Course Information
FacultyFine Arts
Cycle / Level1st / Undergraduate
Teaching PeriodWinter
Course ID280005993

Programme of Study: UPS of School of Film Studies (2009-2013)

Registered students: 119
OrientationAttendance TypeSemesterYearECTS
CoreElective Courses beloging to the selected specialization746

Class Information
Academic Year2017 – 2018
Class PeriodWinter
Faculty Instructors
Weekly Hours3
Class ID
Course Type 2016-2020
  • Scientific Area
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
  • Face to face
Digital Course Content
The course is also offered to exchange programme students.
Language of Instruction
  • Greek (Instruction, Examination)
Learning Outcomes
1/ Ability to read the signifying internal structure of films, focusing on their style 2/ Use of different cinematic styles 3/ Development of film directing abilities at a high level 4/ Finding elements of a personal style and viewpoint 5/ Planning and realization of small scale project
General Competences
  • Apply knowledge in practice
  • Retrieve, analyse and synthesise data and information, with the use of necessary technologies
  • Adapt to new situations
  • Make decisions
  • Work autonomously
  • Work in teams
  • Work in an international context
  • Work in an interdisciplinary team
  • Generate new research ideas
  • Design and manage projects
  • Appreciate diversity and multiculturality
  • Respect natural environment
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Course Content (Syllabus)
Applied Aesthetics: Issues of Style. Practiced theory and theory in practice, aiming at the cultivation of diversity of directing styles. Analysis of fragments from different films (from classically narrative to extremely avant-garde), using multiple methodologies (structuralist, neo-formalist, psychoanalytic), with a strict focus on an internal approach, synchronically and diachronically. Comprehension in practice of the elements that constitute a film’s style. Synthesis of the different kinds of knowledge and expertise around the cinematic construction, stressing the question of style. This module is addressed mainly to students aspiring to become film directors (who have chosen the direction “Film Directing”). The students learn to read the signifying internal structure of films, focusing on their style. They experiment in individual synthetic exercises on different cinematic styles. They search the particular influences through which they shape their own personal gaze and point of view. They locate the areas of their stylistic and conceptual interests, in preparation for the the final 8ΕΡ1 WORKSHOP and their final-year synthetic DEGREE THESES.
film direction, style, personal viewpoint
Educational Material Types
  • Notes
  • Slide presentations
  • Video lectures
  • Audio
  • Multimedia
  • Interactive excersises
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Laboratory Teaching
  • Use of ICT in Communication with Students
In teaching, we are using technologies of moving image and sound reproduction. For the workshop’s projects, the students are using technologies of moving image and sound recording and post-production. Outside classes, one of the ways that we communicate with the students about the courses is via Internet.
Course Organization
Artistic Workshop240.8
Artistic creation1083.6
Student Assessment
Student Assessment methods
  • Written Exam with Short Answer Questions (Formative)
  • Performance / Staging (Formative, Summative)
  • Written Exam with Problem Solving (Formative)
  • Art Creation (Formative, Summative)
Course Bibliography (Eudoxus)
1. ΑΓΓΕΛΙΔΗ Αντουανέτα, ΜΑΧΑΙΡΑ Ε., ΚΥΡΙΑΚΟΣ Κ., Γραφές για τον Κινηματογράφο: Διεπιστημονικές Προσεγγίσεις, Νεφέλη, Αθήνα, 2005 2. Αντουανέττα Αγγελίδη (μονογραφία), επιμ. Σ. Θεοδωράκη, Φεστιβάλ Κινηματογράφου Θεσσαλονίκης & Αιγόκερως, Αθήνα, 2005 3. DELEUZE G., Κινηματογράφος ΙΙ: Η χρονο-εικόνα, επιμ. Κ.Καψαμπέλη, μτφρ. Μ.Μάτσας, Νήσος, Αθήνα, 2010 4. STAM R., BURGOYNE R., FLITTERMAN-LEWIS S., Νέες Προσεγγίσεις στη Σημειωτική του Κινηματογράφου, επιμ. Χρ. Δερμεντζόπουλος, εισ. Σ. Δημητρίου, μτφρ. Ειρ. Σταματοπούλου, Μεταίχμιο, Αθήνα, 2009
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