SCIENCE FICTION AND CINEMA

Informationen zur Lehrveranstaltung
TitelΕΠΙΣΤΗΜΟΝΙΚΗ ΦΑΝΤΑΣΙΑ ΚΑΙ ΚΙΝΗΜΑΤΟΓΡΑΦΟΣ / SCIENCE FICTION AND CINEMA
Code8ΕΦ1
Cycle / Level1. Grund- und Hauptstudiengang
SemesterSpring
CoordinatorDespoina Kaklamanidou
CommonJa
StatusAktiv
Course ID600017709

Studienplan: PPS Tmīma Kinīmatográfou (2009-sīmera)

Registered students: 42
FachrichtungForm des KursbesuchsSemesterJahrECTS
KORMOSEPILOGĪS YPOCΗREŌTIKO846

Informationen zur Veranstaltung
Akademisches Jahr2019 – 2020
KurslehrdauerSpring
Faculty Instructors
Weekly Hours3
Class ID
600141389
Course Type 2016-2020
  • Wissenschaftlicher Fachbereich
Veranstaltungstyp
  • Persönliche Anwesenheit
Elektronischer Zugang zu Unterrichtsmaterialien
Sprache
  • Griechisch (Lehre, Prüfung)
Allgemeine Kompetenzen
  • Anwendung des Wissens in der Praxis
  • Entscheidungsfähigkeit
  • Autonomes Arbeiten
  • Produktion von neuen Forschungsideen
  • Förderung des freien, kreativen und induktiven Denkens
Lehrmaterialien
  • Skript
Einsatz von Informations- und Kommunikationstechnologie
IKT-Nutzung
  • Einsatz von IKT in der Lehre
  • Einsatz von IKT in der Bewertung der Studierenden
Unterrichtsorganisation
ActivitiesArbeitsbelastungECTSEinzelarbeitGruppenarbeitErasmus
Vorlesungen391.3
Rezeption/ Analyse von Texten511.7
Erstellen einer Arbeit / v. Arbeiten602
Total1505
Bewertung der Studierenden
Beschreibung des Verfahrens
  • Schriftliche Prüfung mit Problemlösung (Endnote)
Empfohlene Bibliographie
zum Kurs (Eudoxos)
Βιβλίο [32998089]: Τα είδη ταινιών του Χόλιγουντ, Schatz G. Thomas, Επιμ. Κοκκώνης Μιχάλης
Weitere Bibliographie
Bould, Mark .2003. “Film and Television.” In The Cambridge Companion to Science Fiction, edited by Edward James and Farah Mendlesohn, 79-95. Cambridge: Cambridge University Press. Bould, Mark and Vint, Sherryl. 2011. The Routledge Concise history of Science Fiction. New York: Routledge. Bukatman, Scott. 1993. Terminal Identity. The Virtual Subject in Postmodern Science Fiction. Durham and London: Duke University Press. Cornea, Cornea. 2007. Science Fiction Cinema. Between Fantasy and Reality. Edinburgh: Edinburgh university press. Creed, Barbara. 1990. “Alien and the monstrous-feminine.” In Alien Zone. Cultural theory and contemporary science fiction cinema, edited by Anne Kuhn, 128-141. London and New York: Verso. Doane, Mary Anne. 2004. “Technophilia: Technology, Representation and the Feminine.” In Liquid Metal. The Science Fiction Film Reader, edited by Sean Redmond, 182-190. London: Wallflower Press. Geraghty, Lincoln. 2009. American Science Fiction Film and Television. Oxford and New York: Berg Graham, Elaine L. 2002. Representations of the Post/Human. Monsters, Aliens and Others in Popular Culture. New Brunswick: Rutgers University Press. Greimas, Algirdas J. and François Rastier. 1968. “The Interaction of Semiotic Constraints.” Yale French Studies, 41: 86-105. Gunning, Tom. 1986. “The cinema of attractions: Early film, its spectators and the avand-garde.” Wide Angle 8 (3-4): 63-70. Haraway, Donna. 2004. “A Manifesto for Cyborgs: Science, Technology and Socialist Feminism in the 1980s.” In Liquid Metal. The Science Fiction Film Reader, edited by Sean Redmond, 158-181. London: Wallflower Press. Hayles, Katherine N. 1999. How we became Posthuman. Virtual Bodies in Cybernetics, Literature and Informatics. Chicago: University of Chicago Press. Jancovich, Mark. 2004. “Re-examining the 1950s Invasion Narratives.” In Liquid Metal. The Science Fiction Film Reader, edited by Sean Redmond, 325-335. London: Wallflower Press. Jancovich, Mark & Johnston, Derek .2009. “Film and Television, the 1950s.” In The Routledge Companion to Science Fiction, edited by Mark Bould, Andrew M. Butler, Adam Roberts and Sherryl Vint, 71-79. London and New York: Routledge. Johnston, Keith M. 2011. Science Fiction Film: A Critical Introduction. Oxford, New York: Berg. King, Geoff. Spectacular Narratives. Hollywood in the Age of the Blockbuster. I.B.Tauris, 2000. King, Geoff and Tanya Krzywinska. 2000. Science Fiction Cinema. From Outerspace to Cyberspace. London: Wallflower. Kuhn, Anne (ed.) 1990. Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. London and New York: Verso. Pierson. Michelle .2002. Special Effects. Still in Search of Wonder. New York and Chichester: Columbia University Press. Redmond, Sean .2009. “Film since 1980.” In The Routledge Companion to Science Fiction, edited by Mark Bould, Andrew M. Butler, Adam Roberts and Sherryl Vint, 134-143. London and New York: Routledge. Schatz, Thomas. 2009. “New Hollywood, New Millennium.” In Film Theory and Contemporary Hollywood. Sobchack, Vivian. 1987. Screening Space: The American Science Fiction Film. New Brunswick, NJ: Rutgers University Press. Sobchack, Vivian. 2004. “Postfuturism.” In Liquid Metal. The Science Fiction Film Reader, edited by Sean Redmond, 220-22. London: Wallflower Press. Sontag, Susan .1965. “The Imagination of Disaster.” Commentary 65: 42-48. Suvin, Darko. 1972. “On the poetics of the Science Fiction Genre.” College English 34, no.3 (December): 377-382. Telotte, Jay P. 2001. Science Fiction Film. Cambridge: Cambridge University Press. Telotte, Jay P. 2009. “Film, 1895-1950.” In The Routledge Companion to Science Fiction, edited by Mark Bould, Andrew M Butler, Adam Roberts and Sherryl Vint, 42-51. London and New York: Routledge. Todorov, Tzvetan. 1975. The Fantastic. A Structural Approach to a Literary Genre. Translated by Richard Howard. Ithaca, New York: Cornell University Press. Vint, Sherryl, ed. 2016. Science Fiction and Cultural Theory. A Reader. London and New York: Routledge.
Last Update
26-11-2019