DOCUMENTARY THEATRE: THEORY AND PRACTICE

Informazioni sull’Insegnamento
TitoloΘέατρο Ντοκουμέντο: θεωρία και πράξη / DOCUMENTARY THEATRE: THEORY AND PRACTICE
CodiceΔΕ0124
Ciclo / Livello di Studi1. Corso di Laurea
Semestre di InsegnamentoWinter/Spring
CoordinatorMartha Bouziouri
CommonNo
StatoAttivo
Course ID600025223

Programma di Studio: PPS Tmīmatos THeátrou (2019-sīmera)

Registered students: 30
IndirizzoTipo di FrequenzaSemestreAnnoECTS
Dramatología-ParastasiologíaFacoltativo a scelta obbligata955

Informazioni sull’Insegnamento
Anno Accademico2025 – 2026
SemestreWinter
Instructors from Other Categories
Weekly Hours3
Total Hours39
Class ID
600288323
Organizzazione della Didattica
  • In presenza
Materiali Online
Erasmus
The course is also offered to exchange programme students.
Abilita’ Generali
  • Applicazione pratica delle conoscenze acquisite
  • Lavoro autonomo
  • Lavoro in gruppo
  • Lavoro in contesto internazionale
  • Lavoro in equipe interdisciplinari
  • Progettazione e gestione di progetti
  • Rispetto verso la diversita’ e la multiculturalita’
  • Dimostrare responsabilità sociale, professionale e morale e sensibilità verso i problemi di genere
  • Promuovere il pensiero indipendente, creativo e intuitivo
Tipologia di Materiale Didattico
  • Libro
  • Audio
  • Materiale multimediale
  • Esercizi interattivi
Use of Information and Communication Technologies
Use of ICT
  • Uso delle TIC   nell’ insegnamento
  • Uso delle TIC nella didattica laboratoriale
  • Uso delle TIC nella comunicazione con gli studenti
Bibliography
Course Bibliography (Eudoxus)
"Το σύγχρονο θεατρο του Πραγματικού: Από τις αληθινές ιστορίες στο θέατρο-ντοκουμέντο και στις ερευνητικές δραματουργίες του 21ου αιώνα" Κωδικός Βιβλίου στον Εύδοξο: 122075375 Συγγραφείς: Βερβεροπούλου Ζ. Εκδοσεις Παπαζήση
Additional bibliography for study
ΞΕΝΟΓΛΩΣΣΗ Carol, M. (2012). Dramaturgy of the Real on the World Stage. Palgrave Macmillan: New York. Heathfield, A. (2010). Dramaturgy without a Dramaturge. In Rethinking Dramaturgy: Errancy and Transformation. Centro Parraga & CENDEAC: Murcia. Heddon, D. (2007). Autobiography and Performance. Basingstoke: Palgrave Macmillan. Lehmann, H.T. (2006). Postdramatic theatre. London ; New York :Routledge. Little, S. (2010). Re-Presenting the Traumatic Real: Douglas Wright’s Black Milk. In A. Kolb (Εd.). Dance and Politics. Bern: Peter Lang, 233–254. Lynn, Kirk & Sides, Shawn. (2003). Collective Dramaturgy: a Co-consideration of the Dramaturgical Role in Collaborative Creation. Theatre Topics, 13: 111–115. Pelias, R. J. (1999). Writing performance: Poeticizing the researcher’s body. Carbondale: Southern Illinois University Press. Reinelt, J. (2009). The Promise of Documentary. In A. Forsyth & C. Megson (Eds.). Get Real: Documentary Theatre Past and Present. Basingstoke: Palgrave Macmillan. Saldaña, J. (2016). Ethnotheatre : Research from Page to Stage. London: Routledge. ΕΛΛΗΝΟΓΛΩΣΣΗ Foster, H. (2013). Ο καλλιτέχνης ως εθνογράφος. Μτφρ: Καρρά, Ε. Στο: Ρίκου, Ε. (επιμ.) Ανθρωπολογία και Σύγχρονη Τέχνη. Αλεξάνδρεια: Αθήνα. Φράγκου, Μ. (2021). Οι ζωές των «Άλλων»: Το θέατρο της επισφάλειας. Σκηνή, (12): 40-52. Χάγερ, Φ. (2020). Θέατρο, επιτέλεση και ιστορία: τόποι μιας φλεγόμενης χρονικότητας, Σκηνή, (12): 5–22.
Last Update
10-03-2025