: Popular Culture and Postmodernism. Connor, Steven. Postmodernist Culture (PN 98. P67C66) Culler, Jonathan. On Deconstruction (PN 98. D43C8) Digaetani, John. Search for a Postmodern Theatre (PS 352. S43). Docherty, Thomas. After Theory: Postmodernism/Postmarxism (PN98. P641) ______. (ed). Postmodernism: A Reader. Dolan, Jill. Spectator as Critic. Downing, David B., ed. Image and Ideology in Modern/Postmodern Discourse (PN 771. 145) Eagleton, Terry. Ideology of the Aesthetic (BH 151. E2) Fanon, Frantz. The Wretched of the Earth. Foster, Hal (ed). Anti-Aesthetic. Geetz, Clifford. The Interpretation of Cultures (GN 315. G3C) Geis, Deborah. Postmodern Theatric[h]s. Harvey, David. The Condition of Postmodernity (CB428. H38) Harriott, Esther. American Voices Hart, Lynda. Acting Out: Feminist Performances _______. Making a Spectacle. Hilton, Julian. Performance (PN 2061. H55) Hoesterev, Ingeborg (ed.). Zeitgeist in Babel: The Postmodernist Controversy (B 831. 2. Z45). Hutcheon, Linda. The Politics of Postmodernism Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Jameson, Fredric. The Political Unconscious. _______. Postmodernism, or the Cultural Logic of Late Capitalism. Jordan, Glenn. Cultural Politics (NY180 S6J66) Kaye, Nick. Postmodernism and Performance (PN 2037. K35) Kearney, Richard. The Wake of Imagination (PN 56745. K43) -------Poetics of Imagining (B 105.149 K42) Keefe, Susan. Chicano Ethnicity (E 184. M5K431) Kellner, Douglas. Media Culture: Cultural Studies, Identity and Politics Between the Modern and the Postmodern. Kolin, Philip. American Playwrights Since 1945 (PS 350. A4) Kroker, Arthur and Cook, David. The Postmodern Scene. La Capra, Dominick. Rethinking Intellectual History Lyotard, Jean-Francois. The Postmodern Condition. Macdonald, Erik. Theatre at the Margins (PN 2193. E86. M33). Madison, Garry. The Hermeneutics of Postmodernity (BD 241. M25) Malkin, Jeanette. Verbal Violence in Contemporary Drama (PN 1861. M28) Mance Williams. Black Theatre in the 1960s and 1970s (PN 2270. A35) Mann, Paul. Theory-Death of the Avant-Garde (BH 301. A94M36). Marranca, Bonnie and G. Dasgupta (eds). American Playwrights. Martin, Jacqueline. Voice in Modern Theatre (PN 2071. S65M37) Martin, Randy. Performance as Political Act McCorkle, James. Still Performance (PS 3525. A8477S86). Mukerji, Chandra, ed. Rethinking Popular Culture (N 357. R48) Nelson, Brian. Asian American Drama Novy, Marianne. Cross-cultural Performances Orr, John. Tragicomedy and Contemporary Culture (PN 1907. 07) Pavis, Patrice. Theatre at the Crossroads of Culture (PN1643. P3813) Payne, Micahel. Reading Theory: An Introduction to Lacan, Derrida, Kristeva (PN 81. P39) Phelan, Peggy. The Politics of Performance (NY 650. P6P47) Postlewait, Thomas. Interpreting the Theatrical Past Pottlitzer, Joanne. Hispanic Theatre in the United States and Perto Rico (PN 2270. H57P68). Reinelt, G. ed. Critical Theory and Performance (PN 2039. C75) Roudané, Matthew. American Drama Since 1960 (PS 352. R 68) Said, Edward. Orientalism. Schechner, Richard. Performance Theory -------. Between Theatre and Anthropology (PN 2041. A57533) Seller, Maxine. Ethnic Theatre in U.S (PN 2226. E85) Shank, Theodore. American Alternative Theatre. Silverman, Hugh J (ed). Postmodernism: Philosophy and the Arts (B 831. 2. P68). Simard, Rodney. Postmodern Drama (PS 352. S571984) Simons, Herbert W. After Postmodernism (B 831 A4) Smith, Larry E., Discourse Across Cultures (PE 2751. D57) Trachtenberg, Alan. The Postmodern Moment (NY 456.5. P66P66) Turabian, Kate L. A Manual for Writers of Term Papers, Theses and Dissertations (Ref. LB2369 T8) Vattimo, Gianni. The End of Modernity (B 828. 3 V3713) Whitaker, Thomas. Fields of Play in Modern Drama (PN 1851. W45) Wiles, Timothy. The Theatre Event (PN 2189. W51980) Williams, Linda. Hard Core: Power, Pleasure and the Frenzy of the Visible. Wolf, Naomi. The Beauty Myth ************************** .NOTE: Students are not expected to read all these secondary books. They can consult those sources they consider most useful for their better understanding of the course.
Last Update
20-11-2020