THEMES OF MORPHOLOGY OF THE ECCLESIASTICAL MUSIC

Course Information
TitleΘΕΜΑΤΑ ΜΟΡΦΟΛΟΓΙΑΣ ΤΗΣ ΕΚΚΛΗΣΙΑΣΤΙΚΗΣ ΜΟΥΣΙΚΗΣ / THEMES OF MORPHOLOGY OF THE ECCLESIASTICAL MUSIC
CodeΘ217
FacultyTheology
SchoolSocial Theology and Christian Culture
Cycle / Level1st / Undergraduate
Teaching PeriodSpring
CoordinatorSpyridon Antoniou
CommonYes
StatusInactive
Course ID60002106
Class Information
Academic Year2016 – 2017
Class PeriodSpring
Instructors from Other Categories
  • Antonios Konstantinidis
Weekly Hours3
Total Hours39
Class ID
600056638
Course Type 2016-2020
  • Scientific Area
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
  • Face to face
Digital Course Content
Language of Instruction
  • Greek (Instruction, Examination)
Learning Outcomes
The purpose of this unit is to introduce the students to Byzantine Ecclesiastical chanting Art and Hymnology and the Music Manuscript Treasures and equip them with an understanding and qualifications for teaching Byzantine Music in schools, cultural and other academic institutes of higher learning. The promotion of Byzantine Psaltic Art Music and their own familiarizing with the chant for their personal cultivation and participation in liturgical life.
General Competences
  • Apply knowledge in practice
  • Work autonomously
Course Content (Syllabus)
Introductory remarks on Byzantine musicology. Elements of Byzantine Musicological research status in Greece and Abroad and its evolution. Introduction to the basic terminology of Byzantine Musicology. The Explanation and Analysis of the ancient semeiography. Theory and Practice of Psaltic Art. The primary melodists and hymnographers.
Educational Material Types
  • Notes
  • Audio
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Communication with Students
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Lectures✓
Artistic Workshop
Total
Student Assessment
Student Assessment methods
  • Oral Exams (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
Σπ. Aντωνίου, Η Μορφολογία της Βυζ. Εκ/κής Μουσικής, εκδ. Βάνιας, Θεσσαλονίκη 2008.
Additional bibliography for study
Ἀλυγιζάκη Ἀντ., Ἡ Ὀκταηχία στήν Ἑλληνική Λειτουργική Ὑµνογραφία, ἐκδόσεις Π. Πουρναρά, Θεσσαλονίκη, (1985). Βαμ¬βου¬δά¬κη Ἐμ¬μ., Συμ¬βο¬λὴ εἰς τὴν σπου¬δὴν τῆς πα¬ρα¬ση¬μαν¬τι¬κῆς τῶν βυ¬ζαν¬τι¬νῶν μου¬σι¬κῶν, Τό¬μος Α’, Μέ¬ρος Γε¬νι¬κόν, Σά¬μος 1938. Εὐθυµιάδη Ἀβράαµ, Μαθήµατα ἐκκλησιαστικῆς βυζαντινῆς µουσικῆς, β΄ ἔκδοση Θεσσαλονίκη 1972. Καραγκούνη Κων/νου, Ἡ πα¬ρά¬δο¬ση καὶ ἐ¬ξή¬γη¬ση τοῦ μέ¬λους τῶν Χε¬ρου¬βι¬κῶν τῆς βυ-ζαν¬τι¬νῆς καὶ με¬τα¬βυ¬ζαν¬τι¬νῆς με¬λο¬ποι¬ί¬ας, Ἵ¬δρυ¬μα Βυ¬ζαν¬τι¬νῆς Μου¬σι¬κο¬λο¬γί¬ας, Σει¬ρὰ Μελέται, Ἀ¬ριθ¬μὸς 7, Ἀ¬θῆ¬ναι 2003. Πα¬πα¬δο¬πο¬ύ¬λου Γ., Συµ¬βο¬λαί εἰς τήν ἱ¬στο¬ρί¬αν τῆς παρ᾿ ἡ¬µῖν ἐκ¬κλη¬σι¬α¬στι¬κῆς Μου¬σι-κῆς, Ἀ¬θή¬να 1977. Στε¬φα¬νί¬δου Βασ., Σχε¬δί¬α¬σμα πε¬ρὶ μου¬σι¬κῆς ἰ¬δι¬αί¬τε¬ρον ἐκ¬κλη¬σι¬α¬στι¬κῆς, Πα¬ράρ¬τη¬μα Ἐκ¬κλη¬σι¬α¬στι¬κῆς Ἀ¬λη¬θεί¬ας, Τεῦ¬χος Ε’, Ἔ¬τος 1902. Tardo Lorenzo, L’ Antica Melurgia Byzantina, Grottaferrata, 1938. Thibaut ; j .B., Monuments de la notation ekphonétique et hagiopolite de l’ église grecque, St. Petersburg 1913. Χρυ¬σάν¬θου τοῦ ἐκ Μα¬δύ¬των, Θε¬ω¬ρη¬τι¬κὸν Μέ¬γα της Μου¬σι¬κῆς, συν¬τα¬χθὲν μὲν πα¬ρὰ Χρυ¬σάν¬θου ἀρ¬χι¬ε¬πι¬σκό¬που Διρ¬ρα¬χί¬ου τοῦ ἐκ Μα¬δύ¬των, ἐκ¬δο¬θὲν δὲ ὑ¬πὸ Πα¬να¬γι¬ώ-του Γ. Πε¬λο¬πί¬δου Πε¬λο¬πον¬νη¬σί¬ου δι¬ὰ φι¬λο¬τί¬μου συν¬δρο¬μῆς τῶν ὁ¬μο¬γε¬νῶν, ἐν Τερ-γέ¬στῃ, ἐκ τῆς Τυ¬πο¬γρα¬φί¬ας Μι¬χα¬ὴλ Βά¬ις (Michele Weis), 1832. Ψά¬χου Κων¬/¬νου, Ἡ Πα¬ρα¬ση¬μαν¬τι¬κὴ τῆς βυ¬ζαν¬τι¬νῆς μου¬σι¬κῆς, ἤ¬τοι ἱ¬στο¬ρι¬κὴ καὶ τε¬χνι-κὴ ἐ¬πι¬σκό¬πη¬σις τῆς ση¬μει¬ο¬γρα¬φί¬ας τῆς βυ¬ζαν¬τι¬νῆς μου¬σι¬κῆς ἀ¬πὸ τῶν πρώ¬των χρι¬στια¬νι¬κῶν χρό¬νων μέ¬χρι τῶν καθ’ ἠ¬μᾶς, ἔκ¬δο¬σις δευ¬τέ¬ρα ὑ¬πε¬ρηυ¬ξη¬μέ¬νη, με¬τὰ ἐ¬κτε¬νοῦς βι¬ο¬γρα¬φί¬ας καὶ εἰ¬σα¬γω¬γῆς συν¬τα¬χθεί¬σης ὑ¬πὸ τοῦ ἐ¬πι¬με¬λη¬θέν¬τος τὴν ἔκ¬δο¬σιν Γε¬ωρ¬γί¬ου Χα¬τζη¬θε¬ο¬δώ¬ρου κα¬θη¬γη¬τοῦ μου¬σι¬κῆς, Ἐκ¬δό¬σεις Δι¬ό¬νυ¬σος, Ἀ-θῆ¬ναι 1978.
Last Update
11-11-2015