WORKSHOP VIII
| Title | ΕΡΓΑΣΤΗΡΙΟ VIII / WORKSHOP VIII |
| Code | 8ΕΡ1 |
| Faculty | Fine Arts |
| School | Film |
| Cycle / Level | 1st / Undergraduate |
| Teaching Period | Spring |
| Coordinator | Konstantinos Kefalas |
| Common | Yes |
| Status | Active |
| Course ID | 280005997 |
Programme of Study: UPS of School of Film Studies (2009-2013)
Registered students: 160
| Orientation | Attendance Type | Semester | Year | ECTS |
|---|---|---|---|---|
| Core | Elective Courses beloging to the selected specialization | 8 | 4 | 6 |
| Academic Year | 2017 – 2018 |
| Class Period | Spring |
| Faculty Instructors | |
| Weekly Hours | 6 |
| Class ID | 600110433
|
Class Schedule
| Building | Τμήμα Κινηματογράφου |
| Floor | Όροφος 2 |
| Hall | ΑΙΘΟΥΣΑ ΣΕΝΑΡΙΟΥ (304) |
| Calendar | Thursdsay 13:00 to 18:40 |
Course Type 2016-2020
- Scientific Area
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
- Face to face
Digital Course Content
- e-Study Guide https://qa.auth.gr/en/class/1/600110433
- At the Website of the School: http://www.film.auth.gr/el/spoudes/proptyxiaka/mathimata/ergastirio-viii
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
- Greek (Instruction, Examination)
Learning Outcomes
1/ Development of production design and film directing abilities at a high level
2/ Experience of a simulation of all the stages of a film’s production
3/ Planning and realization of medium scale project
4/ High complexity collaboration of the different professions involved in film-making
General Competences
- Apply knowledge in practice
- Retrieve, analyse and synthesise data and information, with the use of necessary technologies
- Adapt to new situations
- Make decisions
- Work autonomously
- Work in teams
- Work in an international context
- Work in an interdisciplinary team
- Generate new research ideas
- Design and manage projects
- Appreciate diversity and multiculturality
- Respect natural environment
- Demonstrate social, professional and ethical commitment and sensitivity to gender issues
- Be critical and self-critical
- Advance free, creative and causative thinking
Course Content (Syllabus)
Realization of a film.
The realization of a film as a function of the collaboration of the different professions in film-making (as well as of the different academic directions of our School).
Having already located the fields of their stylistic and conceptual interests, the students will form groups and produce collaboratively longer film projects.
This is a preparation for their final-year synthetic DEGREE THESES.
Keywords
film realization, production, film directing, collaboration
Educational Material Types
- Notes
- Slide presentations
- Video lectures
- Audio
- Multimedia
- Interactive excersises
- Book
Use of Information and Communication Technologies
Use of ICT
- Use of ICT in Course Teaching
- Use of ICT in Laboratory Teaching
- Use of ICT in Communication with Students
Description
In teaching, we are using technologies of moving image and sound reproduction. For the workshop’s projects, the students are using technologies of moving image and sound recording and post-production. Outside classes, one of the ways that we communicate with the students about the courses is via Internet.
Course Organization
| Activities | Workload | ECTS | Individual | Teamwork | Erasmus |
|---|---|---|---|---|---|
| Lectures | 78 | 2.6 | |||
| Artistic creation | 99 | 3.3 | |||
| Exams | 3 | 0.1 | |||
| Total | 180 | 6 |
Student Assessment
Student Assessment methods
- Written Exam with Short Answer Questions (Formative)
- Performance / Staging (Formative, Summative)
- Written Exam with Problem Solving (Formative)
- Art Creation (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
1. DREYER C., Το Μοναδικό μου Μεγάλο Πάθος, Καθρέφτης, Αθήνα
2. Συλλογικό, KRYSZTOF KIESLOWSKI, επιμ Mιχάλης Δημόπουλος, Αχιλλέας Κυριακίδης, εκδ. Καστανιώτης 1995
3. Συλλογικό έργο, KENZI MIZOGUCHI, επιμ. κειμένων Μπάμπης Ακτσόγου, Μιχάλης Δημόπουλος, Επιμέλεια Αχιλλέας Κυριακίδης, εκδ. Φεστ. Κινηματογράφου Θεσ/νίκης 2000.
4. METZ Ch., Ψυχανάλυση και Κινηματογράφος: Το Φαντασιακό Σημαίνον, μτφρ. Β. Πατσογιάννης & Φ. Σιατίστας, Πλέθρον, Αθήνα, 2007
5. ΜΠΡΕΣΣΟΝ Ρ., Σημειώσεις για τον Κινηματογράφο, μτφρ. Α. Βουτσαδάκη, Καθρέφτης, Αθήνα
6. MULVEY L., Οπτικές και άλλες απολαύσεις, μτφρ. Μ. Κουλεντινού, Παπαζήσης, Αθήνα
7. ΜΠΟΥΝΙΟΥΕΛ Λουϊς, Η τελευταία πνοή, μτφρ. Μαρία Μπαλάσκα, εκδ. Οδυσσέας 1984.
8. ΦΕΛΙΝΙ Φεντερίκο, Ο Φελίνι για τον Φελίνι, μτφρ. Τασούλα Καραϊσκάκη, εκδ. Οδυσσέας 1982.
9. BERGMAN Ingmar, Η μαγική κάμερα – αυτοβιογραφία, μτφρ. Θόδωρος Καλλιφατίδης, εκδ. Κάκτος 1989.
10. ΚΟΥΡΟΣΑΒΑ Ακίρα, Κάτι σαν αυτοβιογραφία, Μτφρ. Μάκης Μωραϊτης, εκδ. Αιγόκερως 1990.
11. ΓΚΟΝΤΑΡ Ζαν Λυκ, Γένεση μιας κάμερας, εκδ. Αιγόκερως, 1991.
12. TΑΡΚΟΦΣΚΙ Αντρέι, Μαρτυρολόγιο, μτφ Αλέξανδρος Ίσαρης, εκδ. Νεφέλη.
13. ΡΙNEL Vincent, Το μοντάζ, μτφρ. Αναστασία Μπαλτά, εκδ. Πατάκη 2003.
14. Συλλογικό έργο, Το μοντάζ: Κείμενα διαφόρων σκηνοθετών και θεωρητικών, εκδ. Αιγόκερως.
15. STRAUS Frederic - HUET Anne, Η κατασκευή μιας ταινίας, μτφρ. Μαρία Γαβαλά, εκδ. Πατάκη 2007.
Last Update
26-07-2017
