Sie sind hier
Vorlesungsverzeichnis
Haupt-Reiter
| Fakultät | |
| Abteilung | |
| Qualification Awarded | Πτυχίο Τμήματος Θεάτρου (Ptychio Tmimatos Theatrou) |
| Studienplan | PPS Tmīmatos THeátrou (2019-sīmera) |
| Cycle / Level / NQF | 1. Grund- und Hauptstudiengang / 7 |
| Akademisches Jahr | 2025 - 2026 |
| Status | Aktiv |
| Website | http://www.thea.auth.gr |
| Contact email | info@thea.auth.gr |
| Kalender | URL |
| ECTS / Workload | One ECTS unit corresponds to 25 hours of workload. |
Lehrveranstaltungen des 1. Semesters
KORMOS1. Semester
9 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΠ0200 | INTRODUCTION TO MODERN GREEK LITERATURE | 5 | Y |
| ΔΠ0100 | INTRODUCTION TO THEATRE ARTS | 5 | Y |
| ΔΠ0301 | DRAMA ANALYSIS I | 5 | Y |
| ΞΓ0101 | ENGLISH I | 5 | XG |
| ΞΓ0201 | FRENCH I | 5 | XG |
| ΞΓ0301 | GERMAN I | 5 | XG |
| ΞΓ0401 | ITALIAN I | 5 | XG |
| ΡΧ0101 | THEATRE OF ANTIQUITY I | 5 | Y |
| ΣΤ0101 | HISTORY OF THE THEATRE I | 5 | Y |
Lehrveranstaltungen des 2. Semesters
KORMOS2. Semester
11 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΠ0100 | INTRODUCTION TO THE HISTORY OF ART | 5 | Y |
| ΔΠ0302 | DRAMA ANALYSIS II | 5 | Y |
| ΔΠ0400 | INTERPRETING PERFORMANCES | 5 | Y |
| ΞΓ0102 | ENGLISH II | 5 | XG |
| ΞΓ0202 | FRENCH II | 5 | XG |
| ΞΓ0302 | GERMAN II | 5 | XG |
| ΞΓ0402 | ITALIAN II | 5 | XG |
| ΣΓ0403 | INTRODUCTION TO SCENOGRAPHY AND COSTUME DESIGN (PRE-REQUISITE) | 5 | EK |
| ΣΤ0102 | HISTORY OF THEATRE II | 5 | Y |
| ΣΤ0900 | AN INTRODUCTION TO SHAKESPEARE (PRE-REQUISITE) | 5 | YK |
| ΥΣ0107 | INTRODUCTION TO ACTING (PREREQUISITE) | 5 | YK |
Dramatología-Parastasiología2. Semester
3 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΣΓ0403 | INTRODUCTION TO SCENOGRAPHY AND COSTUME DESIGN (PRE-REQUISITE) | 5 | EK |
| ΣΤ0900 | AN INTRODUCTION TO SHAKESPEARE (PRE-REQUISITE) | 5 | YK |
| ΥΣ0107 | INTRODUCTION TO ACTING (PREREQUISITE) | 5 | EK |
Ypokritikī2. Semester
3 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΣΓ0403 | INTRODUCTION TO SCENOGRAPHY AND COSTUME DESIGN (PRE-REQUISITE) | 5 | EK |
| ΣΤ0900 | AN INTRODUCTION TO SHAKESPEARE (PRE-REQUISITE) | 5 | EK |
| ΥΣ0107 | INTRODUCTION TO ACTING (PREREQUISITE) | 5 | YK |
Skīnografía-Endymatología2. Semester
3 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΣΓ0403 | INTRODUCTION TO SCENOGRAPHY AND COSTUME DESIGN (PRE-REQUISITE) | 5 | YK |
| ΣΤ0900 | AN INTRODUCTION TO SHAKESPEARE (PRE-REQUISITE) | 5 | EK |
| ΥΣ0107 | INTRODUCTION TO ACTING (PREREQUISITE) | 5 | EK |
Skīnothesía2. Semester
3 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΣΓ0403 | INTRODUCTION TO SCENOGRAPHY AND COSTUME DESIGN (PRE-REQUISITE) | 5 | EK |
| ΣΤ0900 | AN INTRODUCTION TO SHAKESPEARE (PRE-REQUISITE) | 5 | YK |
| ΥΣ0107 | INTRODUCTION TO ACTING (PREREQUISITE) | 5 | EK |
Lehrveranstaltungen des 3. Semesters
KORMOS3. Semester
9 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΔΡ0116 | FROM TEXT TO STAGE | 5 | EK |
| ΔΡ0121 | DRAMATURGIC ANALYSIS-CLASICAL TEXTS: MOLIERE'S COMEDIES | 5 | EK |
| ΞΓ0103 | ENGLISH III | 5 | XG |
| ΞΓ0203 | FRENCH III | 5 | XG |
| ΞΓ0303 | GERMAN III | 5 | XG |
| ΞΓ0403 | ITALIAN III | 5 | XG |
| ΡΧ0102 | THEATRE OF ANTIQUITY II | 5 | Y |
| ΣΤ0103 | HISTORY OF THE THEATRE III | 5 | Y |
| ΣΤ0201 | HISTORY OF MODERN GREEK THEATRE I | 5 | Y |
Dramatología-Parastasiología3. Semester
11 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0101 | SKETCHING I | 5 | EK |
| ΓΛ0200 | ARCHITECTURAL DRAWING | 5 | EK |
| ΓΛ0400 | FINE OF ARTS AND FINE ARTS MEDIA | 5 | EK |
| ΓΠ0400 | CONTEMPORARY THEORIES OF TEXT AND PERFORMANCE: AN INTRODUCTION | 5 | YK |
| ΔΡ0116 | FROM TEXT TO STAGE | 5 | EK |
| ΔΡ0121 | DRAMATURGIC ANALYSIS-CLASICAL TEXTS: MOLIERE'S COMEDIES | 5 | EK |
| ΔΡ0122 | DRAMATURGIC ANALYSES-RECENT TEXTS: IBSEN' S DRAMATURGY | 5 | EK |
| ΔΡ0208 | COMPARATIVE DRAMA: IMAGES OF JEWS IN THEATRE: FROM MARLOW TO CLEMENTI | 5 | EK |
| ΕΣ0101 | DANCE-MOVEMENT I | 5 | EK |
| ΥΑ0279 | ACTING I | 5 | EK |
| ΥΑ0301 | ACTING FOR CAMERA I | 5 | EK |
Ypokritikī3. Semester
11 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0101 | SKETCHING I | 5 | EK |
| ΓΛ0200 | ARCHITECTURAL DRAWING | 5 | EK |
| ΓΛ0400 | FINE OF ARTS AND FINE ARTS MEDIA | 5 | EK |
| ΓΠ0400 | CONTEMPORARY THEORIES OF TEXT AND PERFORMANCE: AN INTRODUCTION | 5 | EK |
| ΔΡ0116 | FROM TEXT TO STAGE | 5 | EK |
| ΔΡ0121 | DRAMATURGIC ANALYSIS-CLASICAL TEXTS: MOLIERE'S COMEDIES | 5 | EK |
| ΔΡ0122 | DRAMATURGIC ANALYSES-RECENT TEXTS: IBSEN' S DRAMATURGY | 5 | EK |
| ΔΡ0208 | COMPARATIVE DRAMA: IMAGES OF JEWS IN THEATRE: FROM MARLOW TO CLEMENTI | 5 | EK |
| ΕΣ0101 | DANCE-MOVEMENT I | 5 | YK |
| ΥΑ0279 | ACTING I | 5 | YK |
| ΥΑ0301 | ACTING FOR CAMERA I | 5 | YE |
Skīnografía-Endymatología3. Semester
11 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0101 | SKETCHING I | 5 | YK |
| ΓΛ0200 | ARCHITECTURAL DRAWING | 5 | YK |
| ΓΛ0400 | FINE OF ARTS AND FINE ARTS MEDIA | 5 | YE |
| ΓΠ0400 | CONTEMPORARY THEORIES OF TEXT AND PERFORMANCE: AN INTRODUCTION | 5 | EK |
| ΔΡ0116 | FROM TEXT TO STAGE | 5 | EK |
| ΔΡ0121 | DRAMATURGIC ANALYSIS-CLASICAL TEXTS: MOLIERE'S COMEDIES | 5 | EK |
| ΔΡ0122 | DRAMATURGIC ANALYSES-RECENT TEXTS: IBSEN' S DRAMATURGY | 5 | EK |
| ΔΡ0208 | COMPARATIVE DRAMA: IMAGES OF JEWS IN THEATRE: FROM MARLOW TO CLEMENTI | 5 | EK |
| ΕΣ0101 | DANCE-MOVEMENT I | 5 | EK |
| ΥΑ0279 | ACTING I | 5 | EK |
| ΥΑ0301 | ACTING FOR CAMERA I | 5 | EK |
Skīnothesía3. Semester
11 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0101 | SKETCHING I | 5 | YE |
| ΓΛ0200 | ARCHITECTURAL DRAWING | 5 | YE |
| ΓΛ0400 | FINE OF ARTS AND FINE ARTS MEDIA | 5 | EK |
| ΓΠ0400 | CONTEMPORARY THEORIES OF TEXT AND PERFORMANCE: AN INTRODUCTION | 5 | YE |
| ΔΡ0116 | FROM TEXT TO STAGE | 5 | EK |
| ΔΡ0121 | DRAMATURGIC ANALYSIS-CLASICAL TEXTS: MOLIERE'S COMEDIES | 5 | EK |
| ΔΡ0122 | DRAMATURGIC ANALYSES-RECENT TEXTS: IBSEN' S DRAMATURGY | 5 | EK |
| ΔΡ0208 | COMPARATIVE DRAMA: IMAGES OF JEWS IN THEATRE: FROM MARLOW TO CLEMENTI | 5 | EK |
| ΕΣ0101 | DANCE-MOVEMENT I | 5 | YE |
| ΥΑ0279 | ACTING I | 5 | YE |
| ΥΑ0301 | ACTING FOR CAMERA I | 5 | EK |
Lehrveranstaltungen des 4. Semesters
KORMOS4. Semester
8 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΠ0501 | Special Topics in Art History: Interwar Berlin: The metropolis of the arts. | 5 | EK |
| ΘΡ0201 | HISTORY OF MODERN GREEK SCENOGRAPHY | 5 | EK |
| ΞΓ0104 | ENGLISH IV | 5 | XG |
| ΞΓ0204 | FRENCH IV | 5 | XG |
| ΞΓ0304 | GERMAN IV | 5 | XG |
| ΞΓ0404 | ITALIAN IV | 5 | XG |
| ΣΕ0200 | FORMS OF THEATRICAL SPACES | 5 | Y |
| ΣΤ0202 | HISTORY OF MODERN GREEK THEATRE II | 5 | Y |
Dramatología-Parastasiología4. Semester
13 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΑΔ0301 | SPECIAL TOPICS IN ANCIENT GREEK THEATRE I | 5 | YK |
| ΓΛ0203 | SKETCHING II-COLOR | 5 | EK |
| ΓΛ0401 | FINE ARTS AND COLOR II | 5 | EK |
| ΓΛ0500 | MODEL MAKING | 5 | EK |
| ΓΠ0501 | Special Topics in Art History: Interwar Berlin: The metropolis of the arts. | 5 | EK |
| ΔΡ0405 | SPANISH THEATER: LORCA | 5 | EK |
| ΔΣ0401 | SPECIAL TOPICS ON LITERATURE: K.D.KAVAFI'S "THEATRICAL" POEMS | 5 | EK |
| ΕΣ0102 | DANCE-MOVEMENT II | 5 | EK |
| ΘΡ0700 | PSYCHOLOGY OF PERCEPTION IN ART | 5 | EK |
| ΣΤ0604 | SPECIAL TOPICS IN THEATRE HISTORY: THE IRISH THEATRE | 5 | EK |
| ΥΑ0280 | ACTING II | 5 | EK |
| ΥΑ0281 | ACTING III | 5 | EK |
| ΥΑ0302 | ACTING FOR CAMERA ΙΙ | 5 | EK |
Ypokritikī4. Semester
14 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΑΔ0301 | SPECIAL TOPICS IN ANCIENT GREEK THEATRE I | 5 | EK |
| ΓΛ0203 | SKETCHING II-COLOR | 5 | EK |
| ΓΛ0401 | FINE ARTS AND COLOR II | 5 | EK |
| ΓΛ0500 | MODEL MAKING | 5 | EK |
| ΓΠ0501 | Special Topics in Art History: Interwar Berlin: The metropolis of the arts. | 5 | EK |
| ΔΡ0405 | SPANISH THEATER: LORCA | 5 | EK |
| ΔΣ0401 | SPECIAL TOPICS ON LITERATURE: K.D.KAVAFI'S "THEATRICAL" POEMS | 5 | EK |
| ΕΣ0102 | DANCE-MOVEMENT II | 5 | YK |
| ΘΡ0201 | HISTORY OF MODERN GREEK SCENOGRAPHY | 5 | EK |
| ΘΡ0700 | PSYCHOLOGY OF PERCEPTION IN ART | 5 | EK |
| ΣΤ0604 | SPECIAL TOPICS IN THEATRE HISTORY: THE IRISH THEATRE | 5 | EK |
| ΥΑ0280 | ACTING II | 5 | YK |
| ΥΑ0281 | ACTING III | 5 | YK |
| ΥΑ0302 | ACTING FOR CAMERA ΙΙ | 5 | YE |
Skīnografía-Endymatología4. Semester
14 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΑΔ0301 | SPECIAL TOPICS IN ANCIENT GREEK THEATRE I | 5 | EK |
| ΓΛ0203 | SKETCHING II-COLOR | 5 | YK |
| ΓΛ0401 | FINE ARTS AND COLOR II | 5 | YE |
| ΓΛ0500 | MODEL MAKING | 5 | YK |
| ΓΠ0501 | Special Topics in Art History: Interwar Berlin: The metropolis of the arts. | 5 | EK |
| ΔΡ0405 | SPANISH THEATER: LORCA | 5 | EK |
| ΔΣ0401 | SPECIAL TOPICS ON LITERATURE: K.D.KAVAFI'S "THEATRICAL" POEMS | 5 | EK |
| ΕΣ0102 | DANCE-MOVEMENT II | 5 | EK |
| ΘΡ0201 | HISTORY OF MODERN GREEK SCENOGRAPHY | 5 | EK |
| ΘΡ0700 | PSYCHOLOGY OF PERCEPTION IN ART | 5 | YE |
| ΣΤ0604 | SPECIAL TOPICS IN THEATRE HISTORY: THE IRISH THEATRE | 5 | EK |
| ΥΑ0280 | ACTING II | 5 | EK |
| ΥΑ0281 | ACTING III | 5 | EK |
| ΥΑ0302 | ACTING FOR CAMERA ΙΙ | 5 | EK |
Skīnothesía4. Semester
14 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΑΔ0301 | SPECIAL TOPICS IN ANCIENT GREEK THEATRE I | 5 | YK |
| ΓΛ0203 | SKETCHING II-COLOR | 5 | YE |
| ΓΛ0401 | FINE ARTS AND COLOR II | 5 | EK |
| ΓΛ0500 | MODEL MAKING | 5 | YE |
| ΓΠ0501 | Special Topics in Art History: Interwar Berlin: The metropolis of the arts. | 5 | YE |
| ΔΡ0405 | SPANISH THEATER: LORCA | 5 | EK |
| ΔΣ0401 | SPECIAL TOPICS ON LITERATURE: K.D.KAVAFI'S "THEATRICAL" POEMS | 5 | EK |
| ΕΣ0102 | DANCE-MOVEMENT II | 5 | YE |
| ΘΡ0201 | HISTORY OF MODERN GREEK SCENOGRAPHY | 5 | EK |
| ΘΡ0700 | PSYCHOLOGY OF PERCEPTION IN ART | 5 | EK |
| ΣΤ0604 | SPECIAL TOPICS IN THEATRE HISTORY: THE IRISH THEATRE | 5 | EK |
| ΥΑ0280 | ACTING II | 5 | YE |
| ΥΑ0281 | ACTING III | 5 | YE |
| ΥΑ0302 | ACTING FOR CAMERA ΙΙ | 5 | EK |
Lehrveranstaltungen des 5. Semesters
KORMOS5. Semester
4 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0303 | Element on Lighting Design | 5 | EK |
| ΕΡ0201 | WORKSHOP: THE ESSAY: An introduction to succesful academic writing | 2 | Y |
| ΘΘ0202 | THEATRE FOR CHILDREN AND ADOLESCENTS | 5 | Y |
| ΥΣ0200 | INTRODUCTION TO DIRECTING | 5 | Y |
Dramatología-Parastasiología5. Semester
13 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0204 | SET-ARCHITECTURAL DESIGN (SPECIALIZATION FOR THEATRE) | 5 | EK |
| ΓΛ0303 | Element on Lighting Design | 5 | EK |
| ΓΠ0800 | STAGING THE NATION: THEATRE, PERFORMANCE AND THE POLITICS OF MEMORY | 5 | EK |
| ΔΕ0112 | THE THEATRE OF THE ABSURD | 5 | YE |
| ΔΕ0119 | WOMAN IN MODERN GREEK-SPEAKING THEATRE DURING THE 19TH CENTURY: MAPPING THEIR CONTRIBUTION | 5 | YE |
| ΕΣ0109 | SWORDFIGHT | 5 | EK |
| ΘΣ0200 | DOLLS AND MASKS | 5 | EK |
| ΣΓ0405 | INTRODUCTION TO THEATRE COSTUME | 5 | EK |
| ΣΕ0400 | ELEMENTS OF VISUAL PERCEPTION-THEATRICAL ARCHITECTURE | 5 | EK |
| ΣΤ0400 | SPECIFIC TOPICS OF MODERN GREEK THEATRE: THE GREEK THEATRE BESIDE THE WORLD THEATRE | 5 | YK |
| ΣΤ0600 | Special topics in world theatre: post-war and contemporary British theatre | 5 | EK |
| ΥΑ0282 | ACTING IV | 5 | EK |
| ΥΑ0283 | ACTING V | 5 | EK |
Ypokritikī5. Semester
10 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0204 | SET-ARCHITECTURAL DESIGN (SPECIALIZATION FOR THEATRE) | 5 | EK |
| ΓΛ0303 | Element on Lighting Design | 5 | EK |
| ΓΠ0800 | STAGING THE NATION: THEATRE, PERFORMANCE AND THE POLITICS OF MEMORY | 5 | EK |
| ΕΣ0109 | SWORDFIGHT | 5 | YK |
| ΘΣ0200 | DOLLS AND MASKS | 5 | EK |
| ΣΓ0405 | INTRODUCTION TO THEATRE COSTUME | 5 | EK |
| ΣΕ0400 | ELEMENTS OF VISUAL PERCEPTION-THEATRICAL ARCHITECTURE | 5 | EK |
| ΣΤ0400 | SPECIFIC TOPICS OF MODERN GREEK THEATRE: THE GREEK THEATRE BESIDE THE WORLD THEATRE | 5 | EK |
| ΣΤ0600 | Special topics in world theatre: post-war and contemporary British theatre | 5 | EK |
| ΥΑ0283 | ACTING V | 5 | YK |
Skīnografía-Endymatología5. Semester
8 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0204 | SET-ARCHITECTURAL DESIGN (SPECIALIZATION FOR THEATRE) | 5 | YK |
| ΓΠ0800 | STAGING THE NATION: THEATRE, PERFORMANCE AND THE POLITICS OF MEMORY | 5 | EK |
| ΕΣ0109 | SWORDFIGHT | 5 | EK |
| ΘΣ0200 | DOLLS AND MASKS | 5 | YE |
| ΣΓ0405 | INTRODUCTION TO THEATRE COSTUME | 5 | YK |
| ΣΕ0400 | ELEMENTS OF VISUAL PERCEPTION-THEATRICAL ARCHITECTURE | 5 | YK |
| ΣΤ0400 | SPECIFIC TOPICS OF MODERN GREEK THEATRE: THE GREEK THEATRE BESIDE THE WORLD THEATRE | 5 | EK |
| ΣΤ0600 | Special topics in world theatre: post-war and contemporary British theatre | 5 | EK |
Skīnothesía5. Semester
8 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0204 | SET-ARCHITECTURAL DESIGN (SPECIALIZATION FOR THEATRE) | 5 | EK |
| ΓΠ0800 | STAGING THE NATION: THEATRE, PERFORMANCE AND THE POLITICS OF MEMORY | 5 | EK |
| ΕΣ0109 | SWORDFIGHT | 5 | EK |
| ΘΣ0200 | DOLLS AND MASKS | 5 | EK |
| ΣΓ0405 | INTRODUCTION TO THEATRE COSTUME | 5 | YE |
| ΣΕ0400 | ELEMENTS OF VISUAL PERCEPTION-THEATRICAL ARCHITECTURE | 5 | YE |
| ΣΤ0400 | SPECIFIC TOPICS OF MODERN GREEK THEATRE: THE GREEK THEATRE BESIDE THE WORLD THEATRE | 5 | YE |
| ΣΤ0600 | Special topics in world theatre: post-war and contemporary British theatre | 5 | YE |
Lehrveranstaltungen des 6. Semesters
KORMOS6. Semester
4 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΕΡ0202 | WORKSHOP 2: THEATRE IN PRACTICE I | 2 | Y |
| ΘΠ0101 | ART AND COPYRIGHT LAW | 5 | EE |
| ΣΓ0100 | INTRODUCTION TO EDUCATIONAL METHODS | 5 | Y |
| ΦΡ0203 | INTRODUCTION TO THE PEDAGOGY OF THEATRE | 5 | Y |
Dramatología-Parastasiología6. Semester
18 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΔΕ0103 | MOTHERS: ASPECTS OF THE ROLE IN THE EUROPEAN AND THE GREEK THEATRE | 5 | YE |
| ΔΕ0105 | 20TH CENTURY AMERICAN PLAYWRIGHTS | 5 | YE |
| ΔΕ0126 | Cultural Policy and Theatre | 5 | YE |
| ΔΕ0129 | POETRY: TEXTS AND RESPONSES | 5 | YE |
| ΕΣ0103 | DANCE-MOVEMENT III | 5 | EK |
| ΕΣ0110 | SWORDFIGHT II | 5 | EK |
| ΕΣ0200 | SWORDFIGHT | 5 | EK |
| ΘΠ0101 | ART AND COPYRIGHT LAW | 3 | EE |
| ΜΘ0101 | THEATRE SONG I | 5 | EK |
| ΝΔ0101 | COSTUME I: ANALYSIS | 5 | EK |
| ΠΛ0101 | VOICE TRAINING I | 5 | EK |
| ΠΡ0101 | CRITICAL ANALYSIS OF THEATER PERFORMANCES I | 5 | YK |
| ΠΡ0400 | DIRECTING I | 5 | EK |
| ΣΕ0500 | PROPS | 5 | EK |
| ΣΚ0102 | STUDIO OF SET DESIGN II:SYNTHESIS | 5 | EK |
| ΣΤ0609 | SPECIAL TOPICS IN THEATRE HISTORY:AN INTRODUCTION TO RUSSIAN THEATRE | 5 | EK |
| ΥΑ0284 | ACTING VI | 5 | EK |
| ΥΑ0285 | ACTING VII | 5 | EK |
Ypokritikī6. Semester
15 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΔΕ0103 | MOTHERS: ASPECTS OF THE ROLE IN THE EUROPEAN AND THE GREEK THEATRE | 5 | EK |
| ΔΕ0105 | 20TH CENTURY AMERICAN PLAYWRIGHTS | 2 | EK |
| ΕΣ0103 | DANCE-MOVEMENT III | 5 | YK |
| ΕΣ0110 | SWORDFIGHT II | 5 | YE |
| ΘΠ0101 | ART AND COPYRIGHT LAW | 3 | EE |
| ΜΘ0101 | THEATRE SONG I | 5 | YK |
| ΝΔ0101 | COSTUME I: ANALYSIS | 5 | EK |
| ΠΛ0101 | VOICE TRAINING I | 5 | YK |
| ΠΡ0101 | CRITICAL ANALYSIS OF THEATER PERFORMANCES I | 5 | EK |
| ΠΡ0400 | DIRECTING I | 5 | EK |
| ΣΕ0500 | PROPS | 5 | EK |
| ΣΚ0102 | STUDIO OF SET DESIGN II:SYNTHESIS | 5 | EK |
| ΣΤ0609 | SPECIAL TOPICS IN THEATRE HISTORY:AN INTRODUCTION TO RUSSIAN THEATRE | 5 | EK |
| ΥΑ0284 | ACTING VI | 5 | YK |
| ΥΑ0285 | ACTING VII | 5 | YK |
Skīnografía-Endymatología6. Semester
17 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΔΕ0103 | MOTHERS: ASPECTS OF THE ROLE IN THE EUROPEAN AND THE GREEK THEATRE | 5 | EK |
| ΔΕ0105 | 20TH CENTURY AMERICAN PLAYWRIGHTS | 2 | EK |
| ΕΣ0103 | DANCE-MOVEMENT III | 5 | EK |
| ΕΣ0110 | SWORDFIGHT II | 5 | EK |
| ΕΣ0200 | SWORDFIGHT | 5 | EK |
| ΘΠ0101 | ART AND COPYRIGHT LAW | 3 | EE |
| ΘΡ0110 | INTRODUCTION TO THEATRE LIGHTING I | 5 | YK |
| ΜΘ0101 | THEATRE SONG I | 5 | EK |
| ΝΔ0101 | COSTUME I: ANALYSIS | 5 | YK |
| ΠΛ0101 | VOICE TRAINING I | 5 | EK |
| ΠΡ0101 | CRITICAL ANALYSIS OF THEATER PERFORMANCES I | 5 | EK |
| ΠΡ0400 | DIRECTING I | 5 | EK |
| ΣΕ0500 | PROPS | 5 | YE |
| ΣΚ0102 | STUDIO OF SET DESIGN II:SYNTHESIS | 5 | YK |
| ΣΤ0609 | SPECIAL TOPICS IN THEATRE HISTORY:AN INTRODUCTION TO RUSSIAN THEATRE | 5 | EK |
| ΥΑ0284 | ACTING VI | 5 | EK |
| ΥΑ0285 | ACTING VII | 5 | EK |
Skīnothesía6. Semester
17 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΔΕ0103 | MOTHERS: ASPECTS OF THE ROLE IN THE EUROPEAN AND THE GREEK THEATRE | 5 | EK |
| ΔΕ0105 | 20TH CENTURY AMERICAN PLAYWRIGHTS | 2 | EK |
| ΕΣ0103 | DANCE-MOVEMENT III | 5 | EK |
| ΕΣ0110 | SWORDFIGHT II | 5 | EK |
| ΕΣ0200 | SWORDFIGHT | 5 | EK |
| ΘΠ0101 | ART AND COPYRIGHT LAW | 3 | EE |
| ΘΡ0110 | INTRODUCTION TO THEATRE LIGHTING I | 5 | YK |
| ΜΘ0101 | THEATRE SONG I | 5 | EK |
| ΝΔ0101 | COSTUME I: ANALYSIS | 5 | EK |
| ΠΛ0101 | VOICE TRAINING I | 5 | EK |
| ΠΡ0101 | CRITICAL ANALYSIS OF THEATER PERFORMANCES I | 5 | YE |
| ΠΡ0400 | DIRECTING I | 5 | YK |
| ΣΕ0500 | PROPS | 5 | EK |
| ΣΚ0102 | STUDIO OF SET DESIGN II:SYNTHESIS | 5 | EK |
| ΣΤ0609 | SPECIAL TOPICS IN THEATRE HISTORY:AN INTRODUCTION TO RUSSIAN THEATRE | 5 | EK |
| ΥΑ0284 | ACTING VI | 5 | EK |
| ΥΑ0285 | ACTING VII | 5 | EK |
Lehrveranstaltungen des 7. Semesters
KORMOS7. Semester
2 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΘΘ0211 | Special Topics in Ancient Drama: Moden Performances of Ancient Drama: The Ancients and Us. | 5 | YE |
| ΣΓ0200 | INTRODUCTION TO GROUP PSYCHOLOGY | 5 | Y |
Dramatología-Parastasiología7. Semester
14 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0301 | STAGE LIGHTING I | 5 | EK |
| ΔΕ0107 | Literary translation - Prose, Poetry, Drama | 5 | YE |
| ΔΕ0108 | Precarity in contemporary theatre | 5 | YE |
| ΔΕ0120 | THE EUROPEAN COMEDY TRADITION: FROM MENANDER TO SCRIBE | 5 | YE |
| ΔΕ0131 | POLITIKĪ KAI KŌMŌDIA STĪ METAPOLEMIKĪ ELLADA | 5 | YE |
| ΔΡ0401 | Creative Writing I | 5 | EK |
| ΘΘ0211 | Special Topics in Ancient Drama: Moden Performances of Ancient Drama: The Ancients and Us. | 5 | EK |
| ΘΘ0212 | SPECIAL TOPICS IN DRAMA: PRODUCTION DRAMATURGY | 5 | YK |
| ΝΔ0102 | COSTUME II-SYNTHESIS | 5 | EK |
| ΠΡ0301 | DIRECTING TRENDS IN EUROPE I | 5 | EK |
| ΠΡ0401 | DIRECTING II | 5 | EK |
| ΣΚ0101 | SET DESIGN: ANALYSIS | 5 | EK |
| ΥΑ0286 | ACTING VIII | 5 | EK |
| ΥΑ0287 | ACTING IX | 5 | EK |
Ypokritikī7. Semester
10 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0301 | STAGE LIGHTING I | 5 | EK |
| ΔΡ0401 | Creative Writing I | 5 | EK |
| ΘΘ0211 | Special Topics in Ancient Drama: Moden Performances of Ancient Drama: The Ancients and Us. | 5 | EK |
| ΘΘ0212 | SPECIAL TOPICS IN DRAMA: PRODUCTION DRAMATURGY | 5 | EK |
| ΝΔ0102 | COSTUME II-SYNTHESIS | 5 | EK |
| ΠΡ0301 | DIRECTING TRENDS IN EUROPE I | 5 | EK |
| ΠΡ0401 | DIRECTING II | 5 | EK |
| ΣΚ0101 | SET DESIGN: ANALYSIS | 5 | EK |
| ΥΑ0286 | ACTING VIII | 5 | YK |
| ΥΑ0287 | ACTING IX | 5 | YE |
Skīnografía-Endymatología7. Semester
8 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0301 | STAGE LIGHTING I | 5 | YK |
| ΔΡ0401 | Creative Writing I | 5 | EK |
| ΘΘ0211 | Special Topics in Ancient Drama: Moden Performances of Ancient Drama: The Ancients and Us. | 5 | EK |
| ΘΘ0212 | SPECIAL TOPICS IN DRAMA: PRODUCTION DRAMATURGY | 5 | EK |
| ΝΔ0102 | COSTUME II-SYNTHESIS | 5 | YK |
| ΠΡ0301 | DIRECTING TRENDS IN EUROPE I | 5 | EK |
| ΠΡ0401 | DIRECTING II | 5 | EK |
| ΣΚ0101 | SET DESIGN: ANALYSIS | 5 | YK |
Skīnothesía7. Semester
8 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0301 | STAGE LIGHTING I | 5 | YK |
| ΔΡ0401 | Creative Writing I | 5 | YE |
| ΘΘ0211 | Special Topics in Ancient Drama: Moden Performances of Ancient Drama: The Ancients and Us. | 5 | EK |
| ΘΘ0212 | SPECIAL TOPICS IN DRAMA: PRODUCTION DRAMATURGY | 5 | YK |
| ΝΔ0102 | COSTUME II-SYNTHESIS | 5 | EK |
| ΠΡ0301 | DIRECTING TRENDS IN EUROPE I | 5 | YK |
| ΠΡ0401 | DIRECTING II | 5 | YK |
| ΣΚ0101 | SET DESIGN: ANALYSIS | 5 | EK |
Lehrveranstaltungen des 8. Semesters
KORMOS8. Semester
5 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΔΕ0110 | BERTOLT BRECHT | 2 | YE |
| ΔΠ0200 | THEORIES OF THE THEATRE | 5 | Y |
| ΔΡ0209 | Comparative drama/performance: contemporary representations and performances of gender | 5 | YE |
| ΕΡ0204 | WORKSHOP 4: THEATRE IN PRACTICE 3 | 2 | Y |
| ΦΡ0205 | PEDAGOGY OF THEATRE: APPLYING THEATRE IN SOCIAL AND CULTURAL CONTEXTS | 5 | Y |
Dramatología-Parastasiología8. Semester
19 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0201 | COMPUTER AIDED DESIGN AND DRAWING | 5 | EK |
| ΔΕ0110 | BERTOLT BRECHT | 5 | YE |
| ΔΕ0115 | WOMEN OF TRACHIS | 5 | YE |
| ΔΕ0116 | THE GREEK THEATRE IN THE INTERWAR YEARS | 5 | YE |
| ΔΕ0121 | WOMEN'S AUTOBIOGRAPHIES | 5 | YE |
| ΔΕ0130 | PERFORMANCE AND HISTRORICAL AVANT-GARDE: DADA | 5 | YE |
| ΔΠ0402 | PRACTICAL TRAINING | 5 | EK |
| ΔΡ0209 | Comparative drama/performance: contemporary representations and performances of gender | 5 | EK |
| ΕΣ0104 | DANCE-MOVEMENT IV | 5 | EK |
| ΘΘ0213 | PRODUCTION DRAMATURGY II | 5 | EK |
| ΜΘ0110 | PRACTICING MUSICAL THEATER | 5 | EK |
| ΝΔ0204 | APPLIED COSTUME DESIGN | 5 | EK |
| ΠΛ0102 | VOICE TRAINING II | 5 | EK |
| ΠΡ0302 | DIRECTING TRENDS IN EUROPE II | 5 | EK |
| ΠΡ0402 | DIRECTING III | 5 | EK |
| ΣΘ0101 | SPECIALIZED DIRECTING WORKSHOP: THEATRE FOR CHILDREN AND ADOLESCENTS | 5 | EK |
| ΣΚ0300 | PAINTING SETS FOR THEATRE | 5 | EK |
| ΥΑ0288 | ACTING X | 5 | EK |
| ΥΑ0289 | ACTING XI | 5 | EK |
Ypokritikī8. Semester
17 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0201 | COMPUTER AIDED DESIGN AND DRAWING | 5 | EK |
| ΔΕ0110 | BERTOLT BRECHT | 5 | EK |
| ΔΕ0115 | WOMEN OF TRACHIS | 5 | EK |
| ΔΕ0116 | THE GREEK THEATRE IN THE INTERWAR YEARS | 5 | EK |
| ΔΠ0402 | PRACTICAL TRAINING | 5 | EK |
| ΔΡ0209 | Comparative drama/performance: contemporary representations and performances of gender | 5 | EK |
| ΕΣ0104 | DANCE-MOVEMENT IV | 5 | YE |
| ΘΘ0213 | PRODUCTION DRAMATURGY II | 5 | EK |
| ΜΘ0110 | PRACTICING MUSICAL THEATER | 5 | YE |
| ΝΔ0204 | APPLIED COSTUME DESIGN | 5 | EK |
| ΠΛ0102 | VOICE TRAINING II | 5 | YE |
| ΠΡ0302 | DIRECTING TRENDS IN EUROPE II | 5 | EK |
| ΠΡ0402 | DIRECTING III | 5 | EK |
| ΣΘ0101 | SPECIALIZED DIRECTING WORKSHOP: THEATRE FOR CHILDREN AND ADOLESCENTS | 5 | EK |
| ΣΚ0300 | PAINTING SETS FOR THEATRE | 5 | EK |
| ΥΑ0288 | ACTING X | 5 | YE |
| ΥΑ0289 | ACTING XI | 5 | YE |
Skīnografía-Endymatología8. Semester
17 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0201 | COMPUTER AIDED DESIGN AND DRAWING | 5 | YE |
| ΔΕ0110 | BERTOLT BRECHT | 5 | EK |
| ΔΕ0115 | WOMEN OF TRACHIS | 5 | EK |
| ΔΕ0116 | THE GREEK THEATRE IN THE INTERWAR YEARS | 5 | EK |
| ΔΠ0402 | PRACTICAL TRAINING | 5 | EK |
| ΔΡ0209 | Comparative drama/performance: contemporary representations and performances of gender | 5 | EK |
| ΕΣ0104 | DANCE-MOVEMENT IV | 5 | EK |
| ΘΘ0213 | PRODUCTION DRAMATURGY II | 5 | EK |
| ΜΘ0110 | PRACTICING MUSICAL THEATER | 5 | EK |
| ΝΔ0204 | APPLIED COSTUME DESIGN | 5 | YE |
| ΠΛ0102 | VOICE TRAINING II | 5 | EK |
| ΠΡ0302 | DIRECTING TRENDS IN EUROPE II | 5 | EK |
| ΠΡ0402 | DIRECTING III | 5 | EK |
| ΣΘ0101 | SPECIALIZED DIRECTING WORKSHOP: THEATRE FOR CHILDREN AND ADOLESCENTS | 5 | EK |
| ΣΚ0300 | PAINTING SETS FOR THEATRE | 5 | YE |
| ΥΑ0288 | ACTING X | 5 | EK |
| ΥΑ0289 | ACTING XI | 5 | EK |
Skīnothesía8. Semester
17 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΓΛ0201 | COMPUTER AIDED DESIGN AND DRAWING | 5 | EK |
| ΔΕ0110 | BERTOLT BRECHT | 5 | EK |
| ΔΕ0115 | WOMEN OF TRACHIS | 5 | EK |
| ΔΕ0116 | THE GREEK THEATRE IN THE INTERWAR YEARS | 5 | EK |
| ΔΠ0402 | PRACTICAL TRAINING | 5 | EK |
| ΔΡ0209 | Comparative drama/performance: contemporary representations and performances of gender | 5 | EK |
| ΕΣ0104 | DANCE-MOVEMENT IV | 5 | EK |
| ΘΘ0213 | PRODUCTION DRAMATURGY II | 5 | EK |
| ΜΘ0110 | PRACTICING MUSICAL THEATER | 5 | EK |
| ΝΔ0204 | APPLIED COSTUME DESIGN | 5 | EK |
| ΠΛ0102 | VOICE TRAINING II | 5 | EK |
| ΠΡ0302 | DIRECTING TRENDS IN EUROPE II | 5 | YK |
| ΠΡ0402 | DIRECTING III | 5 | YK |
| ΣΘ0101 | SPECIALIZED DIRECTING WORKSHOP: THEATRE FOR CHILDREN AND ADOLESCENTS | 5 | YK |
| ΣΚ0300 | PAINTING SETS FOR THEATRE | 5 | EK |
| ΥΑ0288 | ACTING X | 5 | EK |
| ΥΑ0289 | ACTING XI | 5 | EK |
Lehrveranstaltungen des 9. Semesters
Dramatología-Parastasiología9. Semester
3 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΔΕ0113 | URBAN PERFORMANCES AND PUBLIC SPACE: THE RIGHT TO THE CITY | 5 | YE |
| ΔΕ0124 | DOCUMENTARY THEATRE: THEORY AND PRACTICE | 5 | YE |
| ΠΡ0403 | DIRECTING IV | 5 | EK |
Skīnografía-Endymatología9. Semester
1 Veranstaltung
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΠΡ0403 | DIRECTING IV | 5 | EK |
Skīnothesía9. Semester
1 Veranstaltung
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΠΡ0403 | DIRECTING IV | 5 | YK |
Lehrveranstaltungen des 10. Semesters
Dramatología-Parastasiología10. Semester
3 Veranstaltungen
| Code | Titel | ECTS | Typ |
|---|---|---|---|
| ΔΕ0127 | GERMAN-LANGUAGE THEATER IN THE 20TH AND 21ST CENTURIES | 5 | YE |
| ΔΕ0128 | PSĪFIAKO THEATRO | 5 | YE |
| ΔΕ0132 | The Postdramatic Theatre | 5 | YE |
