The understanding of the importance of study and open research of the many and different tendencies and perceptions in printmaking, like the combined methods of engraving and printing, the different mixed techniques, but also issues like the construction of hand-made paper, engraving and monotypes, painting over copies, printmaking and photography, printmaking and digital image, printmaking in space as installation or construction. Applicable methods of the relations of traditional printmaking with digital art printing.
Course Content (Syllabus)
Relief (stencil) and intaglio printmaking, lithography, relation of these techniques with the photo-engraving and with the P.C.
It’s all about the study and the open research of the many and different trends and perceptions, like the mixed media techniques in engraving and printing, of different other techniques, but also issues like making hand-made paper, engraving and monotypes, painting over copies, printmaking and photography, printmaking and digital image, printmaking in space as installation or construction.
For class teaching, are made projections, also the use of drawing programs on PC and through the supervised access of the students who are interested in using the PC-s that are on the first floor of the workshop.
Using the web, we propose visiting the important galleries, museums, etc.
The students use e-mail as a mean of communicating and they have access at the announcement made from the workshop that are found on the website of the Faculty.
The work of students is examined in the presents of every student in the workshop.
Course Bibliography (Eudoxus)
1. Βιβλίο: ΟΜΑΔΕΣ,ΚΙΝΗΜΑΤΑ,ΤΑΣΕΙΣ ΤΗΣ ΣΥΓΧΡΟΝΗΣ ΤΕΧΝΗΣ ΜΕΤΑ ΤΟ 1945, ΑΝΩΤΑΤΗ ΣΧΟΛΗ ΚΑΛΩΝ ΤΕΧΝΩΝ ΠΑΡΙΣΙΟΥ
2. Βιβλίο : ΤΟ ΠΟΛΙΤΙΚΟ ΣΤΗ ΣΥΓΧΡΟΝΗ ΤΕΧΝΗ, ΣΥΛΛΟΓΙΚΟ, ΕΠΙΜ. ΓΙΑΝΝΗΣ ΣΤΑΥΡΑΚΑΚΗΣ, ΚΩΣΤΗΣ ΣΤΑΦΥΛΑΚΗΣ