SET AND COSTUME DESIGN VII

Course Information
TitleΣΚΗΝΟΓΡΑΦΙΑ-ΕΝΔΥΜΑΤΟΛΟΓΙΑ VII / SET AND COSTUME DESIGN VII
Code6ΣΓ2
FacultyFine Arts
SchoolFilm
Cycle / Level1st / Undergraduate
Teaching PeriodSpring
CoordinatorAntonios Dagklidis
CommonYes
StatusInactive
Course ID280011267

Programme of Study: UPS of School of Film Studies (2009-2013)

Registered students: 18
OrientationAttendance TypeSemesterYearECTS
CoreElective Courses beloging to the selected specialization635
Class Information
Academic Year2016 – 2017
Class PeriodSpring
Faculty Instructors
Weekly Hours3
Total Hours39
Class ID
600066394
Course Type 2016-2020
  • Scientific Area
  • Skills Development
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
  • Face to face
Digital Course Content
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Greek (Instruction, Examination)
  • French (Instruction, Examination)
Learning Outcomes
Upon succesful completion of the course, each student will have become familiar with: Making a first complete design of costumes and confronting the issues of design implementation. Developing proposals of costumes’ designs regarding a theatrical play and a short story for a film adaptation. Through research of period, character analysis and exploration of visual intentions, students deal with issues of costume design and its implementation both for a period piece as well as a modern one. The implementation of costume design through visits in sewing workshops and theatrical wardrobes.
General Competences
  • Apply knowledge in practice
  • Retrieve, analyse and synthesise data and information, with the use of necessary technologies
  • Make decisions
  • Work autonomously
  • Work in teams
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Course Content (Syllabus)
Through lectures and exercises students prepare a first complete design of costumes and confront the issues of design implementation. They develop proposals of costumes’ designs regarding a theatrical play and a short story for a film adaptation. Through research of period, character analysis and exploration of visual intentions, students deal with issues of costume design and its implementation both for a period piece as well as a modern one. Finally they gain an experience in the implementation process through visits in sewing workshops and theatrical wardrobes.
Educational Material Types
  • Notes
  • Slide presentations
  • Video lectures
  • Book
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Lectures391.3
Laboratory Work200.7
Fieldwork90.3
Reading Assigment100.3
Field trips and participation in conferences / seminars / activities60.2
Project642.1
Exams20.1
Total1505
Student Assessment
Description
Evaluation is based on students’ artistic interpretation and expression and their comprehension of the conditions and limits that define the result of artistic expression.
Student Assessment methods
  • Oral Exams (Summative)
  • Report (Formative, Summative)
  • Labortatory Assignment (Formative, Summative)
  • Artistic Performance (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
• R.Arnheim,Τέχνη και Οπτική Αντίληψη,Η ψυχολογία της Δημιουργικής Όρασης,Εκδόσεις Θεμέλιο,Αθήνα,1999 • Payne, Winakov, Farrell, Beek, Ενδυματολογία. Ιστορία της Ενδυμασίας, Εκδόσεις Ίον. • Φωτόπουλος Δ., Το Ένδυμα στην Αθήνα στο Γύρισμα του 20ου Αιώνα, Ε.Λ.Ι.Α., 2000.
Additional bibliography for study
Αλκης Ξανθάκης, ‘’Ιστρία της Ελληνικής Φωτογραφίας’’, εκδ.ΠΑΠΥΡΟΣ. Norah Waugh. ‘’The Cut of Women’s Clothes,1600-1930’’,εκδ Routlege Taylor &Francis Group. Edward Maeder, ‘’Hollywood and History-Costume Design in Film’’, εκδ Thames & Hudson Ltd François Boucher "Histoire du costume en Occident: Des origines à nos jours" (2008) Broché
Last Update
26-07-2017